The Resource Sounding the novel : voice in twenty-first century American fiction, Nathalie Aghoro
Sounding the novel : voice in twenty-first century American fiction, Nathalie Aghoro
Resource Information
The item Sounding the novel : voice in twenty-first century American fiction, Nathalie Aghoro represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Sounding the novel : voice in twenty-first century American fiction, Nathalie Aghoro represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries.
This item is available to borrow from 1 library branch.
- Extent
- 1 online resource
- Contents
-
- Cover; Titel; Imprint; Contents; Acknowledgments; 1 Introduction: Listening as Literary Practice; 2 Sounding Voices; 2.1 Voice, Language, and Text; 2.2 Toward a Theory of the Sounding Voice: Body, Medium, Performance; 2.3 Auditory Imagination, Soundscape, and Voice; 3 The Scream and the Word: (Non)Human Voices in Richard Powers's „The Echo Maker"; 3.1 Human Voice, Primal Echoes, and Language; 3.2 Natural Soundscape, Animal Voices, and Ecofiction; 3.3 Media Ecology and Voice in „The Echo Maker"; 4 Singing Time: Vocal Performance and Temporality in Richard Powers's „The Time of Our Singing"
- 4.1 The Physics of Voice and Time4.2 Voice and Possible Worlds in „The Time of Our Singing"; 5 Listening for Voice; 5.1 Listening, Resonance, and Voice; 5.2 Listening Features; 5.3 Intention and Attention; 6 Polyphonic Soundscapes: Vocal Resonance and Place in Karen Tei Yamashita's „I Hotel"; 6.1 The Textualization of Polyphonic Soundscapes; 6.2 'Live' Bodies, Vocal Resonance, and Place in „I Hotel"; 6.3 Politics of Voice and Listening; 7 A Listening Self: Vocal Sound Event and Intersubjectivity in Jonathan Safran Foer's „Extremely Loud & Incredibly Close"
- 7.1 Auditory Experience and the Listening Self7.2 War, Terrorism, and Sound Event; 7.3 Intersubjective Networks and Urban Soundscapes; 8 By Way of Conclusion: Silence in Jennifer Egan's „A Visit from the Goon Squad"; 8.1 Silences of Anticipation; 8.2 Vocal Absence and Intermedial Pause; 8.3 From Sound to Silence; Works Cited; Backcover
- Isbn
- 9783825378226
- Label
- Sounding the novel : voice in twenty-first century American fiction
- Title
- Sounding the novel
- Title remainder
- voice in twenty-first century American fiction
- Statement of responsibility
- Nathalie Aghoro
- Subject
-
- American fiction -- 21st century -- History and criticism
- Criticism, interpretation, etc
- Egan, Jennifer
- Extremely loud & incredibly close (Foer, Jonathan Safran)
- Foer, Jonathan Safran, 1977-
- Powers, Richard, 1957-
- Voice in literature
- Voice in literature
- Yamashita, Karen Tei, 1951-
- 2000-2099
- American fiction
- Language
- eng
- Cataloging source
- YDX
- http://library.link/vocab/creatorName
- Aghoro, Nathalie
- Dewey number
- 813/.609
- Index
- no index present
- LC call number
- PN56.V55
- LC item number
- A34 2018eb
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- Series statement
- American studies : a mongraph series
- Series volume
- volume 294
- http://library.link/vocab/subjectName
-
- Powers, Richard
- Powers, Richard
- Yamashita, Karen Tei
- Foer, Jonathan Safran
- Egan, Jennifer
- Voice in literature
- American fiction
- American fiction
- Voice in literature
- Label
- Sounding the novel : voice in twenty-first century American fiction, Nathalie Aghoro
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Cover; Titel; Imprint; Contents; Acknowledgments; 1 Introduction: Listening as Literary Practice; 2 Sounding Voices; 2.1 Voice, Language, and Text; 2.2 Toward a Theory of the Sounding Voice: Body, Medium, Performance; 2.3 Auditory Imagination, Soundscape, and Voice; 3 The Scream and the Word: (Non)Human Voices in Richard Powers's „The Echo Maker"; 3.1 Human Voice, Primal Echoes, and Language; 3.2 Natural Soundscape, Animal Voices, and Ecofiction; 3.3 Media Ecology and Voice in „The Echo Maker"; 4 Singing Time: Vocal Performance and Temporality in Richard Powers's „The Time of Our Singing"
- 4.1 The Physics of Voice and Time4.2 Voice and Possible Worlds in „The Time of Our Singing"; 5 Listening for Voice; 5.1 Listening, Resonance, and Voice; 5.2 Listening Features; 5.3 Intention and Attention; 6 Polyphonic Soundscapes: Vocal Resonance and Place in Karen Tei Yamashita's „I Hotel"; 6.1 The Textualization of Polyphonic Soundscapes; 6.2 'Live' Bodies, Vocal Resonance, and Place in „I Hotel"; 6.3 Politics of Voice and Listening; 7 A Listening Self: Vocal Sound Event and Intersubjectivity in Jonathan Safran Foer's „Extremely Loud & Incredibly Close"
- 7.1 Auditory Experience and the Listening Self7.2 War, Terrorism, and Sound Event; 7.3 Intersubjective Networks and Urban Soundscapes; 8 By Way of Conclusion: Silence in Jennifer Egan's „A Visit from the Goon Squad"; 8.1 Silences of Anticipation; 8.2 Vocal Absence and Intermedial Pause; 8.3 From Sound to Silence; Works Cited; Backcover
- Control code
- 1086672361
- Dimensions
- unknown
- Extent
- 1 online resource
- Form of item
- online
- Isbn
- 9783825378226
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Specific material designation
- remote
- System control number
- (OCoLC)1086672361
- Label
- Sounding the novel : voice in twenty-first century American fiction, Nathalie Aghoro
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Cover; Titel; Imprint; Contents; Acknowledgments; 1 Introduction: Listening as Literary Practice; 2 Sounding Voices; 2.1 Voice, Language, and Text; 2.2 Toward a Theory of the Sounding Voice: Body, Medium, Performance; 2.3 Auditory Imagination, Soundscape, and Voice; 3 The Scream and the Word: (Non)Human Voices in Richard Powers's „The Echo Maker"; 3.1 Human Voice, Primal Echoes, and Language; 3.2 Natural Soundscape, Animal Voices, and Ecofiction; 3.3 Media Ecology and Voice in „The Echo Maker"; 4 Singing Time: Vocal Performance and Temporality in Richard Powers's „The Time of Our Singing"
- 4.1 The Physics of Voice and Time4.2 Voice and Possible Worlds in „The Time of Our Singing"; 5 Listening for Voice; 5.1 Listening, Resonance, and Voice; 5.2 Listening Features; 5.3 Intention and Attention; 6 Polyphonic Soundscapes: Vocal Resonance and Place in Karen Tei Yamashita's „I Hotel"; 6.1 The Textualization of Polyphonic Soundscapes; 6.2 'Live' Bodies, Vocal Resonance, and Place in „I Hotel"; 6.3 Politics of Voice and Listening; 7 A Listening Self: Vocal Sound Event and Intersubjectivity in Jonathan Safran Foer's „Extremely Loud & Incredibly Close"
- 7.1 Auditory Experience and the Listening Self7.2 War, Terrorism, and Sound Event; 7.3 Intersubjective Networks and Urban Soundscapes; 8 By Way of Conclusion: Silence in Jennifer Egan's „A Visit from the Goon Squad"; 8.1 Silences of Anticipation; 8.2 Vocal Absence and Intermedial Pause; 8.3 From Sound to Silence; Works Cited; Backcover
- Control code
- 1086672361
- Dimensions
- unknown
- Extent
- 1 online resource
- Form of item
- online
- Isbn
- 9783825378226
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Specific material designation
- remote
- System control number
- (OCoLC)1086672361
Subject
- American fiction -- 21st century -- History and criticism
- Criticism, interpretation, etc
- Egan, Jennifer
- Extremely loud & incredibly close (Foer, Jonathan Safran)
- Foer, Jonathan Safran, 1977-
- Powers, Richard, 1957-
- Voice in literature
- Voice in literature
- Yamashita, Karen Tei, 1951-
- 2000-2099
- American fiction
Genre
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.umsl.edu/portal/Sounding-the-novel--voice-in-twenty-first/3mOtV82sA-o/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.umsl.edu/portal/Sounding-the-novel--voice-in-twenty-first/3mOtV82sA-o/">Sounding the novel : voice in twenty-first century American fiction, Nathalie Aghoro</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.umsl.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.umsl.edu/">University of Missouri-St. Louis Libraries</a></span></span></span></span></div>
