Coverart for item
The Resource New Francophone African and Caribbean theatres, John Conteh-Morgan with Dominic Thomas

New Francophone African and Caribbean theatres, John Conteh-Morgan with Dominic Thomas

Label
New Francophone African and Caribbean theatres
Title
New Francophone African and Caribbean theatres
Statement of responsibility
John Conteh-Morgan with Dominic Thomas
Title variation
New Francophone African and Caribbean theaters
Creator
Contributor
Subject
Genre
Language
eng
Summary
Staging a new politics of performance in the African diaspora
Member of
Cataloging source
CDX
http://library.link/vocab/creatorName
Conteh-Morgan, John
Dewey number
842/.9140996
Index
index present
LC call number
PQ3983
LC item number
.C63 2010eb
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
http://library.link/vocab/relatedWorkOrContributorName
Thomas, Dominic Richard David
Series statement
African expressive cultures
http://library.link/vocab/subjectName
  • African drama (French)
  • Theater
  • Theater
  • Caribbean drama (French)
  • Theater
  • DRAMA
  • Literature
  • African drama (French)
  • Caribbean drama (French)
  • Theater
  • French-speaking Equatorial Africa
  • French-speaking Western Africa
  • Caribbean Area, French-speaking
  • Frankophones Afrika
  • Theater
  • Drama
  • Drama
  • Drama
  • Französisch
  • Afrika
  • Karibik
  • Afrikansk dramatik (franskspråkig)
  • Västindisk dramatik (franskspråkig)
  • Teater
  • Teater
  • Drama
Label
New Francophone African and Caribbean theatres, John Conteh-Morgan with Dominic Thomas
Instantiates
Publication
Bibliography note
Includes bibliographical references (pages 177-194) and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Introduction : instrumentalizing performance and the Francophone postcolonial performative -- Cultural trauma and ritual re-membering : Werewere Liking's Les mains veulent dire -- The dramatist as epic performer : Eugène Dervain's Saran, ou la reine scélérate -- The power and the pleasures of dramatized narrative : Bernard Zadi Zaourou's La guerre des femmes -- Theatre as writing and voice : Patrick Chamoiseau's Manman dlo contre la fée carabosse -- Tradition instrumentalized : Elie Stephenson's O mayouri -- Militariat grotesqueries and tragic lament : Tchicaya u Tam'si's Le destin glorieux du maréchal nnikon nniku, prince qu'on sort and le bal de ndinga -- From the grotesque to the fantastic : Sony Labou Tansi's Qui a mangé Madame d'Avoine Bergotha? -- Exile and the failure of the nation; or, diasporic subjectivity from below : Simone Schwarz-Bart's Ton beau capitaine -- Conclusion : Francophone theatres in the age of globalization
Control code
678869641
Dimensions
unknown
Extent
1 online resource (xviii, 208 pages).
Form of item
online
Isbn
9780253222268
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other control number
  • 9786612818356
  • ebc570380
http://library.link/vocab/ext/overdrive/overdriveId
281835
Specific material designation
remote
System control number
(OCoLC)678869641
Label
New Francophone African and Caribbean theatres, John Conteh-Morgan with Dominic Thomas
Publication
Bibliography note
Includes bibliographical references (pages 177-194) and index
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Introduction : instrumentalizing performance and the Francophone postcolonial performative -- Cultural trauma and ritual re-membering : Werewere Liking's Les mains veulent dire -- The dramatist as epic performer : Eugène Dervain's Saran, ou la reine scélérate -- The power and the pleasures of dramatized narrative : Bernard Zadi Zaourou's La guerre des femmes -- Theatre as writing and voice : Patrick Chamoiseau's Manman dlo contre la fée carabosse -- Tradition instrumentalized : Elie Stephenson's O mayouri -- Militariat grotesqueries and tragic lament : Tchicaya u Tam'si's Le destin glorieux du maréchal nnikon nniku, prince qu'on sort and le bal de ndinga -- From the grotesque to the fantastic : Sony Labou Tansi's Qui a mangé Madame d'Avoine Bergotha? -- Exile and the failure of the nation; or, diasporic subjectivity from below : Simone Schwarz-Bart's Ton beau capitaine -- Conclusion : Francophone theatres in the age of globalization
Control code
678869641
Dimensions
unknown
Extent
1 online resource (xviii, 208 pages).
Form of item
online
Isbn
9780253222268
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Other control number
  • 9786612818356
  • ebc570380
http://library.link/vocab/ext/overdrive/overdriveId
281835
Specific material designation
remote
System control number
(OCoLC)678869641

Library Locations

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      38.710138 -90.311107
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