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The Resource Deleuze and Film : a Feminist Introduction

Deleuze and Film : a Feminist Introduction

Label
Deleuze and Film : a Feminist Introduction
Title
Deleuze and Film
Title remainder
a Feminist Introduction
Creator
Subject
Genre
Language
eng
Summary
In the first book-length introduction to Deleuze''s work on film from a feminist perspective, Teresa Rizzo ranges across Deleuze''s books on Cinema, his other writings, and feminist re-workings of his philosophy to re-think the film viewing experience. More than a commentary on Deleuze''s books on Cinema, Rizzo''s work addresses a significant gap in film theory, building a bridge between the spectatorship studies and apparatus theories of the 1970s, and new theorisations of the cinematic experience. Developing a concept of a ''cinematic assemblage'', the book focuses on affective and intensive
Member of
Cataloging source
EBLCP
http://library.link/vocab/creatorName
Rizzo, Teresa
Dewey number
  • 791.43/6522
  • 791.436522
Index
index present
LC call number
PN1995.9.W6 R4955 2012
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/subjectName
  • Deleuze, Gilles
  • Feminism and motion pictures
  • Feminist film criticism
  • Motion pictures
  • Deleuze, Gilles
  • PERFORMING ARTS
  • Feminism and motion pictures
  • Feminist film criticism
  • Motion pictures
Label
Deleuze and Film : a Feminist Introduction
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Title Page; Copyright Page; Contents; Acknowledgements; Introduction; From Lacan to lacuna; From the cinematic apparatus to cinematic assemblages; Towards a feminist approach to the film-viewer assemblage; The films; 1: The cinematic apparatus and the transcendental subject; section 1: the cinematic apparatus; section 2: the transcendental subject; section 3: Deleuzian possibilities; 2: Re-thinking representation: New lines of thought in feminist philosophy; Section 1: Plato's Cave; Section 2: The body becoming; 3: Cinematic assemblages: An ethological approach to film viewing
  • Section 1: The assemblageKey terms in the cinematic assemblage; Section 2: The cinematic assemblage and the Cinema books; 4: The slasher film: A Deleuzian feminist analysis; Section 1: Carol Clover and the modern horror genre; Section 2: Affective perception: An ethological approach; Section 3: The film-viewer and affective perception; 5: The Alien series: Alien-becomings, human-becomings; Section 1: On screen transformations; Section 2: The film-viewer assemblage; 6: The molecular poetics of the assemblage: Before Night Falls; Section 1: Life as molecular, individuality as haeccaity
  • Section 2: Vitality affects and attunement behaviourSection 3: The time-image and molecular sexuality; Conclusion: A feminist cinematic assemblage; The question of representation; Image 0f thought; Notes; Bibliography; Index
Control code
893331598
Dimensions
unknown
Extent
1 online resource (209 pages)
File format
unknown
Form of item
online
Isbn
9781441155627
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)893331598
Label
Deleuze and Film : a Feminist Introduction
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Title Page; Copyright Page; Contents; Acknowledgements; Introduction; From Lacan to lacuna; From the cinematic apparatus to cinematic assemblages; Towards a feminist approach to the film-viewer assemblage; The films; 1: The cinematic apparatus and the transcendental subject; section 1: the cinematic apparatus; section 2: the transcendental subject; section 3: Deleuzian possibilities; 2: Re-thinking representation: New lines of thought in feminist philosophy; Section 1: Plato's Cave; Section 2: The body becoming; 3: Cinematic assemblages: An ethological approach to film viewing
  • Section 1: The assemblageKey terms in the cinematic assemblage; Section 2: The cinematic assemblage and the Cinema books; 4: The slasher film: A Deleuzian feminist analysis; Section 1: Carol Clover and the modern horror genre; Section 2: Affective perception: An ethological approach; Section 3: The film-viewer and affective perception; 5: The Alien series: Alien-becomings, human-becomings; Section 1: On screen transformations; Section 2: The film-viewer assemblage; 6: The molecular poetics of the assemblage: Before Night Falls; Section 1: Life as molecular, individuality as haeccaity
  • Section 2: Vitality affects and attunement behaviourSection 3: The time-image and molecular sexuality; Conclusion: A feminist cinematic assemblage; The question of representation; Image 0f thought; Notes; Bibliography; Index
Control code
893331598
Dimensions
unknown
Extent
1 online resource (209 pages)
File format
unknown
Form of item
online
Isbn
9781441155627
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)893331598

Library Locations

    • Thomas Jefferson LibraryBorrow it
      1 University Blvd, St. Louis, MO, 63121, US
      38.710138 -90.311107
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