Coverart for item
The Resource Music on stage, edited by Fiona Jane Schopf

Music on stage, edited by Fiona Jane Schopf

Label
Music on stage
Title
Music on stage
Statement of responsibility
edited by Fiona Jane Schopf
Contributor
Editor
Subject
Genre
Language
eng
Summary
Music on Stage presents papers from the interdisciplinary "Music on Stage" conference series held biennially at Rose Bruford College, Sidcup, Kent, since 2006. Three main streams of music theatre are covered in each conference: opera, the Musical, and performance practice. The collection of papers here on opera covers a wide spectrum of operatic debate from historic (contextualising Wagner and Rimsky-Korsakov) to contemporary opera; the current debate about Werktreue and Regieoper; investigation into the genesis of one of opera's most iconic characters, Wagner's Wotan; exploring Nono's Prometheo, Maher's The Hunchback Variations Opera and Jennifer Walshe's music theatre pieces; and the interrogation of the use of animal characters on stage and their perceived threat to the human voice. - - Papers on the Musical explore Reich's The Cave, Sondheim's Sunday in the Park with George, the musical synthesis between Spanish Copla music and the Anglo-American "book" musical, and one stage not often considered in its own right when discussing music theatre - television - a domestic stage which is immediately available to all. - - Rose Bruford leads the world in actor-musician training, and the papers here further explore and debate this aspect of performance and its impact on stage by interrogating the whole gestalt of music and text, as well as the process of actor-musician training. Basarab Nicolescu's transdisciplinarity idea of embracing and unifying multiple performance disciplines within the singer's training concludes this selection of papers
Cataloging source
YDXCP
Dewey number
780
Index
index present
LC call number
ML55
LC item number
.M735 2015
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
Schopf, Fiona Jane
http://library.link/vocab/subjectName
  • Opera
  • Musicals
  • Music
  • Opera
  • Musicals
  • Acting techniques
  • MUSIC
  • MUSIC
  • Music
  • Musicals
  • Opera
  • Music
Label
Music on stage, edited by Fiona Jane Schopf
Instantiates
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • The Effects on Love and Friendship of Rehearsing the Creation of the Impossible and Mysterious Sound: The Hunchback Variations Opera
  • John Green
  • Stolen Fire : A Light on the Invisible Theatre of Nono's Prometeo
  • Trevor Siemens
  • From Cage to Walshe : Music as Theatre
  • Karl Katschthaler
  • Orpheus Among the Animals : Beastly Presence on the Opera Stage
  • Justin Grize
  • Defining the Genre of The Cave by Steve Reich : Minimalist Musical Theatre?
  • Maia Sigua
  • Werktreue and Regieoper
  • Juxtaposing the Dots : The Two Orders of Time in Sondheim's "Putting It Together"
  • Hei Yin Boris Wong
  • Rediscovering Spanish Musical Theatre : Exploring an Intercultural Adaptation of Copla
  • Alejandro Postigo
  • Music On the TV Stage
  • Alicia Alvarez
  • A: The Suggestive; B: The Direct; C: The Altern : Towards a Tripartite Model for Analysing Actor-Musicianship
  • Ben Macpherson
  • Making Musgrave Dance : Actor-Musicianship in Process
  • Jeremy Harrison
  • Daniel Meyer-Dinkgraf̈e
  • Musicianship Above All? : New Perspectives on Training towards Integrated Bel Canto Performance
  • Konstantinos Thomaidis
  • Why Regieoper? : Katharina Wagner's Die Meistersinger von Nur̈nberg as a Meta-production
  • Lufan Xu
  • Artemis, Agamemnon, and the Evolution of Wagner's Wotan
  • Katherine Syer
  • Rimsky-Korsakov in a Changing Political Climate: Was the Composer Politically Liberal or Radical?
  • John Nelson
Control code
924625555
Dimensions
unknown
Extent
1 online resource
File format
unknown
Form of item
online
Isbn
9781443883108
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
http://library.link/vocab/ext/overdrive/overdriveId
9781443883108
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)924625555
Label
Music on stage, edited by Fiona Jane Schopf
Publication
Antecedent source
unknown
Bibliography note
Includes bibliographical references and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • The Effects on Love and Friendship of Rehearsing the Creation of the Impossible and Mysterious Sound: The Hunchback Variations Opera
  • John Green
  • Stolen Fire : A Light on the Invisible Theatre of Nono's Prometeo
  • Trevor Siemens
  • From Cage to Walshe : Music as Theatre
  • Karl Katschthaler
  • Orpheus Among the Animals : Beastly Presence on the Opera Stage
  • Justin Grize
  • Defining the Genre of The Cave by Steve Reich : Minimalist Musical Theatre?
  • Maia Sigua
  • Werktreue and Regieoper
  • Juxtaposing the Dots : The Two Orders of Time in Sondheim's "Putting It Together"
  • Hei Yin Boris Wong
  • Rediscovering Spanish Musical Theatre : Exploring an Intercultural Adaptation of Copla
  • Alejandro Postigo
  • Music On the TV Stage
  • Alicia Alvarez
  • A: The Suggestive; B: The Direct; C: The Altern : Towards a Tripartite Model for Analysing Actor-Musicianship
  • Ben Macpherson
  • Making Musgrave Dance : Actor-Musicianship in Process
  • Jeremy Harrison
  • Daniel Meyer-Dinkgraf̈e
  • Musicianship Above All? : New Perspectives on Training towards Integrated Bel Canto Performance
  • Konstantinos Thomaidis
  • Why Regieoper? : Katharina Wagner's Die Meistersinger von Nur̈nberg as a Meta-production
  • Lufan Xu
  • Artemis, Agamemnon, and the Evolution of Wagner's Wotan
  • Katherine Syer
  • Rimsky-Korsakov in a Changing Political Climate: Was the Composer Politically Liberal or Radical?
  • John Nelson
Control code
924625555
Dimensions
unknown
Extent
1 online resource
File format
unknown
Form of item
online
Isbn
9781443883108
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
http://library.link/vocab/ext/overdrive/overdriveId
9781443883108
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)924625555

Library Locations

    • Thomas Jefferson LibraryBorrow it
      1 University Blvd, St. Louis, MO, 63121, US
      38.710138 -90.311107
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