The Resource Second Person Singular : Late Victorian Women Poets and the Bonds of Verse
Second Person Singular : Late Victorian Women Poets and the Bonds of Verse
Resource Information
The item Second Person Singular : Late Victorian Women Poets and the Bonds of Verse represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Second Person Singular : Late Victorian Women Poets and the Bonds of Verse represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries.
This item is available to borrow from 1 library branch.
- Summary
- Emily Harrington offers a new history of women's poetry at the turn of the century that breaks from conventional ideas of nineteenth-century lyric, which focus on individual subjectivity. She argues that women poets conceived of lyric as an intersubjective genre, one that seeks to establish relations between subjects rather than to constitute a subject in isolation. Moving away from canonical texts that contribute to the commonly held notion that lyric poetry is an utterance made in solitude, Harrington explores the work of Christina Rossetti, Augusta Webster, A. Mary F. Robinson, Alice Meynell, and Dollie Radford to show how nineteenth-century poetic conventions shaped and were shaped by concepts of intimacy
- Language
- eng
- Extent
- 1 online resource.
- Contents
-
- "I, for thou callest such": Christina Rossetti's heavenly intimacy
- "Appraise love and divide": measuring love in Augusta Webster's Mother and daughter
- The strain of sympathy: A. Mary F. Robinson, the new arcadia and Vernon Lee
- "Be loved through thoughts of mine": Alice Meynell's intimate distance
- "So I can wait and sing": Dollie Radford's poetics of waiting
- Conclusion: Mary E. Coleridge and the second person plural
- Isbn
- 9781322111353
- Label
- Second Person Singular : Late Victorian Women Poets and the Bonds of Verse
- Title
- Second Person Singular
- Title remainder
- Late Victorian Women Poets and the Bonds of Verse
- Subject
-
- 1800-1899
- Criticism, interpretation, etc
- Electronic books
- English poetry
- English poetry -- 19th century -- History and criticism
- English poetry -- Women authors
- English poetry -- Women authors | History and criticism
- LITERARY CRITICISM -- European | English, Irish, Scottish, Welsh
- Lyric poetry -- History and criticism | Theory, etc
- POETRY -- English, Irish, Scottish, Welsh
- Language
- eng
- Summary
- Emily Harrington offers a new history of women's poetry at the turn of the century that breaks from conventional ideas of nineteenth-century lyric, which focus on individual subjectivity. She argues that women poets conceived of lyric as an intersubjective genre, one that seeks to establish relations between subjects rather than to constitute a subject in isolation. Moving away from canonical texts that contribute to the commonly held notion that lyric poetry is an utterance made in solitude, Harrington explores the work of Christina Rossetti, Augusta Webster, A. Mary F. Robinson, Alice Meynell, and Dollie Radford to show how nineteenth-century poetic conventions shaped and were shaped by concepts of intimacy
- Cataloging source
- IDEBK
- http://library.link/vocab/creatorName
- Harrington, Emily
- Dewey number
- 821/.8099287
- Index
- index present
- LC call number
- PR595.W6
- LC item number
- H37 2014
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- Series statement
- Victorian Literature and Culture Series
- http://library.link/vocab/subjectName
-
- Lyric poetry
- English poetry
- English poetry
- POETRY
- LITERARY CRITICISM
- English poetry
- English poetry
- Label
- Second Person Singular : Late Victorian Women Poets and the Bonds of Verse
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- "I, for thou callest such": Christina Rossetti's heavenly intimacy -- "Appraise love and divide": measuring love in Augusta Webster's Mother and daughter -- The strain of sympathy: A. Mary F. Robinson, the new arcadia and Vernon Lee -- "Be loved through thoughts of mine": Alice Meynell's intimate distance -- "So I can wait and sing": Dollie Radford's poetics of waiting -- Conclusion: Mary E. Coleridge and the second person plural
- Control code
- 890441445
- Dimensions
- unknown
- Extent
- 1 online resource.
- File format
- unknown
- Form of item
- online
- Isbn
- 9781322111353
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt7wgk70
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)890441445
- Label
- Second Person Singular : Late Victorian Women Poets and the Bonds of Verse
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- "I, for thou callest such": Christina Rossetti's heavenly intimacy -- "Appraise love and divide": measuring love in Augusta Webster's Mother and daughter -- The strain of sympathy: A. Mary F. Robinson, the new arcadia and Vernon Lee -- "Be loved through thoughts of mine": Alice Meynell's intimate distance -- "So I can wait and sing": Dollie Radford's poetics of waiting -- Conclusion: Mary E. Coleridge and the second person plural
- Control code
- 890441445
- Dimensions
- unknown
- Extent
- 1 online resource.
- File format
- unknown
- Form of item
- online
- Isbn
- 9781322111353
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt7wgk70
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)890441445
Subject
- 1800-1899
- Criticism, interpretation, etc
- Electronic books
- English poetry
- English poetry -- 19th century -- History and criticism
- English poetry -- Women authors
- English poetry -- Women authors | History and criticism
- LITERARY CRITICISM -- European | English, Irish, Scottish, Welsh
- Lyric poetry -- History and criticism | Theory, etc
- POETRY -- English, Irish, Scottish, Welsh
Genre
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.umsl.edu/portal/Second-Person-Singular--Late-Victorian-Women/cwnZ3AEEi_g/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.umsl.edu/portal/Second-Person-Singular--Late-Victorian-Women/cwnZ3AEEi_g/">Second Person Singular : Late Victorian Women Poets and the Bonds of Verse</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.umsl.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.umsl.edu/">University of Missouri-St. Louis Libraries</a></span></span></span></span></div>
