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The Resource Commodifying (post)colonialism : othering, reification, commodification and the new literatures and cultures in English, edited by Rainer Emig and Oliver Lindner

Commodifying (post)colonialism : othering, reification, commodification and the new literatures and cultures in English, edited by Rainer Emig and Oliver Lindner

Contributor
Summary
Since its inception in the 1980s, postcolonial theory has greatly enriched academic perspectives on culture and literature. Yet, in the same way that colonial goods and services have long contributed to economic and political growth, postcolonial topics h
Language
eng
Work
Publication
Extent
1 online resource (xxiv, 262 pages)
Contents
  • "The dark races stand still, the fair progress" :
  • Matthew Kneale's English Passengers and the intellectual commodification of colonial encounter in Tasmania
  • Wolfgang Funk
  • Alice in Oz :
  • a children's classic between imperial nostalgia and transcultural reinvention
  • Sissy Helff
  • Think local sell global :
  • magical realism, The whale rider, and the market
  • Lars Eckstein
  • Dialogue within changing power-structures :
  • Theory.
  • commodification of black South African women's narratives by white women writers?
  • Ksenia Robbe
  • Phantasmagorical representations of postcolonial cityscapes in Salman Rushdie's Fury (2002) and Suketu Mehta's Maximum city :
  • Bombay lost and found (2004)
  • Cecile Sandten
  • Drama.
  • Amiri Baraka's revisiting of slavery :
  • memory, historical amnesia, and commodification
  • Samy Azouz
  • Moving beyond Irish (post)colonialism by commodifying (post)colonial stage Irishness :
  • Bordieu, capital, and the postcolonial marketplace
  • Martin McDonagh's plays as global commodities
  • Katharina Rennhak
  • Film and pop music.
  • The moveable frontier :
  • John Ford and Howard Hawks at home and in Africa
  • Stephan Laqué
  • "We are the ones you do not see" :
  • the need for a change of focus in filming black Britain
  • Birte Heidemann
  • Exoticism and authenticity in contemporary British-Asian popular culture :
  • Jens Martin Gurr
  • the commodification of difference in Bride & prejudice and Apache Indian's music
  • Sabine Nunius
  • Salman Rushdie superstar :
  • the making of postcolonial literary stardom
  • Ana Cristina Mendes
  • Celebrity conservationism, postcolonialism, and the commodity form
  • Graham Huggan
  • Fiction.
  • "Savage" violence and the colonial body in Nathaniel Crouch's The English acquisitions in Guinea and East India (1708) and in Edward Cooke's A voyage to the South Sea (1712)
  • Oliver Lindner
  • Saccharographies
  • Carl Plasa
Isbn
9789042032279
Instance
Label
Commodifying (post)colonialism : othering, reification, commodification and the new literatures and cultures in English
Title
Commodifying (post)colonialism
Title remainder
othering, reification, commodification and the new literatures and cultures in English
Statement of responsibility
edited by Rainer Emig and Oliver Lindner
Contributor
Subject
Genre
Language
eng
Summary
Since its inception in the 1980s, postcolonial theory has greatly enriched academic perspectives on culture and literature. Yet, in the same way that colonial goods and services have long contributed to economic and political growth, postcolonial topics h
Member of
Cataloging source
N$T
Dewey number
820.800914
Index
no index present
Language note
English
LC call number
  • PR1109
  • NX180.P67
LC item number
  • .C66 2010eb
  • C66 2010eb
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorDate
1964-
http://library.link/vocab/relatedWorkOrContributorName
  • Emig, Rainer
  • Lindner, Oliver
Series statement
  • Cross/cultures
  • ASNEL papers
Series volume
  • 127
  • 16
http://library.link/vocab/subjectName
  • English literature
  • Postcolonialism and the arts
  • LITERARY CRITICISM
  • English literature
  • Postcolonialism and the arts
  • Englisch
  • Literatur
  • Kolonialismus
  • Postkolonialismus
Label
Commodifying (post)colonialism : othering, reification, commodification and the new literatures and cultures in English, edited by Rainer Emig and Oliver Lindner
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
mixed
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • "The dark races stand still, the fair progress" :
  • Matthew Kneale's English Passengers and the intellectual commodification of colonial encounter in Tasmania
  • Wolfgang Funk
  • Alice in Oz :
  • a children's classic between imperial nostalgia and transcultural reinvention
  • Sissy Helff
  • Think local sell global :
  • magical realism, The whale rider, and the market
  • Lars Eckstein
  • Dialogue within changing power-structures :
  • Theory.
  • commodification of black South African women's narratives by white women writers?
  • Ksenia Robbe
  • Phantasmagorical representations of postcolonial cityscapes in Salman Rushdie's Fury (2002) and Suketu Mehta's Maximum city :
  • Bombay lost and found (2004)
  • Cecile Sandten
  • Drama.
  • Amiri Baraka's revisiting of slavery :
  • memory, historical amnesia, and commodification
  • Samy Azouz
  • Moving beyond Irish (post)colonialism by commodifying (post)colonial stage Irishness :
  • Bordieu, capital, and the postcolonial marketplace
  • Martin McDonagh's plays as global commodities
  • Katharina Rennhak
  • Film and pop music.
  • The moveable frontier :
  • John Ford and Howard Hawks at home and in Africa
  • Stephan Laqué
  • "We are the ones you do not see" :
  • the need for a change of focus in filming black Britain
  • Birte Heidemann
  • Exoticism and authenticity in contemporary British-Asian popular culture :
  • Jens Martin Gurr
  • the commodification of difference in Bride & prejudice and Apache Indian's music
  • Sabine Nunius
  • Salman Rushdie superstar :
  • the making of postcolonial literary stardom
  • Ana Cristina Mendes
  • Celebrity conservationism, postcolonialism, and the commodity form
  • Graham Huggan
  • Fiction.
  • "Savage" violence and the colonial body in Nathaniel Crouch's The English acquisitions in Guinea and East India (1708) and in Edward Cooke's A voyage to the South Sea (1712)
  • Oliver Lindner
  • Saccharographies
  • Carl Plasa
Control code
696347803
Dimensions
unknown
Extent
1 online resource (xxiv, 262 pages)
File format
unknown
Form of item
online
Isbn
9789042032279
Lccn
2011381706
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other control number
10.1163/9789042032279
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)696347803
Label
Commodifying (post)colonialism : othering, reification, commodification and the new literatures and cultures in English, edited by Rainer Emig and Oliver Lindner
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
mixed
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • "The dark races stand still, the fair progress" :
  • Matthew Kneale's English Passengers and the intellectual commodification of colonial encounter in Tasmania
  • Wolfgang Funk
  • Alice in Oz :
  • a children's classic between imperial nostalgia and transcultural reinvention
  • Sissy Helff
  • Think local sell global :
  • magical realism, The whale rider, and the market
  • Lars Eckstein
  • Dialogue within changing power-structures :
  • Theory.
  • commodification of black South African women's narratives by white women writers?
  • Ksenia Robbe
  • Phantasmagorical representations of postcolonial cityscapes in Salman Rushdie's Fury (2002) and Suketu Mehta's Maximum city :
  • Bombay lost and found (2004)
  • Cecile Sandten
  • Drama.
  • Amiri Baraka's revisiting of slavery :
  • memory, historical amnesia, and commodification
  • Samy Azouz
  • Moving beyond Irish (post)colonialism by commodifying (post)colonial stage Irishness :
  • Bordieu, capital, and the postcolonial marketplace
  • Martin McDonagh's plays as global commodities
  • Katharina Rennhak
  • Film and pop music.
  • The moveable frontier :
  • John Ford and Howard Hawks at home and in Africa
  • Stephan Laqué
  • "We are the ones you do not see" :
  • the need for a change of focus in filming black Britain
  • Birte Heidemann
  • Exoticism and authenticity in contemporary British-Asian popular culture :
  • Jens Martin Gurr
  • the commodification of difference in Bride & prejudice and Apache Indian's music
  • Sabine Nunius
  • Salman Rushdie superstar :
  • the making of postcolonial literary stardom
  • Ana Cristina Mendes
  • Celebrity conservationism, postcolonialism, and the commodity form
  • Graham Huggan
  • Fiction.
  • "Savage" violence and the colonial body in Nathaniel Crouch's The English acquisitions in Guinea and East India (1708) and in Edward Cooke's A voyage to the South Sea (1712)
  • Oliver Lindner
  • Saccharographies
  • Carl Plasa
Control code
696347803
Dimensions
unknown
Extent
1 online resource (xxiv, 262 pages)
File format
unknown
Form of item
online
Isbn
9789042032279
Lccn
2011381706
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other control number
10.1163/9789042032279
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)696347803

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      38.710138 -90.311107

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