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The Resource Principles of art history writing, David Carrier

Principles of art history writing, David Carrier

Label
Principles of art history writing
Title
Principles of art history writing
Statement of responsibility
David Carrier
Creator
Subject
Language
eng
Cataloging source
DLC
http://library.link/vocab/creatorDate
1944-
http://library.link/vocab/creatorName
Carrier, David
Dewey number
707/.2
Government publication
government publication of a state province territory dependency etc
Illustrations
illustrations
Index
index present
LC call number
N380
LC item number
.C37 1991
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Art
  • Art
  • Kunstgeschiedenis (wetenschap)
  • Vakbeoefening
  • Wetenschappelijke technieken
  • Geschiedschrijving
  • Art
  • Art
  • Konsthistorieskrivning
  • Historiografi
Label
Principles of art history writing, David Carrier
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Preservation as interpretation. -- Piero della Francesca: modern interpretation of renaissance artworks. -- Caravaggio: the construction of an artistic personality. -- Allegory in Flemish art: comparative interpretations of Jan van Eyck and Robert Campin. -- The history of art history. -- Ekphrasis and interpretation: the creation of modern art history. -- Winckelmann and Pater: two styles of art-historical writing. -- David's Oath of the Horatii: the search for sources of an eighteenth-century masterpiece. -- Toward a revisionist art history. -- Where is the painting? The place of the spectator in art history writing. -- When is the painting? The temporal place of the spectator in art history writing. -- Manet: modernist art, postmodernist artwriting. -- Matisse: the end of classical art history and the fictions of early modernism
Control code
21335506
Dimensions
24 cm
Extent
xiii, 249 pages
Isbn
9780271007113
Isbn Type
(acid-free paper)
Lccn
90034962
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
System control number
  • (WaOLN)1370304
  • (OCoLC)21335506
Label
Principles of art history writing, David Carrier
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Preservation as interpretation. -- Piero della Francesca: modern interpretation of renaissance artworks. -- Caravaggio: the construction of an artistic personality. -- Allegory in Flemish art: comparative interpretations of Jan van Eyck and Robert Campin. -- The history of art history. -- Ekphrasis and interpretation: the creation of modern art history. -- Winckelmann and Pater: two styles of art-historical writing. -- David's Oath of the Horatii: the search for sources of an eighteenth-century masterpiece. -- Toward a revisionist art history. -- Where is the painting? The place of the spectator in art history writing. -- When is the painting? The temporal place of the spectator in art history writing. -- Manet: modernist art, postmodernist artwriting. -- Matisse: the end of classical art history and the fictions of early modernism
Control code
21335506
Dimensions
24 cm
Extent
xiii, 249 pages
Isbn
9780271007113
Isbn Type
(acid-free paper)
Lccn
90034962
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
System control number
  • (WaOLN)1370304
  • (OCoLC)21335506

Library Locations

    • Thomas Jefferson LibraryBorrow it
      1 University Blvd, St. Louis, MO, 63121, US
      38.710138 -90.311107
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