The Resource Deleuze and Film : a Feminist Introduction
Deleuze and Film : a Feminist Introduction
Resource Information
The item Deleuze and Film : a Feminist Introduction represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Deleuze and Film : a Feminist Introduction represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries.
This item is available to borrow from 1 library branch.
- Summary
- In the first book-length introduction to Deleuze''s work on film from a feminist perspective, Teresa Rizzo ranges across Deleuze''s books on Cinema, his other writings, and feminist re-workings of his philosophy to re-think the film viewing experience. More than a commentary on Deleuze''s books on Cinema, Rizzo''s work addresses a significant gap in film theory, building a bridge between the spectatorship studies and apparatus theories of the 1970s, and new theorisations of the cinematic experience. Developing a concept of a ''cinematic assemblage'', the book focuses on affective and intensive
- Language
- eng
- Extent
- 1 online resource (209 pages)
- Contents
-
- Title Page; Copyright Page; Contents; Acknowledgements; Introduction; From Lacan to lacuna; From the cinematic apparatus to cinematic assemblages; Towards a feminist approach to the film-viewer assemblage; The films; 1: The cinematic apparatus and the transcendental subject; section 1: the cinematic apparatus; section 2: the transcendental subject; section 3: Deleuzian possibilities; 2: Re-thinking representation: New lines of thought in feminist philosophy; Section 1: Plato's Cave; Section 2: The body becoming; 3: Cinematic assemblages: An ethological approach to film viewing
- Section 1: The assemblageKey terms in the cinematic assemblage; Section 2: The cinematic assemblage and the Cinema books; 4: The slasher film: A Deleuzian feminist analysis; Section 1: Carol Clover and the modern horror genre; Section 2: Affective perception: An ethological approach; Section 3: The film-viewer and affective perception; 5: The Alien series: Alien-becomings, human-becomings; Section 1: On screen transformations; Section 2: The film-viewer assemblage; 6: The molecular poetics of the assemblage: Before Night Falls; Section 1: Life as molecular, individuality as haeccaity
- Section 2: Vitality affects and attunement behaviourSection 3: The time-image and molecular sexuality; Conclusion: A feminist cinematic assemblage; The question of representation; Image 0f thought; Notes; Bibliography; Index
- Isbn
- 9781441155627
- Label
- Deleuze and Film : a Feminist Introduction
- Title
- Deleuze and Film
- Title remainder
- a Feminist Introduction
- Subject
-
- Criticism, interpretation, etc
- Deleuze, Gilles, 1925-1995
- Deleuze, Gilles, 1925-1995 -- Criticism and interpretation
- Electronic books
- Feminism and motion pictures
- Feminism and motion pictures
- Feminist film criticism
- Motion pictures -- Philosophy
- Motion pictures -- Philosophy
- PERFORMING ARTS -- Reference
- Feminist film criticism
- Language
- eng
- Summary
- In the first book-length introduction to Deleuze''s work on film from a feminist perspective, Teresa Rizzo ranges across Deleuze''s books on Cinema, his other writings, and feminist re-workings of his philosophy to re-think the film viewing experience. More than a commentary on Deleuze''s books on Cinema, Rizzo''s work addresses a significant gap in film theory, building a bridge between the spectatorship studies and apparatus theories of the 1970s, and new theorisations of the cinematic experience. Developing a concept of a ''cinematic assemblage'', the book focuses on affective and intensive
- Cataloging source
- EBLCP
- http://library.link/vocab/creatorName
- Rizzo, Teresa
- Dewey number
-
- 791.43/6522
- 791.436522
- Index
- index present
- LC call number
- PN1995.9.W6 R4955 2012
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- http://library.link/vocab/subjectName
-
- Deleuze, Gilles
- Feminism and motion pictures
- Feminist film criticism
- Motion pictures
- Deleuze, Gilles
- PERFORMING ARTS
- Feminism and motion pictures
- Feminist film criticism
- Motion pictures
- Label
- Deleuze and Film : a Feminist Introduction
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Title Page; Copyright Page; Contents; Acknowledgements; Introduction; From Lacan to lacuna; From the cinematic apparatus to cinematic assemblages; Towards a feminist approach to the film-viewer assemblage; The films; 1: The cinematic apparatus and the transcendental subject; section 1: the cinematic apparatus; section 2: the transcendental subject; section 3: Deleuzian possibilities; 2: Re-thinking representation: New lines of thought in feminist philosophy; Section 1: Plato's Cave; Section 2: The body becoming; 3: Cinematic assemblages: An ethological approach to film viewing
- Section 1: The assemblageKey terms in the cinematic assemblage; Section 2: The cinematic assemblage and the Cinema books; 4: The slasher film: A Deleuzian feminist analysis; Section 1: Carol Clover and the modern horror genre; Section 2: Affective perception: An ethological approach; Section 3: The film-viewer and affective perception; 5: The Alien series: Alien-becomings, human-becomings; Section 1: On screen transformations; Section 2: The film-viewer assemblage; 6: The molecular poetics of the assemblage: Before Night Falls; Section 1: Life as molecular, individuality as haeccaity
- Section 2: Vitality affects and attunement behaviourSection 3: The time-image and molecular sexuality; Conclusion: A feminist cinematic assemblage; The question of representation; Image 0f thought; Notes; Bibliography; Index
- Control code
- 893331598
- Dimensions
- unknown
- Extent
- 1 online resource (209 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9781441155627
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)893331598
- Label
- Deleuze and Film : a Feminist Introduction
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Title Page; Copyright Page; Contents; Acknowledgements; Introduction; From Lacan to lacuna; From the cinematic apparatus to cinematic assemblages; Towards a feminist approach to the film-viewer assemblage; The films; 1: The cinematic apparatus and the transcendental subject; section 1: the cinematic apparatus; section 2: the transcendental subject; section 3: Deleuzian possibilities; 2: Re-thinking representation: New lines of thought in feminist philosophy; Section 1: Plato's Cave; Section 2: The body becoming; 3: Cinematic assemblages: An ethological approach to film viewing
- Section 1: The assemblageKey terms in the cinematic assemblage; Section 2: The cinematic assemblage and the Cinema books; 4: The slasher film: A Deleuzian feminist analysis; Section 1: Carol Clover and the modern horror genre; Section 2: Affective perception: An ethological approach; Section 3: The film-viewer and affective perception; 5: The Alien series: Alien-becomings, human-becomings; Section 1: On screen transformations; Section 2: The film-viewer assemblage; 6: The molecular poetics of the assemblage: Before Night Falls; Section 1: Life as molecular, individuality as haeccaity
- Section 2: Vitality affects and attunement behaviourSection 3: The time-image and molecular sexuality; Conclusion: A feminist cinematic assemblage; The question of representation; Image 0f thought; Notes; Bibliography; Index
- Control code
- 893331598
- Dimensions
- unknown
- Extent
- 1 online resource (209 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9781441155627
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)893331598
Subject
- Criticism, interpretation, etc
- Deleuze, Gilles, 1925-1995
- Deleuze, Gilles, 1925-1995 -- Criticism and interpretation
- Electronic books
- Feminism and motion pictures
- Feminism and motion pictures
- Feminist film criticism
- Motion pictures -- Philosophy
- Motion pictures -- Philosophy
- PERFORMING ARTS -- Reference
- Feminist film criticism
Genre
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.umsl.edu/portal/Deleuze-and-Film--a-Feminist/cx1plfPc4oY/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.umsl.edu/portal/Deleuze-and-Film--a-Feminist/cx1plfPc4oY/">Deleuze and Film : a Feminist Introduction</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.umsl.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.umsl.edu/">University of Missouri-St. Louis Libraries</a></span></span></span></span></div>
