The Resource Modernism and magic : experiments with spiritualism, theosophy and the occult, Leigh Wilson
Modernism and magic : experiments with spiritualism, theosophy and the occult, Leigh Wilson
Resource Information
The item Modernism and magic : experiments with spiritualism, theosophy and the occult, Leigh Wilson represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Modernism and magic : experiments with spiritualism, theosophy and the occult, Leigh Wilson represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries.
This item is available to borrow from 1 library branch.
- Summary
- Explores the interplay between modernist experiment and occult discourses in the early twentieth century. While modernism's engagement with the occult has been approached by critics as the result of a loss of faith in representation, an attempt to draw on science as the primary discourse of modernity, or as an attempt to draw on a hidden history of ideas, Modernism and Magic argues that occult discourses have at their heart a magical practice which attempts to remake the relationship between world and representation. As Leigh Wilson demonstrates, the discourses of the occult are based on a magical mimesis which transforms the nature of the copy, from inert to vital, from dead to alive, from static to animated, from powerless to powerful. It is this magical mimesis that proved so attractive and productive for those early twentieth-century artists committed to remaking writing, the visual arts and film. Wilson explores the aesthetic and political implications of the relationship between magic and mimesis in the work of those writers, artists and filmmakers who were most self-consciously experimental, including James Joyce, Ezra Pound, Dziga Vertov and Sergei M. Eisenstein
- Language
- eng
- Extent
- 1 online resource (viii, 187 pages)
- Contents
-
- Cover; Copyright; CONTENTS; SERIES EDITORS' PREFACE; ACKNOWLEDGEMENTS; INTRODUCTION; 1. 'BUT THE FACTS OF LIFE PERSIST': MAGIC, EXPERIMENT AND THE PROBLEM OF REPRESENTING THE WORLD OTHERWISE; 2. 'AND WHAT HAS ALL THIS TO DO WITH EXPERIMENTAL WRITING?': WORDS AND GHOSTS; 3. A 'SUBTLE METAMORPHOSIS': SOUND, MIMESIS AND TRANSFORMATION; 4. 'HERE IS WHERE THE MAGIC IS': TELEPATHY AND EXPERIMENT IN FILM; 5. 'DISNEY AGAINST THE METAPHYSICALS': EISENSTEIN, POUND, ECTOPLASM AND THE POLITICS OF ANIMATION; BIBLIOGRAPHY; INDEX
- Isbn
- 9780748631650
- Label
- Modernism and magic : experiments with spiritualism, theosophy and the occult
- Title
- Modernism and magic
- Title remainder
- experiments with spiritualism, theosophy and the occult
- Statement of responsibility
- Leigh Wilson
- Subject
-
- BIOGRAPHY & AUTOBIOGRAPHY -- Literary
- Criticism, interpretation, etc
- Das Übernatürliche
- Film
- LITERARY CRITICISM -- General
- Literatur
- Literature, Modern
- Literature, Modern -- 20th century -- History and criticism
- Magie
- Moderne
- Modernism (Christian theology)
- Modernism (Christian theology)
- Modernism (Literature)
- Modernism (Literature)
- Okkultismus
- Supernatural in literature
- Supernatural in literature
- Supernatural in motion pictures
- Supernatural in motion pictures
- 1900-1999
- Language
- eng
- Summary
- Explores the interplay between modernist experiment and occult discourses in the early twentieth century. While modernism's engagement with the occult has been approached by critics as the result of a loss of faith in representation, an attempt to draw on science as the primary discourse of modernity, or as an attempt to draw on a hidden history of ideas, Modernism and Magic argues that occult discourses have at their heart a magical practice which attempts to remake the relationship between world and representation. As Leigh Wilson demonstrates, the discourses of the occult are based on a magical mimesis which transforms the nature of the copy, from inert to vital, from dead to alive, from static to animated, from powerless to powerful. It is this magical mimesis that proved so attractive and productive for those early twentieth-century artists committed to remaking writing, the visual arts and film. Wilson explores the aesthetic and political implications of the relationship between magic and mimesis in the work of those writers, artists and filmmakers who were most self-consciously experimental, including James Joyce, Ezra Pound, Dziga Vertov and Sergei M. Eisenstein
- Cataloging source
- N$T
- http://library.link/vocab/creatorName
- Wilson, Leigh
- Dewey number
- 809/.9112
- Index
- index present
- LC call number
- PN56.M54
- LC item number
- W55 2013
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- Series statement
- Edinburgh critical studies in modernist culture
- http://library.link/vocab/subjectName
-
- Modernism (Christian theology)
- Modernism (Literature)
- Literature, Modern
- Supernatural in literature
- Supernatural in motion pictures
- BIOGRAPHY & AUTOBIOGRAPHY
- LITERARY CRITICISM
- Literature, Modern
- Modernism (Christian theology)
- Modernism (Literature)
- Supernatural in literature
- Supernatural in motion pictures
- Moderne
- Literatur
- Film
- Das Übernatürliche
- Magie
- Okkultismus
- Label
- Modernism and magic : experiments with spiritualism, theosophy and the occult, Leigh Wilson
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Cover; Copyright; CONTENTS; SERIES EDITORS' PREFACE; ACKNOWLEDGEMENTS; INTRODUCTION; 1. 'BUT THE FACTS OF LIFE PERSIST': MAGIC, EXPERIMENT AND THE PROBLEM OF REPRESENTING THE WORLD OTHERWISE; 2. 'AND WHAT HAS ALL THIS TO DO WITH EXPERIMENTAL WRITING?': WORDS AND GHOSTS; 3. A 'SUBTLE METAMORPHOSIS': SOUND, MIMESIS AND TRANSFORMATION; 4. 'HERE IS WHERE THE MAGIC IS': TELEPATHY AND EXPERIMENT IN FILM; 5. 'DISNEY AGAINST THE METAPHYSICALS': EISENSTEIN, POUND, ECTOPLASM AND THE POLITICS OF ANIMATION; BIBLIOGRAPHY; INDEX
- Control code
- 828029103
- Dimensions
- unknown
- Extent
- 1 online resource (viii, 187 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9780748631650
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt342n8p
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)828029103
- Label
- Modernism and magic : experiments with spiritualism, theosophy and the occult, Leigh Wilson
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Cover; Copyright; CONTENTS; SERIES EDITORS' PREFACE; ACKNOWLEDGEMENTS; INTRODUCTION; 1. 'BUT THE FACTS OF LIFE PERSIST': MAGIC, EXPERIMENT AND THE PROBLEM OF REPRESENTING THE WORLD OTHERWISE; 2. 'AND WHAT HAS ALL THIS TO DO WITH EXPERIMENTAL WRITING?': WORDS AND GHOSTS; 3. A 'SUBTLE METAMORPHOSIS': SOUND, MIMESIS AND TRANSFORMATION; 4. 'HERE IS WHERE THE MAGIC IS': TELEPATHY AND EXPERIMENT IN FILM; 5. 'DISNEY AGAINST THE METAPHYSICALS': EISENSTEIN, POUND, ECTOPLASM AND THE POLITICS OF ANIMATION; BIBLIOGRAPHY; INDEX
- Control code
- 828029103
- Dimensions
- unknown
- Extent
- 1 online resource (viii, 187 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9780748631650
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt342n8p
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)828029103
Subject
- BIOGRAPHY & AUTOBIOGRAPHY -- Literary
- Criticism, interpretation, etc
- Das Übernatürliche
- Film
- LITERARY CRITICISM -- General
- Literatur
- Literature, Modern
- Literature, Modern -- 20th century -- History and criticism
- Magie
- Moderne
- Modernism (Christian theology)
- Modernism (Christian theology)
- Modernism (Literature)
- Modernism (Literature)
- Okkultismus
- Supernatural in literature
- Supernatural in literature
- Supernatural in motion pictures
- Supernatural in motion pictures
- 1900-1999
Genre
Member of
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.umsl.edu/portal/Modernism-and-magic--experiments-with/xEKw4KFS-Pw/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.umsl.edu/portal/Modernism-and-magic--experiments-with/xEKw4KFS-Pw/">Modernism and magic : experiments with spiritualism, theosophy and the occult, Leigh Wilson</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.umsl.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.umsl.edu/">University of Missouri-St. Louis Libraries</a></span></span></span></span></div>