Coverart for item
The Resource New Francophone African and Caribbean theatres, John Conteh-Morgan with Dominic Thomas, (electronic resource)

New Francophone African and Caribbean theatres, John Conteh-Morgan with Dominic Thomas, (electronic resource)

Label
New Francophone African and Caribbean theatres
Title
New Francophone African and Caribbean theatres
Statement of responsibility
John Conteh-Morgan with Dominic Thomas
Creator
Contributor
Subject
Language
eng
Member of
Cataloging source
DLC
http://library.link/vocab/creatorName
Conteh-Morgan, John
LC call number
PQ3983
LC item number
.C63 2010
http://library.link/vocab/relatedWorkOrContributorName
Thomas, Dominic Richard David
Series statement
African expressive cultures
http://library.link/vocab/subjectName
  • African drama (French)
  • Theater
  • Theater
  • Caribbean drama (French)
  • Theater
Label
New Francophone African and Caribbean theatres, John Conteh-Morgan with Dominic Thomas, (electronic resource)
Instantiates
Publication
Bibliography note
Includes bibliographical references (p. [177]-194) and index
Contents
Introduction : instrumentalizing performance and the Francophone postcolonial performative -- Cultural trauma and ritual re-membering : Werewere Liking's Les mains veulent dire -- The dramatist as epic performer : Eugène Dervain's Saran, ou la reine scélérate -- The power and the pleasures of dramatized narrative : Bernard Zadi Zaourou's La guerre des femmes -- Theatre as writing and voice : Patrick Chamoiseau's Manman dlo contre la fée carabosse -- Tradition instrumentalized : Elie Stephenson's O mayouri -- Militariat grotesqueries and tragic lament : Tchicaya u Tam'si's Le destin glorieux du maréchal nnikon nniku, prince qu'on sort and le bal de ndinga -- From the grotesque to the fantastic : Sony Labou Tansi's Qui a mangé Madame d'Avoine Bergotha? -- Exile and the failure of the nation; or, diasporic subjectivity from below : Simone Schwarz-Bart's Ton beau capitaine -- Conclusion : Francophone theatres in the age of globalization
Control code
OCM1bookssj0000423988
Dimensions
unknown
Isbn
9780253222268
Isbn Type
(pbk. : alk. paper)
Lccn
2010000638
Specific material designation
remote
System control number
(WaSeSS)bookssj0000423988
Label
New Francophone African and Caribbean theatres, John Conteh-Morgan with Dominic Thomas, (electronic resource)
Publication
Bibliography note
Includes bibliographical references (p. [177]-194) and index
Contents
Introduction : instrumentalizing performance and the Francophone postcolonial performative -- Cultural trauma and ritual re-membering : Werewere Liking's Les mains veulent dire -- The dramatist as epic performer : Eugène Dervain's Saran, ou la reine scélérate -- The power and the pleasures of dramatized narrative : Bernard Zadi Zaourou's La guerre des femmes -- Theatre as writing and voice : Patrick Chamoiseau's Manman dlo contre la fée carabosse -- Tradition instrumentalized : Elie Stephenson's O mayouri -- Militariat grotesqueries and tragic lament : Tchicaya u Tam'si's Le destin glorieux du maréchal nnikon nniku, prince qu'on sort and le bal de ndinga -- From the grotesque to the fantastic : Sony Labou Tansi's Qui a mangé Madame d'Avoine Bergotha? -- Exile and the failure of the nation; or, diasporic subjectivity from below : Simone Schwarz-Bart's Ton beau capitaine -- Conclusion : Francophone theatres in the age of globalization
Control code
OCM1bookssj0000423988
Dimensions
unknown
Isbn
9780253222268
Isbn Type
(pbk. : alk. paper)
Lccn
2010000638
Specific material designation
remote
System control number
(WaSeSS)bookssj0000423988

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