Coverart for item
The Resource Language and cinema, by Christian Metz ; translated by Donna Jean Umiker-Sebeok

Language and cinema, by Christian Metz ; translated by Donna Jean Umiker-Sebeok

Label
Language and cinema
Title
Language and cinema
Statement of responsibility
by Christian Metz ; translated by Donna Jean Umiker-Sebeok
Creator
Contributor
Subject
Language
  • eng
  • fre
  • eng
Member of
Action
digitized
Cataloging source
N$T
http://library.link/vocab/creatorName
Metz, Christian
Dewey number
791.43/01
Index
index present
Language note
English
LC call number
PN1995
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
Umiker-Sebeok, Donna Jean
Series statement
Approaches to semiotics
Series volume
26
http://library.link/vocab/subjectName
  • Motion pictures and language
  • PERFORMING ARTS
  • Motion pictures and language
  • Sémiotique et cinéma
  • Langage cinématographique
  • Cinéma
Label
Language and cinema, by Christian Metz ; translated by Donna Jean Umiker-Sebeok
Instantiates
Publication
Note
  • Title from PDF title page (viewed on Apr. 23, 2013)
  • Translation of Langage et cinéma
Antecedent source
unknown
Bibliography note
Includes bibliographical reference and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • ""1. Within the Cinema : The Filmic Fact""; ""2. Within the Filmic Fact: The Cinema""; ""2.1. â€?Cinemaâ€? in another sense""; ""2.2. From material to codical homogeneity: a premature conclusion""; ""2.3. The same code in several â€?language systemsâ€?; several codes in the same â€?language systemâ€?""; ""2.4. Cinematic specificity, cinematic language system (I)""; ""2.5. Cinematic-filmic, cinematic-non-filmic, filmic-non-cinematic""; ""3. Film in an Absolute Sense""; ""3.1. â€?The Filmâ€?/â€?The Cinemaâ€?""; ""3.2. The zone common to the film and cinema. Its limits""
  • ""4. Plurality of Cinematic Codes""""4.1. General and particular codes""; ""4.2. Plurality along two axes""; ""4.3. â€?Cinematic language systemâ€? (II)""; ""5. From Code to System; Message to Text""; ""5.1. â€?The study of filmsâ€?: two different approaches""; ""5.2. Code/singular system""; ""5.3. General and particular codes (II)""; ""5.4. Terminological points""; ""5.5. â€?Structure of the messageâ€? or structure of the text?""; ""6. Textual Systems""; ""6.1. The film as a unique totality""; ""6.2. The system of the film as displacement""
  • ""6.3. Cinematic and extra-cinematic: from duality to mixture""""6.4. Readings: several textual systems for a single text""; ""7. Textuality and â€?Singularityâ€?""; ""7.1. Filmic texts smaller or larger than a film""; ""7.2. Group of films and class of films""; ""7.3. From â€?particular codeâ€? to sub-code (III)""; ""7.4. The pansemic tendency of certain figures""; ""7.5. Code/sub-code (IV)""; ""7.6. The systemic and the textual""; ""7.7. Textuality and generality""; ""7.8. â€?Filmâ€? in the absolute sense (II)""; ""8. Paradigmatic and Syntagmatic""; ""8.1. The syntagmatic and the textual""
  • ""8.2. The syntagmatic and the paradigmatic syntagmatics and paradigmatics""; ""8.3. Degrees of preexistence of the â€?object studiedâ€?""; ""8.4. Circularity of paradigmatics and syntagmatics""; ""8.5. Syntagmatic and consecutive""; ""8.6. Paradigmatic and syntagmatic in textual systems""; ""9. The Problem of Distinctive Units""; ""9.1. Several types of minimal units in the same text""; ""9.2. Several types of cinematic units in the film""; ""9.3. The determination of minimal units and the overall study of grammar""; ""9.4. Several types of extra-cinematic units in the film""
  • ""9.5. Distinctive units: diversity of size""""9.6. Distinctive units: diversity of form""; ""9.7. Critique of the notion â€?cinematic signâ€?""; ""10. â€?Specific/Non-Specificâ€?: Relativity of the Classification Used""; ""10.1. â€?Form/material/substanceâ€? according to Hjelmslev""; ""10.2. Semiotic interference between language systems""; ""10.3. Distinctive features of the material of the signifier""; ""10.4. The intermixing of specificities: Multiple specificity, degrees of specificity, modes of specificity""; ""10.5 Cinema and television""
Control code
840504588
Dimensions
unknown
Extent
1 online resource (303 pages)
File format
unknown
Form of item
online
Isbn
9783110816044
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Quality assurance targets
not applicable
Reformatting quality
unknown
Reproduction note
Electronic reproduction.
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)840504588
System details
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Label
Language and cinema, by Christian Metz ; translated by Donna Jean Umiker-Sebeok
Publication
Note
  • Title from PDF title page (viewed on Apr. 23, 2013)
  • Translation of Langage et cinéma
Antecedent source
unknown
Bibliography note
Includes bibliographical reference and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • ""1. Within the Cinema : The Filmic Fact""; ""2. Within the Filmic Fact: The Cinema""; ""2.1. â€?Cinemaâ€? in another sense""; ""2.2. From material to codical homogeneity: a premature conclusion""; ""2.3. The same code in several â€?language systemsâ€?; several codes in the same â€?language systemâ€?""; ""2.4. Cinematic specificity, cinematic language system (I)""; ""2.5. Cinematic-filmic, cinematic-non-filmic, filmic-non-cinematic""; ""3. Film in an Absolute Sense""; ""3.1. â€?The Filmâ€?/â€?The Cinemaâ€?""; ""3.2. The zone common to the film and cinema. Its limits""
  • ""4. Plurality of Cinematic Codes""""4.1. General and particular codes""; ""4.2. Plurality along two axes""; ""4.3. â€?Cinematic language systemâ€? (II)""; ""5. From Code to System; Message to Text""; ""5.1. â€?The study of filmsâ€?: two different approaches""; ""5.2. Code/singular system""; ""5.3. General and particular codes (II)""; ""5.4. Terminological points""; ""5.5. â€?Structure of the messageâ€? or structure of the text?""; ""6. Textual Systems""; ""6.1. The film as a unique totality""; ""6.2. The system of the film as displacement""
  • ""6.3. Cinematic and extra-cinematic: from duality to mixture""""6.4. Readings: several textual systems for a single text""; ""7. Textuality and â€?Singularityâ€?""; ""7.1. Filmic texts smaller or larger than a film""; ""7.2. Group of films and class of films""; ""7.3. From â€?particular codeâ€? to sub-code (III)""; ""7.4. The pansemic tendency of certain figures""; ""7.5. Code/sub-code (IV)""; ""7.6. The systemic and the textual""; ""7.7. Textuality and generality""; ""7.8. â€?Filmâ€? in the absolute sense (II)""; ""8. Paradigmatic and Syntagmatic""; ""8.1. The syntagmatic and the textual""
  • ""8.2. The syntagmatic and the paradigmatic syntagmatics and paradigmatics""; ""8.3. Degrees of preexistence of the â€?object studiedâ€?""; ""8.4. Circularity of paradigmatics and syntagmatics""; ""8.5. Syntagmatic and consecutive""; ""8.6. Paradigmatic and syntagmatic in textual systems""; ""9. The Problem of Distinctive Units""; ""9.1. Several types of minimal units in the same text""; ""9.2. Several types of cinematic units in the film""; ""9.3. The determination of minimal units and the overall study of grammar""; ""9.4. Several types of extra-cinematic units in the film""
  • ""9.5. Distinctive units: diversity of size""""9.6. Distinctive units: diversity of form""; ""9.7. Critique of the notion â€?cinematic signâ€?""; ""10. â€?Specific/Non-Specificâ€?: Relativity of the Classification Used""; ""10.1. â€?Form/material/substanceâ€? according to Hjelmslev""; ""10.2. Semiotic interference between language systems""; ""10.3. Distinctive features of the material of the signifier""; ""10.4. The intermixing of specificities: Multiple specificity, degrees of specificity, modes of specificity""; ""10.5 Cinema and television""
Control code
840504588
Dimensions
unknown
Extent
1 online resource (303 pages)
File format
unknown
Form of item
online
Isbn
9783110816044
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Quality assurance targets
not applicable
Reformatting quality
unknown
Reproduction note
Electronic reproduction.
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)840504588
System details
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.

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      38.710138 -90.311107
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