The Resource Popular music and the new auteur : visionary filmmakers after MTV, edited by Arved Ashby
Popular music and the new auteur : visionary filmmakers after MTV, edited by Arved Ashby
Resource Information
The item Popular music and the new auteur : visionary filmmakers after MTV, edited by Arved Ashby represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Popular music and the new auteur : visionary filmmakers after MTV, edited by Arved Ashby represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries.
This item is available to borrow from 1 library branch.
- Summary
- Music videos widened the creative vocabulary of filmmaking, starting with the launch of MTV in 1981, and continuing through the expansion of cable TV and the proliferation of the PC and of digital video. This study looks at seven visionary directors, most of them American, who have allowed music-video-induced changes to infiltrate their feature films, and defines these filmmakers' relation to the soundtrack as their key authorial gesture
- Language
- eng
- Extent
- 1 online resource (vi, 217 pages
- Contents
-
- "Without music, I would be lost": Scorsese, Goodfellas, and a new soundtrack practice / Julie Hubbert
- Lost in transition: popular music, adolescence, and the melodramatic mode of Sofia Coppola / Tim Anderson
- A musical tour of the bizarre: popular music as fantasy in David Lynch / Gene Willet
- Songs of delusion: popular music and the aesthetics of the self in Wong Kar-wai's cinema / Giorgio Biancorosso
- O, brother, where chart thou?: popular music and the Coen brothers / Jeff Smith
- You've heard this one before: Quentin Tarantino's scoring practice from Kill Bill to Inglorious basterds / Ken Garner
- Wes Anderson: ironist and auteur / Arved Ashby
- Isbn
- 9780199369560
- Label
- Popular music and the new auteur : visionary filmmakers after MTV
- Title
- Popular music and the new auteur
- Title remainder
- visionary filmmakers after MTV
- Statement of responsibility
- edited by Arved Ashby
- Subject
-
- Criticism, interpretation, etc
- Electronic books
- Filmmusik
- Filmregisseur
- MUSIC -- Instruction & Study | Theory
- Motion picture music
- Motion picture music -- History and criticism
- Music
- Music History & Criticism, Vocal
- Music, Dance, Drama & Film
- Popmusik
- Popular music in motion pictures
- Popular music in motion pictures
- Rezeption
- USA
- Language
- eng
- Summary
- Music videos widened the creative vocabulary of filmmaking, starting with the launch of MTV in 1981, and continuing through the expansion of cable TV and the proliferation of the PC and of digital video. This study looks at seven visionary directors, most of them American, who have allowed music-video-induced changes to infiltrate their feature films, and defines these filmmakers' relation to the soundtrack as their key authorial gesture
- Cataloging source
- LGG
- Dewey number
- 781.5/42
- Illustrations
- illustrations
- Index
- index present
- Language note
- Text in English
- LC call number
- ML2075
- LC item number
- .P65 2013
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- http://library.link/vocab/relatedWorkOrContributorName
- Ashby, Arved Mark
- http://library.link/vocab/subjectName
-
- Motion picture music
- Popular music in motion pictures
- MUSIC
- Motion picture music
- Popular music in motion pictures
- Filmmusik
- Filmregisseur
- Popmusik
- Rezeption
- USA
- Music
- Music, Dance, Drama & Film
- Music History & Criticism, Vocal
- Label
- Popular music and the new auteur : visionary filmmakers after MTV, edited by Arved Ashby
- Bibliography note
- Includes bibliographical references (pages 203-209) and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- "Without music, I would be lost": Scorsese, Goodfellas, and a new soundtrack practice / Julie Hubbert -- Lost in transition: popular music, adolescence, and the melodramatic mode of Sofia Coppola / Tim Anderson -- A musical tour of the bizarre: popular music as fantasy in David Lynch / Gene Willet -- Songs of delusion: popular music and the aesthetics of the self in Wong Kar-wai's cinema / Giorgio Biancorosso -- O, brother, where chart thou?: popular music and the Coen brothers / Jeff Smith -- You've heard this one before: Quentin Tarantino's scoring practice from Kill Bill to Inglorious basterds / Ken Garner -- Wes Anderson: ironist and auteur / Arved Ashby
- Control code
- 870271159
- Dimensions
- unknown
- Extent
- 1 online resource (vi, 217 pages
- Form of item
- online
- Isbn
- 9780199369560
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Other control number
- 40022992256
- Other physical details
- illustrations
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)870271159
- Label
- Popular music and the new auteur : visionary filmmakers after MTV, edited by Arved Ashby
- Bibliography note
- Includes bibliographical references (pages 203-209) and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- "Without music, I would be lost": Scorsese, Goodfellas, and a new soundtrack practice / Julie Hubbert -- Lost in transition: popular music, adolescence, and the melodramatic mode of Sofia Coppola / Tim Anderson -- A musical tour of the bizarre: popular music as fantasy in David Lynch / Gene Willet -- Songs of delusion: popular music and the aesthetics of the self in Wong Kar-wai's cinema / Giorgio Biancorosso -- O, brother, where chart thou?: popular music and the Coen brothers / Jeff Smith -- You've heard this one before: Quentin Tarantino's scoring practice from Kill Bill to Inglorious basterds / Ken Garner -- Wes Anderson: ironist and auteur / Arved Ashby
- Control code
- 870271159
- Dimensions
- unknown
- Extent
- 1 online resource (vi, 217 pages
- Form of item
- online
- Isbn
- 9780199369560
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Other control number
- 40022992256
- Other physical details
- illustrations
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)870271159
Subject
- Criticism, interpretation, etc
- Electronic books
- Filmmusik
- Filmregisseur
- MUSIC -- Instruction & Study | Theory
- Motion picture music
- Motion picture music -- History and criticism
- Music
- Music History & Criticism, Vocal
- Music, Dance, Drama & Film
- Popmusik
- Popular music in motion pictures
- Popular music in motion pictures
- Rezeption
- USA
Genre
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.umsl.edu/portal/Popular-music-and-the-new-auteur--visionary/La5rQr0Nku4/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.umsl.edu/portal/Popular-music-and-the-new-auteur--visionary/La5rQr0Nku4/">Popular music and the new auteur : visionary filmmakers after MTV, edited by Arved Ashby</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.umsl.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.umsl.edu/">University of Missouri-St. Louis Libraries</a></span></span></span></span></div>
