The Resource Music as multimodal discourse : semiotics, power and protest, edited by Lyndon C.S. Way and Simon McKerrell
Music as multimodal discourse : semiotics, power and protest, edited by Lyndon C.S. Way and Simon McKerrell
Resource Information
The item Music as multimodal discourse : semiotics, power and protest, edited by Lyndon C.S. Way and Simon McKerrell represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Music as multimodal discourse : semiotics, power and protest, edited by Lyndon C.S. Way and Simon McKerrell represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries.
This item is available to borrow from 1 library branch.
- Summary
- "We communicate multimodally. Everyday communication involves not only words, but gestures, images, videos, sounds and of course, music. Music has traditionally been viewed as a separate object that we can isolate, discuss, perform and listen to. However, much of music's power lies in its use as multimodal communication. It is not just lyrics which lend songs their meaning, but images and musical sounds as well. The music industry, governments and artists have always relied on posters, films and album covers to enhance music's semiotic meaning. This book considers musical sound as multimodal communication, examining the interacting meaning potential of sonic aspects such as rhythm, instrumentation, pitch, tonality, melody and their interrelationships with text, image and other modes, drawing upon, and extending the conceptual territory of social semiotics. In so doing, this book brings together research from scholars to explore questions around how we communicate through musical discourse, and in the discourses of music. Methods in this collection are drawn from Critical Discourse Analysis, Social Semiotics and Music Studies to expose both the function and semiotic potential of the various modes used in songs and other musical texts. These analyses reveal how each mode works in various contexts from around the world often articulating counter-hegemonic and subversive discourses of identity and belonging."--Bloomsbury Publishing
- Language
- eng
- Extent
- 1 online resource (xxi, 229 pages).
- Contents
-
- Understanding music as multimodal discourse / Simon McKerrell and Lyndon C.S. Way
- The role of music in ridiculing the working classes in reality television / Göran Eriksson and David Machin
- "Shame makes the world go around" : performed and embodied (gendered) class disgust in Morrissey's "The slum mums" / Aileen Dillane, Martin J. Power and Eoin Devereux
- Recontextualization and fascist music / John E. Richardson
- Authenticity and subversion : articulations in protest music videos' struggle with countercultural politics and authenticity / Lyndon C.S. Way
- Sonic logos / Theo van Leeuwen
- "If you have nothing to say
- sing it!" : on the interplay of music, voice and lyrics in the advertising jingle / Johnny Wingstedt
- When the fairy tale is over : an analysis of songs and institutional discourse against domestic violence in Spain / Laura Filardo-Llamas
- Indigenous hip hop as anti-colonial discourse in Guatemala / Rusty Barrett
- Song, sonic metaphor, and countercultural discourse in British folk-rock recordings / Matthew Ord
- Isbn
- 9781474264419
- Label
- Music as multimodal discourse : semiotics, power and protest
- Title
- Music as multimodal discourse
- Title remainder
- semiotics, power and protest
- Statement of responsibility
- edited by Lyndon C.S. Way and Simon McKerrell
- Subject
-
- Electronic books
- Language Arts & Disciplines -- Linguistics | General
- Linguistics
- MUSIC -- Instruction & Study | Theory
- Music
- Music -- Political aspects
- Music -- Political aspects
- Music -- Semiotics
- Music -- Semiotics
- Music -- Social aspects
- Music -- Social aspects
- Musik
- Protest
- Semiotics -- semiology
- Semiotik
- Wirkung
- Language
- eng
- Summary
- "We communicate multimodally. Everyday communication involves not only words, but gestures, images, videos, sounds and of course, music. Music has traditionally been viewed as a separate object that we can isolate, discuss, perform and listen to. However, much of music's power lies in its use as multimodal communication. It is not just lyrics which lend songs their meaning, but images and musical sounds as well. The music industry, governments and artists have always relied on posters, films and album covers to enhance music's semiotic meaning. This book considers musical sound as multimodal communication, examining the interacting meaning potential of sonic aspects such as rhythm, instrumentation, pitch, tonality, melody and their interrelationships with text, image and other modes, drawing upon, and extending the conceptual territory of social semiotics. In so doing, this book brings together research from scholars to explore questions around how we communicate through musical discourse, and in the discourses of music. Methods in this collection are drawn from Critical Discourse Analysis, Social Semiotics and Music Studies to expose both the function and semiotic potential of the various modes used in songs and other musical texts. These analyses reveal how each mode works in various contexts from around the world often articulating counter-hegemonic and subversive discourses of identity and belonging."--Bloomsbury Publishing
- Cataloging source
- NLE
- Dewey number
- 781.1
- Index
- index present
- LC call number
- ML3916
- LC item number
- .M8738 2017eb
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- http://library.link/vocab/relatedWorkOrContributorName
-
- Way, Lyndon C. S.
- McKerrell, Simon
- Series statement
- Bloomsbury advances in semiotics
- Series volume
- 10
- http://library.link/vocab/subjectName
-
- Music
- Music
- Music
- Semiotics
- Music
- Linguistics
- MUSIC
- Language Arts & Disciplines
- Music
- Music
- Music
- Musik
- Protest
- Semiotik
- Wirkung
- Label
- Music as multimodal discourse : semiotics, power and protest, edited by Lyndon C.S. Way and Simon McKerrell
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Understanding music as multimodal discourse / Simon McKerrell and Lyndon C.S. Way -- The role of music in ridiculing the working classes in reality television / Göran Eriksson and David Machin -- "Shame makes the world go around" : performed and embodied (gendered) class disgust in Morrissey's "The slum mums" / Aileen Dillane, Martin J. Power and Eoin Devereux -- Recontextualization and fascist music / John E. Richardson -- Authenticity and subversion : articulations in protest music videos' struggle with countercultural politics and authenticity / Lyndon C.S. Way -- Sonic logos / Theo van Leeuwen -- "If you have nothing to say -- sing it!" : on the interplay of music, voice and lyrics in the advertising jingle / Johnny Wingstedt -- When the fairy tale is over : an analysis of songs and institutional discourse against domestic violence in Spain / Laura Filardo-Llamas -- Indigenous hip hop as anti-colonial discourse in Guatemala / Rusty Barrett -- Song, sonic metaphor, and countercultural discourse in British folk-rock recordings / Matthew Ord
- Control code
- 964357706
- Dimensions
- unknown
- Extent
- 1 online resource (xxi, 229 pages).
- Form of item
- online
- Isbn
- 9781474264419
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- http://library.link/vocab/ext/overdrive/overdriveId
- 9781474264433
- Specific material designation
- remote
- System control number
- (OCoLC)964357706
- Label
- Music as multimodal discourse : semiotics, power and protest, edited by Lyndon C.S. Way and Simon McKerrell
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- Understanding music as multimodal discourse / Simon McKerrell and Lyndon C.S. Way -- The role of music in ridiculing the working classes in reality television / Göran Eriksson and David Machin -- "Shame makes the world go around" : performed and embodied (gendered) class disgust in Morrissey's "The slum mums" / Aileen Dillane, Martin J. Power and Eoin Devereux -- Recontextualization and fascist music / John E. Richardson -- Authenticity and subversion : articulations in protest music videos' struggle with countercultural politics and authenticity / Lyndon C.S. Way -- Sonic logos / Theo van Leeuwen -- "If you have nothing to say -- sing it!" : on the interplay of music, voice and lyrics in the advertising jingle / Johnny Wingstedt -- When the fairy tale is over : an analysis of songs and institutional discourse against domestic violence in Spain / Laura Filardo-Llamas -- Indigenous hip hop as anti-colonial discourse in Guatemala / Rusty Barrett -- Song, sonic metaphor, and countercultural discourse in British folk-rock recordings / Matthew Ord
- Control code
- 964357706
- Dimensions
- unknown
- Extent
- 1 online resource (xxi, 229 pages).
- Form of item
- online
- Isbn
- 9781474264419
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- http://library.link/vocab/ext/overdrive/overdriveId
- 9781474264433
- Specific material designation
- remote
- System control number
- (OCoLC)964357706
Subject
- Electronic books
- Language Arts & Disciplines -- Linguistics | General
- Linguistics
- MUSIC -- Instruction & Study | Theory
- Music
- Music -- Political aspects
- Music -- Political aspects
- Music -- Semiotics
- Music -- Semiotics
- Music -- Social aspects
- Music -- Social aspects
- Musik
- Protest
- Semiotics -- semiology
- Semiotik
- Wirkung
Genre
Member of
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.umsl.edu/portal/Music-as-multimodal-discourse--semiotics-power/LZshG-4ov8o/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.umsl.edu/portal/Music-as-multimodal-discourse--semiotics-power/LZshG-4ov8o/">Music as multimodal discourse : semiotics, power and protest, edited by Lyndon C.S. Way and Simon McKerrell</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.umsl.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.umsl.edu/">University of Missouri-St. Louis Libraries</a></span></span></span></span></div>
