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The Resource A reader in animation studies, edited by Jayne Pilling

A reader in animation studies, edited by Jayne Pilling

Label
A reader in animation studies
Title
A reader in animation studies
Statement of responsibility
edited by Jayne Pilling
Contributor
Editor
Subject
Genre
Language
eng
Summary
<P>Cartoons-both from the classic Hollywood era and from more contemporary feature films and television series-offer a rich field for detailed investigation and analysis. Contributors draw on theories and methodology from film, television, and media studies, art history and criticism, and feminism and gender studies.</P>
Action
digitized
Cataloging source
OCLCE
Dewey number
791.43/3
Illustrations
illustrations
Index
no index present
LC call number
TR897.5
LC item number
.R43 1997eb
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
  • Pilling, Jayne
  • Society of Animation Studies
http://library.link/vocab/subjectName
  • Animation (Cinematography)
  • Computer animation
  • PERFORMING ARTS
  • Animation (Cinematography)
  • Computer animation
  • Filmtechnik
  • Filmanalyse
  • Zeichentrickfilm
  • Filmtechnik
  • Filmanalyse
  • Zeichentrickfilm
Label
A reader in animation studies, edited by Jayne Pilling
Instantiates
Publication
Antecedent source
file reproduced from original
Bibliography note
Includes bibliographical references (pages 219-220)
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
black and white
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • New technologies: What is animation and who needs to know? an essay on definitions / Philip Kelly Denslow. "Reality' effects in computer animation / Lev Manovich. Second-order realism and post-modern aesthetics in computer animation / Andy Darley -- Text and context, analyses of individual films: The Quay brothers' The Epic of Gilgamesh and the 'metaphysics of obscenity' / Steve Weiner. Narrative strategies for resistance and protest in Eastern European animation / William Moritz. Putting themselves in the pictures; images of women in the work of Joanna Quinn, Candy Guard and Alison de Vere / Sandra Law. An analysis of Susan Pitt's Asparagus and Joanna Priestley's All my relations / Sharon Couzin. Clay animation comes out of the inkwell, The Fleischer brothers and clay animation / Michael Frierson. Bartosch's The Idea / William Moritz. Norman McLaren and Jules Engel, Post-modernists / William Mortiz. Disney, Warner Bros. and Japanese animation / Luca Raffaelli
  • Contemporary cartoons and cultural studies: The thief of Buena Vista; Disney's Aladdin and Orientalism / Leslie Felperin. Animatophilia, cultural production and corporate interests, The case of Ren & Stimpy / Mark Langer -- Theoretical approaches: Francis Bacon and Walt Disney revisited / Simon Pummell. Body consciousness in the films of Jan Svankmajer / Paul Wells. Eisenstein and Stokes on Disney, film animation and omnipotence / Michael O'Pray. Towards a post-modern animated discourse; Bakhtin, intertextuality and the cartoon carnival / Terrance R. Lindvall and J. Matthew Melton
  • (Rewriting) history: Restoring the aesthetics of early abstract films / William Moritz. Resistance and subversion in animated films of the Nazi era; The case of Hans Fischerkoesen / William Moritz. European influences on early Disney feature films / Robin Allan, Norm Ferguson and the Latin American films of Walt Disney / J.B. Kaufman
Control code
607774640
Dimensions
unknown
Extent
1 online resource (xviii, 283 pages)
Form of item
online
Isbn
9780861969005
Level of compression
  • lossless
  • lossy
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other physical details
illustrations
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctt16gmfjz
Reformatting quality
  • preservation
  • access
Reproduction note
Electronic reproduction.
Specific material designation
remote
System control number
(OCoLC)607774640
System details
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Label
A reader in animation studies, edited by Jayne Pilling
Publication
Antecedent source
file reproduced from original
Bibliography note
Includes bibliographical references (pages 219-220)
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
black and white
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • New technologies: What is animation and who needs to know? an essay on definitions / Philip Kelly Denslow. "Reality' effects in computer animation / Lev Manovich. Second-order realism and post-modern aesthetics in computer animation / Andy Darley -- Text and context, analyses of individual films: The Quay brothers' The Epic of Gilgamesh and the 'metaphysics of obscenity' / Steve Weiner. Narrative strategies for resistance and protest in Eastern European animation / William Moritz. Putting themselves in the pictures; images of women in the work of Joanna Quinn, Candy Guard and Alison de Vere / Sandra Law. An analysis of Susan Pitt's Asparagus and Joanna Priestley's All my relations / Sharon Couzin. Clay animation comes out of the inkwell, The Fleischer brothers and clay animation / Michael Frierson. Bartosch's The Idea / William Moritz. Norman McLaren and Jules Engel, Post-modernists / William Mortiz. Disney, Warner Bros. and Japanese animation / Luca Raffaelli
  • Contemporary cartoons and cultural studies: The thief of Buena Vista; Disney's Aladdin and Orientalism / Leslie Felperin. Animatophilia, cultural production and corporate interests, The case of Ren & Stimpy / Mark Langer -- Theoretical approaches: Francis Bacon and Walt Disney revisited / Simon Pummell. Body consciousness in the films of Jan Svankmajer / Paul Wells. Eisenstein and Stokes on Disney, film animation and omnipotence / Michael O'Pray. Towards a post-modern animated discourse; Bakhtin, intertextuality and the cartoon carnival / Terrance R. Lindvall and J. Matthew Melton
  • (Rewriting) history: Restoring the aesthetics of early abstract films / William Moritz. Resistance and subversion in animated films of the Nazi era; The case of Hans Fischerkoesen / William Moritz. European influences on early Disney feature films / Robin Allan, Norm Ferguson and the Latin American films of Walt Disney / J.B. Kaufman
Control code
607774640
Dimensions
unknown
Extent
1 online resource (xviii, 283 pages)
Form of item
online
Isbn
9780861969005
Level of compression
  • lossless
  • lossy
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other physical details
illustrations
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctt16gmfjz
Reformatting quality
  • preservation
  • access
Reproduction note
Electronic reproduction.
Specific material designation
remote
System control number
(OCoLC)607774640
System details
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.

Library Locations

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      38.710138 -90.311107
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