The Resource Of essence and context : between music and philosophy, editors, Rūta Stanevičiūtė, Nick Zangwill and Rima Povilionienė
Of essence and context : between music and philosophy, editors, Rūta Stanevičiūtė, Nick Zangwill and Rima Povilionienė
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The item Of essence and context : between music and philosophy, editors, Rūta Stanevičiūtė, Nick Zangwill and Rima Povilionienė represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Of essence and context : between music and philosophy, editors, Rūta Stanevičiūtė, Nick Zangwill and Rima Povilionienė represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries.
This item is available to borrow from 1 library branch.
- Summary
- This book provides a new approach to the intersections between music and philosophy. It features articles that rethink the concepts of musical work and performance from ontological and epistemological perspectives and discuss issues of performing practices that involve the performer?s and listener?s perceptions. 0In philosophy, the notion of essence has enjoyed a renaissance. However, in the humanities in general, it is still viewed with suspicion. This collection examines the ideas of essence and context as they apply to music. A common concern when thinking of music in terms of essence is the plurality of music. There is also the worry that thinking in terms of essence might be an overly conservative way of imposing fixity on something that evolves. Some contend that we must take into account the varying historical and cultural contexts of music, and that the idea of an essence of music is therefore a fantasy. 0This book puts forward an innovative approach that effectively addresses these concerns. It shows that it is, in fact, possible to find commonalities among the many kinds of music. The coverage combines philosophical and musicological approaches with bioethics, biology, linguistics, communication theory, phenomenology, and cognitive science. The respective chapters, written by leading musicologists and philosophers, reconsider the fundamental essentialist and contextualist approaches to music creation and experience in light of twenty-first century paradigm shifts in music philosophy
- Language
- eng
- Extent
- 1 online resource
- Contents
-
- Intro; Preface; Contents; Editors and Contributors; Interrogating Essence; 1 Essence or Context?; 1.1 Introduction; 1.2 Pleasure and Pain; 1.3 Sound and Sense and Value; 1.4 Reaching the Essence (of the Dispute); 1.5 Time and Space; 1.6 Conclusions; References; 2 Music, Essence and Context; 2.1 Introduction. Essence and Context; 2.2 Artifacts and Functions; 2.3 Musical-Beauty?; 2.4 Non-absolute Music; 2.5 Formalism and Politics; 2.6 Nature/Culture?; 2.7 Coda; Appendix; References; 3 Essence Facilitating Plurality: Theorizing Art with Schelling; 3.1 Introduction
- 3.2 Disappearance and Persistence of Essence3.3 From Historical Aesthetics to a Philosophy of Art; 3.4 Construction of Essence as Relation; 3.5 Theorizing the Reality and Significance of Art; 3.6 Conclusions; References; 4 Aristotle Meets Schumann: Essence and Geist; 4.1 Introduction; 4.2 Aristotle on Being and Essence; 4.3 Psuchē and Geist as Essence; 4.4 Plotinus and the Indefinable; 4.5 Conclusions; References; 5 Musical Images in the Tanakh: Between Their Essence, Context and Interpretation; 5.1 Introduction; 5.2 The Essence-Ancient Hebrew Culture as the Culture of Voice and Sound
- 5.3 Multi-layered Context-Defining Versatile Essence of Semantics of Musical Phenomena5.4 Expansion or Alteration of Essence of Images Through Translations/Interpretations; 5.5 Conclusions; References; 6 Hsi Kang's Reflection on the Essence of Music: "Hesheng"; 6.1 Introduction; 6.2 The Ideal of "He" in Confucian Moral Education Through Music; 6.3 Hsi Kang's Reflection on Confucian Moral Education Through Music; 6.4 The Gains and Losses of Hsi Kang's Reflection on the Essence of Music; 6.4.1 "hesheng"; 6.5 Conclusions; References; Genesis and Structure
- 7 Deleuze, Ruyer, and Musical Morphogenesis7.1 Introduction; 7.2 Natura musicans: Biology and Music; 7.3 Raymond Ruyer's Melodic Morphogenesis; 7.4 Chimeric Subjectivities, or the Non-human Art; 7.5 Conclusions; References; 8 The Biological Constraints on Musical Structure as the Foundations of Musical Essence; 8.1 Introduction; 8.2 Musical Structure as a Mental Phenomenon; 8.3 The Biological Roots of Music; 8.4 Musical Essence as a Part of Human Nature; 8.5 Conclusions; References; 9 'In-Between' the Autonomous and Contingent Worlds of Music; 9.1 Introduction
- 9.2 The Autonomous and Contingent Worlds of Music9.3 'In-Between'. When and How Does Music 'Do' Things?; 9.4 The Musicological Approach to the Prelude La Puerta Del Vino; 9.5 Conclusions; References; 10 Formulating the Essence All Together; 10.1 Introduction; 10.2 Introducing the Problem; 10.3 A Cognitively Realistic Approach to Heterophony; 10.4 A Cognitive Translation; 10.5 The Orality Factor; 10.6 Hermeneutics in the Absence of a Text; 10.7 Heterophony as a Forum; 10.8 Dealing (Politically) with Social Heterophony: The Case of the Turkish Republic; 10.9 Conclusions; References
- Isbn
- 9783030144739
- Label
- Of essence and context : between music and philosophy
- Title
- Of essence and context
- Title remainder
- between music and philosophy
- Statement of responsibility
- editors, Rūta Stanevičiūtė, Nick Zangwill and Rima Povilionienė
- Language
- eng
- Summary
- This book provides a new approach to the intersections between music and philosophy. It features articles that rethink the concepts of musical work and performance from ontological and epistemological perspectives and discuss issues of performing practices that involve the performer?s and listener?s perceptions. 0In philosophy, the notion of essence has enjoyed a renaissance. However, in the humanities in general, it is still viewed with suspicion. This collection examines the ideas of essence and context as they apply to music. A common concern when thinking of music in terms of essence is the plurality of music. There is also the worry that thinking in terms of essence might be an overly conservative way of imposing fixity on something that evolves. Some contend that we must take into account the varying historical and cultural contexts of music, and that the idea of an essence of music is therefore a fantasy. 0This book puts forward an innovative approach that effectively addresses these concerns. It shows that it is, in fact, possible to find commonalities among the many kinds of music. The coverage combines philosophical and musicological approaches with bioethics, biology, linguistics, communication theory, phenomenology, and cognitive science. The respective chapters, written by leading musicologists and philosophers, reconsider the fundamental essentialist and contextualist approaches to music creation and experience in light of twenty-first century paradigm shifts in music philosophy
- Cataloging source
- N$T
- Dewey number
- 780.1
- Index
- index present
- LC call number
- ML3845
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- http://library.link/vocab/relatedWorkOrContributorName
-
- Stanevičiūtė, Rūta
- Zangwill, Nick
- Povilionienė, Rima
- Series statement
- Numanities--arts and humanities in progress
- Series volume
- volume 7
- http://library.link/vocab/subjectName
-
- Music
- Music and philosophy
- Essentialism (Philosophy)
- Context effects (Psychology)
- MUSIC
- MUSIC
- Context effects (Psychology)
- Essentialism (Philosophy)
- Music and philosophy
- Music
- Label
- Of essence and context : between music and philosophy, editors, Rūta Stanevičiūtė, Nick Zangwill and Rima Povilionienė
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Intro; Preface; Contents; Editors and Contributors; Interrogating Essence; 1 Essence or Context?; 1.1 Introduction; 1.2 Pleasure and Pain; 1.3 Sound and Sense and Value; 1.4 Reaching the Essence (of the Dispute); 1.5 Time and Space; 1.6 Conclusions; References; 2 Music, Essence and Context; 2.1 Introduction. Essence and Context; 2.2 Artifacts and Functions; 2.3 Musical-Beauty?; 2.4 Non-absolute Music; 2.5 Formalism and Politics; 2.6 Nature/Culture?; 2.7 Coda; Appendix; References; 3 Essence Facilitating Plurality: Theorizing Art with Schelling; 3.1 Introduction
- 3.2 Disappearance and Persistence of Essence3.3 From Historical Aesthetics to a Philosophy of Art; 3.4 Construction of Essence as Relation; 3.5 Theorizing the Reality and Significance of Art; 3.6 Conclusions; References; 4 Aristotle Meets Schumann: Essence and Geist; 4.1 Introduction; 4.2 Aristotle on Being and Essence; 4.3 Psuchē and Geist as Essence; 4.4 Plotinus and the Indefinable; 4.5 Conclusions; References; 5 Musical Images in the Tanakh: Between Their Essence, Context and Interpretation; 5.1 Introduction; 5.2 The Essence-Ancient Hebrew Culture as the Culture of Voice and Sound
- 5.3 Multi-layered Context-Defining Versatile Essence of Semantics of Musical Phenomena5.4 Expansion or Alteration of Essence of Images Through Translations/Interpretations; 5.5 Conclusions; References; 6 Hsi Kang's Reflection on the Essence of Music: "Hesheng"; 6.1 Introduction; 6.2 The Ideal of "He" in Confucian Moral Education Through Music; 6.3 Hsi Kang's Reflection on Confucian Moral Education Through Music; 6.4 The Gains and Losses of Hsi Kang's Reflection on the Essence of Music; 6.4.1 "hesheng"; 6.5 Conclusions; References; Genesis and Structure
- 7 Deleuze, Ruyer, and Musical Morphogenesis7.1 Introduction; 7.2 Natura musicans: Biology and Music; 7.3 Raymond Ruyer's Melodic Morphogenesis; 7.4 Chimeric Subjectivities, or the Non-human Art; 7.5 Conclusions; References; 8 The Biological Constraints on Musical Structure as the Foundations of Musical Essence; 8.1 Introduction; 8.2 Musical Structure as a Mental Phenomenon; 8.3 The Biological Roots of Music; 8.4 Musical Essence as a Part of Human Nature; 8.5 Conclusions; References; 9 'In-Between' the Autonomous and Contingent Worlds of Music; 9.1 Introduction
- 9.2 The Autonomous and Contingent Worlds of Music9.3 'In-Between'. When and How Does Music 'Do' Things?; 9.4 The Musicological Approach to the Prelude La Puerta Del Vino; 9.5 Conclusions; References; 10 Formulating the Essence All Together; 10.1 Introduction; 10.2 Introducing the Problem; 10.3 A Cognitively Realistic Approach to Heterophony; 10.4 A Cognitive Translation; 10.5 The Orality Factor; 10.6 Hermeneutics in the Absence of a Text; 10.7 Heterophony as a Forum; 10.8 Dealing (Politically) with Social Heterophony: The Case of the Turkish Republic; 10.9 Conclusions; References
- Control code
- 1103440296
- Dimensions
- unknown
- Extent
- 1 online resource
- File format
- unknown
- Form of item
- online
- Isbn
- 9783030144739
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Other control number
-
- 10.1007/978-3-030-14
- 10.1007/978-3-030-14471-5
- http://library.link/vocab/ext/overdrive/overdriveId
- com.springer.onix.9783030144715
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)1103440296
- Label
- Of essence and context : between music and philosophy, editors, Rūta Stanevičiūtė, Nick Zangwill and Rima Povilionienė
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Intro; Preface; Contents; Editors and Contributors; Interrogating Essence; 1 Essence or Context?; 1.1 Introduction; 1.2 Pleasure and Pain; 1.3 Sound and Sense and Value; 1.4 Reaching the Essence (of the Dispute); 1.5 Time and Space; 1.6 Conclusions; References; 2 Music, Essence and Context; 2.1 Introduction. Essence and Context; 2.2 Artifacts and Functions; 2.3 Musical-Beauty?; 2.4 Non-absolute Music; 2.5 Formalism and Politics; 2.6 Nature/Culture?; 2.7 Coda; Appendix; References; 3 Essence Facilitating Plurality: Theorizing Art with Schelling; 3.1 Introduction
- 3.2 Disappearance and Persistence of Essence3.3 From Historical Aesthetics to a Philosophy of Art; 3.4 Construction of Essence as Relation; 3.5 Theorizing the Reality and Significance of Art; 3.6 Conclusions; References; 4 Aristotle Meets Schumann: Essence and Geist; 4.1 Introduction; 4.2 Aristotle on Being and Essence; 4.3 Psuchē and Geist as Essence; 4.4 Plotinus and the Indefinable; 4.5 Conclusions; References; 5 Musical Images in the Tanakh: Between Their Essence, Context and Interpretation; 5.1 Introduction; 5.2 The Essence-Ancient Hebrew Culture as the Culture of Voice and Sound
- 5.3 Multi-layered Context-Defining Versatile Essence of Semantics of Musical Phenomena5.4 Expansion or Alteration of Essence of Images Through Translations/Interpretations; 5.5 Conclusions; References; 6 Hsi Kang's Reflection on the Essence of Music: "Hesheng"; 6.1 Introduction; 6.2 The Ideal of "He" in Confucian Moral Education Through Music; 6.3 Hsi Kang's Reflection on Confucian Moral Education Through Music; 6.4 The Gains and Losses of Hsi Kang's Reflection on the Essence of Music; 6.4.1 "hesheng"; 6.5 Conclusions; References; Genesis and Structure
- 7 Deleuze, Ruyer, and Musical Morphogenesis7.1 Introduction; 7.2 Natura musicans: Biology and Music; 7.3 Raymond Ruyer's Melodic Morphogenesis; 7.4 Chimeric Subjectivities, or the Non-human Art; 7.5 Conclusions; References; 8 The Biological Constraints on Musical Structure as the Foundations of Musical Essence; 8.1 Introduction; 8.2 Musical Structure as a Mental Phenomenon; 8.3 The Biological Roots of Music; 8.4 Musical Essence as a Part of Human Nature; 8.5 Conclusions; References; 9 'In-Between' the Autonomous and Contingent Worlds of Music; 9.1 Introduction
- 9.2 The Autonomous and Contingent Worlds of Music9.3 'In-Between'. When and How Does Music 'Do' Things?; 9.4 The Musicological Approach to the Prelude La Puerta Del Vino; 9.5 Conclusions; References; 10 Formulating the Essence All Together; 10.1 Introduction; 10.2 Introducing the Problem; 10.3 A Cognitively Realistic Approach to Heterophony; 10.4 A Cognitive Translation; 10.5 The Orality Factor; 10.6 Hermeneutics in the Absence of a Text; 10.7 Heterophony as a Forum; 10.8 Dealing (Politically) with Social Heterophony: The Case of the Turkish Republic; 10.9 Conclusions; References
- Control code
- 1103440296
- Dimensions
- unknown
- Extent
- 1 online resource
- File format
- unknown
- Form of item
- online
- Isbn
- 9783030144739
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Other control number
-
- 10.1007/978-3-030-14
- 10.1007/978-3-030-14471-5
- http://library.link/vocab/ext/overdrive/overdriveId
- com.springer.onix.9783030144715
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)1103440296
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