Coverart for item
The Resource Cognitive foundations of musical pitch, Carol L. Krumhansl

Cognitive foundations of musical pitch, Carol L. Krumhansl

Label
Cognitive foundations of musical pitch
Title
Cognitive foundations of musical pitch
Statement of responsibility
Carol L. Krumhansl
Creator
Subject
Language
eng
Member of
Cataloging source
DLC
http://library.link/vocab/creatorName
Krumhansl, Carol L
Dewey number
781/.11
Illustrations
illustrations
Index
index present
LC call number
ML3830
LC item number
.K76 1990
Literary form
non fiction
Nature of contents
bibliography
Series statement
Oxford psychology series
Series volume
no. 17
http://library.link/vocab/subjectName
  • Music
  • Musical pitch
  • Cognitive psychology
Label
Cognitive foundations of musical pitch, Carol L. Krumhansl
Instantiates
Publication
Note
Includes indexes
Bibliography note
Includes bibliographical references (pages 289-299) and indexes
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • A spatial representation of interkey distance
  • Theoretical maps of key relationships
  • Musical Correlates of Perceived Tonal Hierarchies
  • Tonal consonance
  • Tonal consonance and tonal hierarchies
  • Statistical analyses of tonal compositions
  • Tonal distributions and tonal hierarchies
  • Tonal hierarchies, tonal consonance, and tonal distributions
  • A Key-Finding Algorithm Based on Tonal Hierarchies
  • The key-finding alogrithm
  • The approach of cognitive psychology
  • Initial segments of preludes of J. S. Bach, Shostakovich, and Chopin
  • Fugue subjects of J. S. Bach and Shostakovich
  • J. S. Bach's C Minor Prelude, Book II
  • Limitations and possible extensions of the algorithm
  • Perceived Relations Between Musical Tones
  • Geometric representations of musical pitch
  • Limitations of geometric models
  • Experimental measures of tonal relations
  • Correlations with tonal consonance and tonal distributions
  • Perceptual Organization and Pitch Memory
  • The plan of the research
  • Gestalt theory
  • Three principles of tonal stability
  • Perceptual organization in music: Segmentation and melodic similarity
  • Quantifying Harmonic Hierarchies and Key Distances
  • Music-theoretical descriptions of harmony
  • Quantifying the harmonic hierarchy
  • Outline of the following chapters
  • Quantifying Tonal Hierarchies and Key Distances
  • The tonal hierarchy
  • The first probe tone study: individual differences with a major-key context
  • Replication and extension to minor-key contexts
  • A derived measure of interkey distance
Control code
19589867
Dimensions
23 cm
Extent
x, 307 pages
Isbn
9780195054750
Isbn Type
(alk. paper)
Lccn
89009312
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
System control number
(WaOLN)1292782
Label
Cognitive foundations of musical pitch, Carol L. Krumhansl
Publication
Note
Includes indexes
Bibliography note
Includes bibliographical references (pages 289-299) and indexes
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • A spatial representation of interkey distance
  • Theoretical maps of key relationships
  • Musical Correlates of Perceived Tonal Hierarchies
  • Tonal consonance
  • Tonal consonance and tonal hierarchies
  • Statistical analyses of tonal compositions
  • Tonal distributions and tonal hierarchies
  • Tonal hierarchies, tonal consonance, and tonal distributions
  • A Key-Finding Algorithm Based on Tonal Hierarchies
  • The key-finding alogrithm
  • The approach of cognitive psychology
  • Initial segments of preludes of J. S. Bach, Shostakovich, and Chopin
  • Fugue subjects of J. S. Bach and Shostakovich
  • J. S. Bach's C Minor Prelude, Book II
  • Limitations and possible extensions of the algorithm
  • Perceived Relations Between Musical Tones
  • Geometric representations of musical pitch
  • Limitations of geometric models
  • Experimental measures of tonal relations
  • Correlations with tonal consonance and tonal distributions
  • Perceptual Organization and Pitch Memory
  • The plan of the research
  • Gestalt theory
  • Three principles of tonal stability
  • Perceptual organization in music: Segmentation and melodic similarity
  • Quantifying Harmonic Hierarchies and Key Distances
  • Music-theoretical descriptions of harmony
  • Quantifying the harmonic hierarchy
  • Outline of the following chapters
  • Quantifying Tonal Hierarchies and Key Distances
  • The tonal hierarchy
  • The first probe tone study: individual differences with a major-key context
  • Replication and extension to minor-key contexts
  • A derived measure of interkey distance
Control code
19589867
Dimensions
23 cm
Extent
x, 307 pages
Isbn
9780195054750
Isbn Type
(alk. paper)
Lccn
89009312
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
System control number
(WaOLN)1292782

Library Locations

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      38.710138 -90.311107
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