The Resource Drawing distinctions : the varieties of graphic expression, Patrick Maynard
Drawing distinctions : the varieties of graphic expression, Patrick Maynard
Resource Information
The item Drawing distinctions : the varieties of graphic expression, Patrick Maynard represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Drawing distinctions : the varieties of graphic expression, Patrick Maynard represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries.
This item is available to borrow from 1 library branch.
- Summary
- "Patrick Maynard surveys the rich and varied practices of drawing, from the earliest markings on cave walls to the complex technical schematics that make the modern world possible, from cartoons and the first efforts of preschoolers to the works of skilled draftspeople and the greatest artists, East and West. In this engagingly written and well-illustrated book, Maynard reveals the interconnections and developments that unite this fundamental autonomous human activity in all its diversity. Book jacket."--BOOK JACKET
- Language
- eng
- Extent
- xxiii, 266 pages
- Contents
-
- 7
- Perceptual Categories: Six Points about Pictures
- 109
- Faces in Strange Places: A Projective Challenge
- 111
- Fictional Worlds
- 117
- Our Objects of Imagining
- 119
- Pawahtun's Lessons
- 120
- The Modern World: Drawing the Line
- Chapter 9
- Decorative Depiction
- 126
- Plane Relations
- 127
- Drawings on Things
- 128
- Location
- 130
- Rich Renaissance Contexts
- 7
- 130
- Part III
- Drawing's Resources
- Chapter 10
- Advancing the Drawing Course
- 137
- The Drawing Kit
- 139
- Rawson's Resources
- 140
- "The Rationalization of Sight" I: Bold Claims
- The Blob
- 144
- Western Lines
- 144
- Drawing Distinctions: Space and Relief
- 148
- Rendering Volume I: Depth-Slices and Plan-Sections
- 150
- Rendering Volume II: Bracelets, Bubbles, Facets, and Ovoids
- 157
- 12
- Shade and Shadow
- 160
- Shadows Steal
- 165
- Shadow's Paths
- 168
- Fields
- 170
- Chapter 11
- Forms and Frameworks
- Method: The Dialectical Engineer
- 173
- The Floor
- 173
- Perspective Looks: A Qualification
- 176
- "Saint Jerome in His Study"
- 176
- Chapter 12
- Drawing's Own Devices
- 184
- 13
- Composition
- 185
- Drawing Dynamics I: Goya and Shifting
- 186
- Drawing Dynamics II: Cezanne's Shades
- 187
- Form and Facture I: Touch
- 188
- Form and Facture II: Time
- 190
- "The Rationalization of Sight" II: Naturalism
- Meaning and Secondary Forms
- 193
- Metaphor and Caricature
- 197
- Twice Over
- 198
- Sustaining Recognition
- 201
- Part IV
- The Fullness of Drawing
- 15
- Chapter 13
- Drawing's Dualisms
- 207
- Dialogues on Dualisms
- 210
- Biologically Normal
- 214
- Ampersand Aesthetics
- 215
- Chapter 14
- Villard's Saw
- Drawings as Drawn
- 217
- Thought Balloons
- 217
- Ways of Seeing
- 220
- Appreciating Intention
- 221
- Seeing the Fun
- 225
- Part I
- 16
- The Artist's Vision and Our Own
- 227
- "Like the effort of a philosopher"
- 229
- Chapter 2
- Instruments of Change
- 19
- Family Project
- 20
- Cartoon Cases
- 30
- Modelling Perspective: Durer's Devices
- 32
- All Kinds of Drawings
- Panofsky's Perspective I: Panofsky's Purposes
- 35
- Panofsky's Perspective II: "Post-perspective" Arguments
- 39
- Panofsky's Perspective III: Assessments
- 41
- Hands On: First and Second Geometries
- 43
- Geo 2 Practical: Fixing Durer's Urn
- 47
- Philosophy and Drawing
- Geo 2 Historical: What Is "Post-perspective"?
- 48
- Defending Panofsky: Distinctions of Scales
- 49
- Chapter 3
- Drawing and Graphic Displays
- 53
- Minding Gaps: Topological Values
- 55
- Correspondence
- 3
- 57
- Information Displays: Multivariation
- 58
- Chapter 4
- Drawing/Disegno
- 61
- What Is Drawing?
- 62
- Drawing Patterns
- 64
- Drawing and Arts of Drawing
- Words for Drawing
- 66
- Part II
- The Course of Drawing
- Chapter 5
- The Forms of Shape
- 71
- Children's Drawing: Extended Studies
- 71
- Shape's Forms
- 4
- 73
- Shape as Contour
- 76
- Children's "Perspectives"
- 79
- Chapter 6
- Depictive Drawing
- 84
- Challenges of Depiction
- 84
- Chapter 1
- Walton's Theory of Depiction
- 88
- Vivacity
- 92
- Chapter 7
- Convincing Depiction
- 94
- Gombrich's Principles of Convincing Depiction: The First Trio
- 94
- Testing the Trio I: Contour
- Picture of a Drawn World
- 98
- Testing the Trio II: Perspective
- 101
- "The Beholder's Share": The Second Trio
- 103
- "The Riddle of Style": Gombrich and Panofsky
- 105
- Chapter 8
- Depictions as Depictions
- 109
- Isbn
- 9780801472800
- Label
- Drawing distinctions : the varieties of graphic expression
- Title
- Drawing distinctions
- Title remainder
- the varieties of graphic expression
- Statement of responsibility
- Patrick Maynard
- Language
- eng
- Summary
- "Patrick Maynard surveys the rich and varied practices of drawing, from the earliest markings on cave walls to the complex technical schematics that make the modern world possible, from cartoons and the first efforts of preschoolers to the works of skilled draftspeople and the greatest artists, East and West. In this engagingly written and well-illustrated book, Maynard reveals the interconnections and developments that unite this fundamental autonomous human activity in all its diversity. Book jacket."--BOOK JACKET
- Cataloging source
- NIC/DLC
- http://library.link/vocab/creatorDate
- 1939-
- http://library.link/vocab/creatorName
- Maynard, Patrick
- Dewey number
- 741.2
- Illustrations
-
- illustrations
- maps
- Index
- index present
- LC call number
- NC703
- LC item number
- .M33 2005
- Literary form
- non fiction
- Nature of contents
- bibliography
- http://library.link/vocab/subjectName
-
- Drawing
- Drawing
- Tekenkunst
- Techniek
- Kunstbeschouwing
- Dessin
- Dessin
- Zeichnung
- Ästhetik
- Kunstbeschouwing
- Techniek
- Tekenkunst
- Label
- Drawing distinctions : the varieties of graphic expression, Patrick Maynard
- Bibliography note
- Includes bibliographical references (pages [233]-257) and indexes
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- 7
- Perceptual Categories: Six Points about Pictures
- 109
- Faces in Strange Places: A Projective Challenge
- 111
- Fictional Worlds
- 117
- Our Objects of Imagining
- 119
- Pawahtun's Lessons
- 120
- The Modern World: Drawing the Line
- Chapter 9
- Decorative Depiction
- 126
- Plane Relations
- 127
- Drawings on Things
- 128
- Location
- 130
- Rich Renaissance Contexts
- 7
- 130
- Part III
- Drawing's Resources
- Chapter 10
- Advancing the Drawing Course
- 137
- The Drawing Kit
- 139
- Rawson's Resources
- 140
- "The Rationalization of Sight" I: Bold Claims
- The Blob
- 144
- Western Lines
- 144
- Drawing Distinctions: Space and Relief
- 148
- Rendering Volume I: Depth-Slices and Plan-Sections
- 150
- Rendering Volume II: Bracelets, Bubbles, Facets, and Ovoids
- 157
- 12
- Shade and Shadow
- 160
- Shadows Steal
- 165
- Shadow's Paths
- 168
- Fields
- 170
- Chapter 11
- Forms and Frameworks
- Method: The Dialectical Engineer
- 173
- The Floor
- 173
- Perspective Looks: A Qualification
- 176
- "Saint Jerome in His Study"
- 176
- Chapter 12
- Drawing's Own Devices
- 184
- 13
- Composition
- 185
- Drawing Dynamics I: Goya and Shifting
- 186
- Drawing Dynamics II: Cezanne's Shades
- 187
- Form and Facture I: Touch
- 188
- Form and Facture II: Time
- 190
- "The Rationalization of Sight" II: Naturalism
- Meaning and Secondary Forms
- 193
- Metaphor and Caricature
- 197
- Twice Over
- 198
- Sustaining Recognition
- 201
- Part IV
- The Fullness of Drawing
- 15
- Chapter 13
- Drawing's Dualisms
- 207
- Dialogues on Dualisms
- 210
- Biologically Normal
- 214
- Ampersand Aesthetics
- 215
- Chapter 14
- Villard's Saw
- Drawings as Drawn
- 217
- Thought Balloons
- 217
- Ways of Seeing
- 220
- Appreciating Intention
- 221
- Seeing the Fun
- 225
- Part I
- 16
- The Artist's Vision and Our Own
- 227
- "Like the effort of a philosopher"
- 229
- Chapter 2
- Instruments of Change
- 19
- Family Project
- 20
- Cartoon Cases
- 30
- Modelling Perspective: Durer's Devices
- 32
- All Kinds of Drawings
- Panofsky's Perspective I: Panofsky's Purposes
- 35
- Panofsky's Perspective II: "Post-perspective" Arguments
- 39
- Panofsky's Perspective III: Assessments
- 41
- Hands On: First and Second Geometries
- 43
- Geo 2 Practical: Fixing Durer's Urn
- 47
- Philosophy and Drawing
- Geo 2 Historical: What Is "Post-perspective"?
- 48
- Defending Panofsky: Distinctions of Scales
- 49
- Chapter 3
- Drawing and Graphic Displays
- 53
- Minding Gaps: Topological Values
- 55
- Correspondence
- 3
- 57
- Information Displays: Multivariation
- 58
- Chapter 4
- Drawing/Disegno
- 61
- What Is Drawing?
- 62
- Drawing Patterns
- 64
- Drawing and Arts of Drawing
- Words for Drawing
- 66
- Part II
- The Course of Drawing
- Chapter 5
- The Forms of Shape
- 71
- Children's Drawing: Extended Studies
- 71
- Shape's Forms
- 4
- 73
- Shape as Contour
- 76
- Children's "Perspectives"
- 79
- Chapter 6
- Depictive Drawing
- 84
- Challenges of Depiction
- 84
- Chapter 1
- Walton's Theory of Depiction
- 88
- Vivacity
- 92
- Chapter 7
- Convincing Depiction
- 94
- Gombrich's Principles of Convincing Depiction: The First Trio
- 94
- Testing the Trio I: Contour
- Picture of a Drawn World
- 98
- Testing the Trio II: Perspective
- 101
- "The Beholder's Share": The Second Trio
- 103
- "The Riddle of Style": Gombrich and Panofsky
- 105
- Chapter 8
- Depictions as Depictions
- 109
- Control code
- 60543155
- Dimensions
- 27 cm
- Extent
- xxiii, 266 pages
- Isbn
- 9780801472800
- Isbn Type
- (pbk. : alk. paper)
- Lccn
- 2005015050
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other control number
-
- 9780801443244
- 9780801472800
- Other physical details
- illustrations, maps
- System control number
- (OCoLC)60543155
- Label
- Drawing distinctions : the varieties of graphic expression, Patrick Maynard
- Bibliography note
- Includes bibliographical references (pages [233]-257) and indexes
- Carrier category
- volume
- Carrier category code
-
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- 7
- Perceptual Categories: Six Points about Pictures
- 109
- Faces in Strange Places: A Projective Challenge
- 111
- Fictional Worlds
- 117
- Our Objects of Imagining
- 119
- Pawahtun's Lessons
- 120
- The Modern World: Drawing the Line
- Chapter 9
- Decorative Depiction
- 126
- Plane Relations
- 127
- Drawings on Things
- 128
- Location
- 130
- Rich Renaissance Contexts
- 7
- 130
- Part III
- Drawing's Resources
- Chapter 10
- Advancing the Drawing Course
- 137
- The Drawing Kit
- 139
- Rawson's Resources
- 140
- "The Rationalization of Sight" I: Bold Claims
- The Blob
- 144
- Western Lines
- 144
- Drawing Distinctions: Space and Relief
- 148
- Rendering Volume I: Depth-Slices and Plan-Sections
- 150
- Rendering Volume II: Bracelets, Bubbles, Facets, and Ovoids
- 157
- 12
- Shade and Shadow
- 160
- Shadows Steal
- 165
- Shadow's Paths
- 168
- Fields
- 170
- Chapter 11
- Forms and Frameworks
- Method: The Dialectical Engineer
- 173
- The Floor
- 173
- Perspective Looks: A Qualification
- 176
- "Saint Jerome in His Study"
- 176
- Chapter 12
- Drawing's Own Devices
- 184
- 13
- Composition
- 185
- Drawing Dynamics I: Goya and Shifting
- 186
- Drawing Dynamics II: Cezanne's Shades
- 187
- Form and Facture I: Touch
- 188
- Form and Facture II: Time
- 190
- "The Rationalization of Sight" II: Naturalism
- Meaning and Secondary Forms
- 193
- Metaphor and Caricature
- 197
- Twice Over
- 198
- Sustaining Recognition
- 201
- Part IV
- The Fullness of Drawing
- 15
- Chapter 13
- Drawing's Dualisms
- 207
- Dialogues on Dualisms
- 210
- Biologically Normal
- 214
- Ampersand Aesthetics
- 215
- Chapter 14
- Villard's Saw
- Drawings as Drawn
- 217
- Thought Balloons
- 217
- Ways of Seeing
- 220
- Appreciating Intention
- 221
- Seeing the Fun
- 225
- Part I
- 16
- The Artist's Vision and Our Own
- 227
- "Like the effort of a philosopher"
- 229
- Chapter 2
- Instruments of Change
- 19
- Family Project
- 20
- Cartoon Cases
- 30
- Modelling Perspective: Durer's Devices
- 32
- All Kinds of Drawings
- Panofsky's Perspective I: Panofsky's Purposes
- 35
- Panofsky's Perspective II: "Post-perspective" Arguments
- 39
- Panofsky's Perspective III: Assessments
- 41
- Hands On: First and Second Geometries
- 43
- Geo 2 Practical: Fixing Durer's Urn
- 47
- Philosophy and Drawing
- Geo 2 Historical: What Is "Post-perspective"?
- 48
- Defending Panofsky: Distinctions of Scales
- 49
- Chapter 3
- Drawing and Graphic Displays
- 53
- Minding Gaps: Topological Values
- 55
- Correspondence
- 3
- 57
- Information Displays: Multivariation
- 58
- Chapter 4
- Drawing/Disegno
- 61
- What Is Drawing?
- 62
- Drawing Patterns
- 64
- Drawing and Arts of Drawing
- Words for Drawing
- 66
- Part II
- The Course of Drawing
- Chapter 5
- The Forms of Shape
- 71
- Children's Drawing: Extended Studies
- 71
- Shape's Forms
- 4
- 73
- Shape as Contour
- 76
- Children's "Perspectives"
- 79
- Chapter 6
- Depictive Drawing
- 84
- Challenges of Depiction
- 84
- Chapter 1
- Walton's Theory of Depiction
- 88
- Vivacity
- 92
- Chapter 7
- Convincing Depiction
- 94
- Gombrich's Principles of Convincing Depiction: The First Trio
- 94
- Testing the Trio I: Contour
- Picture of a Drawn World
- 98
- Testing the Trio II: Perspective
- 101
- "The Beholder's Share": The Second Trio
- 103
- "The Riddle of Style": Gombrich and Panofsky
- 105
- Chapter 8
- Depictions as Depictions
- 109
- Control code
- 60543155
- Dimensions
- 27 cm
- Extent
- xxiii, 266 pages
- Isbn
- 9780801472800
- Isbn Type
- (pbk. : alk. paper)
- Lccn
- 2005015050
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
-
- n
- Other control number
-
- 9780801443244
- 9780801472800
- Other physical details
- illustrations, maps
- System control number
- (OCoLC)60543155
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.umsl.edu/portal/Drawing-distinctions--the-varieties-of-graphic/EcE3eA1dJzU/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.umsl.edu/portal/Drawing-distinctions--the-varieties-of-graphic/EcE3eA1dJzU/">Drawing distinctions : the varieties of graphic expression, Patrick Maynard</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.umsl.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.umsl.edu/">University of Missouri-St. Louis Libraries</a></span></span></span></span></div>
