Coverart for item
The Resource New Perspectives on James Weldon Johnson's ""The Autobiography of an Ex-Colored Man""

New Perspectives on James Weldon Johnson's ""The Autobiography of an Ex-Colored Man""

Label
New Perspectives on James Weldon Johnson's ""The Autobiography of an Ex-Colored Man""
Title
New Perspectives on James Weldon Johnson's ""The Autobiography of an Ex-Colored Man""
Creator
Contributor
Subject
Language
eng
Cataloging source
EBLCP
http://library.link/vocab/creatorName
Oliver, Lawrence
Dewey number
818.5209
Index
no index present
LC call number
PS3519.O2625
Literary form
non fiction
Nature of contents
dictionaries
http://library.link/vocab/relatedWorkOrContributorName
  • Nowlin, Michael
  • Karem, Jeff
  • Paulin, Diana
  • Lamothe, Daphne
  • Barnhart, Bruce
  • Glaser, Ben
  • Brooks, Lori
  • Stepto, Robert
  • Morrissette, Noelle
http://library.link/vocab/subjectName
  • Johnson, James Weldon
  • African American men in literature
  • Race in literature
  • Johnson, James Weldon
  • LITERARY CRITICISM
  • SOCIAL SCIENCE
  • African American men in literature
  • Race in literature
Label
New Perspectives on James Weldon Johnson's ""The Autobiography of an Ex-Colored Man""
Instantiates
Publication
Antecedent source
unknown
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Title Page; Copyright Page; Dedication; Contents; Acknowledgments; Introduction: Biography of an Author, Biography of a Text: James Weldon Johnson's Ultimate American Work; Part One: Cultures of Reading, Cultures of Writing: Canons and Authenticity; "Stepping across the Confines of Language and Race": Brander Matthews, James Weldon Johnson, and Racial Cosmopolitanism; How The Autobiography of an Ex-Colored Man Became an Unlikely Literary Classic; Authenticity and Transparency in The Autobiography of an Ex-Colored Man
  • Part Two: Relational Tropes: Transnationalism, Futurity, and the Ex-Colored ManThe Futurity of Miscegenation: James Weldon Johnson's The Autobiography of an Ex-Colored Man and Pauline Hopkins's Of One Blood; Blackness Written, Erased, Rewritten: James Weldon Johnson, Teju Cole, and the Palimpsest of Modernity; Dead Ambitions and Repeated Interruptions: Economies of Race and Temporality in The Autobiography of an Ex-Coloured Man; Part Three: Poetics: Sound, Affect, and the Archive; The Autobiography as Ars Poetica: Satire and Rhythmic Exegesis in "Saint Peter Relates an Incident."
  • The Composer versus the "Perfessor": Writing Race and (Rag)TimeJames Weldon Johnson's The Autobiography of an Ex-Colored Man, Archived and Live; Part Four: Legacies; W.E.B. Du Bois, Barack Obama, and the Search for Race: School House Blues; Afterword: The Ex-Colored Man for a New Century; Suggested Further Reading; Contributors; Index
Control code
999648827
Dimensions
unknown
Extent
1 online resource (206 pages)
File format
unknown
Form of item
online
Isbn
9780820350967
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctt1g2jzrg
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)999648827
Label
New Perspectives on James Weldon Johnson's ""The Autobiography of an Ex-Colored Man""
Publication
Antecedent source
unknown
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Color
multicolored
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Title Page; Copyright Page; Dedication; Contents; Acknowledgments; Introduction: Biography of an Author, Biography of a Text: James Weldon Johnson's Ultimate American Work; Part One: Cultures of Reading, Cultures of Writing: Canons and Authenticity; "Stepping across the Confines of Language and Race": Brander Matthews, James Weldon Johnson, and Racial Cosmopolitanism; How The Autobiography of an Ex-Colored Man Became an Unlikely Literary Classic; Authenticity and Transparency in The Autobiography of an Ex-Colored Man
  • Part Two: Relational Tropes: Transnationalism, Futurity, and the Ex-Colored ManThe Futurity of Miscegenation: James Weldon Johnson's The Autobiography of an Ex-Colored Man and Pauline Hopkins's Of One Blood; Blackness Written, Erased, Rewritten: James Weldon Johnson, Teju Cole, and the Palimpsest of Modernity; Dead Ambitions and Repeated Interruptions: Economies of Race and Temporality in The Autobiography of an Ex-Coloured Man; Part Three: Poetics: Sound, Affect, and the Archive; The Autobiography as Ars Poetica: Satire and Rhythmic Exegesis in "Saint Peter Relates an Incident."
  • The Composer versus the "Perfessor": Writing Race and (Rag)TimeJames Weldon Johnson's The Autobiography of an Ex-Colored Man, Archived and Live; Part Four: Legacies; W.E.B. Du Bois, Barack Obama, and the Search for Race: School House Blues; Afterword: The Ex-Colored Man for a New Century; Suggested Further Reading; Contributors; Index
Control code
999648827
Dimensions
unknown
Extent
1 online resource (206 pages)
File format
unknown
Form of item
online
Isbn
9780820350967
Level of compression
unknown
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
http://library.link/vocab/ext/overdrive/overdriveId
22573/ctt1g2jzrg
Quality assurance targets
not applicable
Reformatting quality
unknown
Sound
unknown sound
Specific material designation
remote
System control number
(OCoLC)999648827

Library Locations

    • Thomas Jefferson LibraryBorrow it
      1 University Blvd, St. Louis, MO, 63121, US
      38.710138 -90.311107
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