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The Resource Retreat into the mind : Victorian poetry and the rise of psychiatry, by Ekbert Faas

Retreat into the mind : Victorian poetry and the rise of psychiatry, by Ekbert Faas

Label
Retreat into the mind : Victorian poetry and the rise of psychiatry
Title
Retreat into the mind
Title remainder
Victorian poetry and the rise of psychiatry
Statement of responsibility
by Ekbert Faas
Creator
Subject
Genre
Language
eng
Cataloging source
DLC
http://library.link/vocab/creatorDate
1938-
http://library.link/vocab/creatorName
Faas, Ekbert
Index
index present
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • English poetry
  • Psychoanalysis and literature
  • Psychology and literature
  • Psychiatry
  • Dramatic monologues
  • Poetry
  • Psychology in literature
  • Psychoanalysis and literature
  • Poetry as Topic
  • Psychiatry
Label
Retreat into the mind : Victorian poetry and the rise of psychiatry, by Ekbert Faas
Instantiates
Publication
Note
Includes index
Bibliography note
Bibliography: pages 266-297
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Psychological medicine
  • 3.
  • The psychological school of poetry: beginnings:
  • The evolution of the new genre
  • Critics and poets vis-a-vis mental scientists
  • The age of introspection
  • 4.
  • The psychological school of poetry: origins:
  • Robert Browning
  • Alfred Tennyson
  • 1.
  • From introspection to psycho-analysis
  • 5.
  • Precedents I: the romantic "science of feelings":
  • Self-analysis versus spontaneity
  • Unconscious creativity and its limits
  • Emotions recollected in tranquillity
  • Simulated spontaneity and self-dramatization
  • Toward the dramatic monologue
  • 6.
  • Precedents II: Shakespeare:
  • Dramatic or psychological monologue?:
  • The linguistic and prosodic model
  • Shakespeare and the alienists
  • Shakespeare's psychology and pre-romantic criticism
  • 7.
  • Dead end: Matthew Arnold:
  • The search for the buried self
  • The greater romantic lyric In extremis
  • Matthew Arnold and psychology
  • Empedocles on Etna and spasmodic drama
  • Maud, or the way out of the impasse
  • The dramatic monologue and Victorian criticism
  • 8.
  • The psychological school of poetry: patterns:
  • Opening, setting, and listener
  • Situation, action, and conclusion
  • Dramatic narrative and psychological revivification
  • 9.
  • The psychological school of poetry: contents:
  • Relativist versus traditional morality
  • The psychology of murder and suicide
  • The psychology of history
  • The dramatic monologue and its precedents
  • From reverie to insanity
  • From case history to surrealistic effusion
  • 10.
  • Swinburne, or the psychopathology of poetic creation:
  • Dramatizations of the perverse
  • Insane artists and alienist biographers
  • A poetics of madness and revolt
  • Epilogue:
  • Toward a poète maudit aesthetic
  • Psychological poetry and mental science
  • 2.
  • The new mental science: Introspective psychology
  • Mesmerism
Control code
17765717
Dimensions
25 cm
Extent
viii, 312 pages
Isbn
9780691067483
Isbn Type
(alk. paper)
Lccn
88009948
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
System control number
(WaOLN)1193398
Label
Retreat into the mind : Victorian poetry and the rise of psychiatry, by Ekbert Faas
Publication
Note
Includes index
Bibliography note
Bibliography: pages 266-297
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
  • Psychological medicine
  • 3.
  • The psychological school of poetry: beginnings:
  • The evolution of the new genre
  • Critics and poets vis-a-vis mental scientists
  • The age of introspection
  • 4.
  • The psychological school of poetry: origins:
  • Robert Browning
  • Alfred Tennyson
  • 1.
  • From introspection to psycho-analysis
  • 5.
  • Precedents I: the romantic "science of feelings":
  • Self-analysis versus spontaneity
  • Unconscious creativity and its limits
  • Emotions recollected in tranquillity
  • Simulated spontaneity and self-dramatization
  • Toward the dramatic monologue
  • 6.
  • Precedents II: Shakespeare:
  • Dramatic or psychological monologue?:
  • The linguistic and prosodic model
  • Shakespeare and the alienists
  • Shakespeare's psychology and pre-romantic criticism
  • 7.
  • Dead end: Matthew Arnold:
  • The search for the buried self
  • The greater romantic lyric In extremis
  • Matthew Arnold and psychology
  • Empedocles on Etna and spasmodic drama
  • Maud, or the way out of the impasse
  • The dramatic monologue and Victorian criticism
  • 8.
  • The psychological school of poetry: patterns:
  • Opening, setting, and listener
  • Situation, action, and conclusion
  • Dramatic narrative and psychological revivification
  • 9.
  • The psychological school of poetry: contents:
  • Relativist versus traditional morality
  • The psychology of murder and suicide
  • The psychology of history
  • The dramatic monologue and its precedents
  • From reverie to insanity
  • From case history to surrealistic effusion
  • 10.
  • Swinburne, or the psychopathology of poetic creation:
  • Dramatizations of the perverse
  • Insane artists and alienist biographers
  • A poetics of madness and revolt
  • Epilogue:
  • Toward a poète maudit aesthetic
  • Psychological poetry and mental science
  • 2.
  • The new mental science: Introspective psychology
  • Mesmerism
Control code
17765717
Dimensions
25 cm
Extent
viii, 312 pages
Isbn
9780691067483
Isbn Type
(alk. paper)
Lccn
88009948
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
System control number
(WaOLN)1193398

Library Locations

    • Thomas Jefferson LibraryBorrow it
      1 University Blvd, St. Louis, MO, 63121, US
      38.710138 -90.311107
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