Coverart for item
The Resource Sounding the novel : voice in twenty-first century American fiction, Nathalie Aghoro

Sounding the novel : voice in twenty-first century American fiction, Nathalie Aghoro

Label
Sounding the novel : voice in twenty-first century American fiction
Title
Sounding the novel
Title remainder
voice in twenty-first century American fiction
Statement of responsibility
Nathalie Aghoro
Creator
Author
Subject
Genre
Language
eng
Member of
Cataloging source
YDX
http://library.link/vocab/creatorName
Aghoro, Nathalie
Dewey number
813/.609
Index
no index present
LC call number
PN56.V55
LC item number
A34 2018eb
Literary form
non fiction
Nature of contents
  • dictionaries
  • bibliography
Series statement
American studies : a mongraph series
Series volume
volume 294
http://library.link/vocab/subjectName
  • Powers, Richard
  • Powers, Richard
  • Yamashita, Karen Tei
  • Foer, Jonathan Safran
  • Egan, Jennifer
  • Voice in literature
  • American fiction
  • American fiction
  • Voice in literature
Label
Sounding the novel : voice in twenty-first century American fiction, Nathalie Aghoro
Instantiates
Publication
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Cover; Titel; Imprint; Contents; Acknowledgments; 1 Introduction: Listening as Literary Practice; 2 Sounding Voices; 2.1 Voice, Language, and Text; 2.2 Toward a Theory of the Sounding Voice: Body, Medium, Performance; 2.3 Auditory Imagination, Soundscape, and Voice; 3 The Scream and the Word: (Non)Human Voices in Richard Powers's „The Echo Maker"; 3.1 Human Voice, Primal Echoes, and Language; 3.2 Natural Soundscape, Animal Voices, and Ecofiction; 3.3 Media Ecology and Voice in „The Echo Maker"; 4 Singing Time: Vocal Performance and Temporality in Richard Powers's „The Time of Our Singing"
  • 4.1 The Physics of Voice and Time4.2 Voice and Possible Worlds in „The Time of Our Singing"; 5 Listening for Voice; 5.1 Listening, Resonance, and Voice; 5.2 Listening Features; 5.3 Intention and Attention; 6 Polyphonic Soundscapes: Vocal Resonance and Place in Karen Tei Yamashita's „I Hotel"; 6.1 The Textualization of Polyphonic Soundscapes; 6.2 'Live' Bodies, Vocal Resonance, and Place in „I Hotel"; 6.3 Politics of Voice and Listening; 7 A Listening Self: Vocal Sound Event and Intersubjectivity in Jonathan Safran Foer's „Extremely Loud & Incredibly Close"
  • 7.1 Auditory Experience and the Listening Self7.2 War, Terrorism, and Sound Event; 7.3 Intersubjective Networks and Urban Soundscapes; 8 By Way of Conclusion: Silence in Jennifer Egan's „A Visit from the Goon Squad"; 8.1 Silences of Anticipation; 8.2 Vocal Absence and Intermedial Pause; 8.3 From Sound to Silence; Works Cited; Backcover
Control code
1086672361
Dimensions
unknown
Extent
1 online resource
Form of item
online
Isbn
9783825378226
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Specific material designation
remote
System control number
(OCoLC)1086672361
Label
Sounding the novel : voice in twenty-first century American fiction, Nathalie Aghoro
Publication
Carrier category
online resource
Carrier category code
  • cr
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Cover; Titel; Imprint; Contents; Acknowledgments; 1 Introduction: Listening as Literary Practice; 2 Sounding Voices; 2.1 Voice, Language, and Text; 2.2 Toward a Theory of the Sounding Voice: Body, Medium, Performance; 2.3 Auditory Imagination, Soundscape, and Voice; 3 The Scream and the Word: (Non)Human Voices in Richard Powers's „The Echo Maker"; 3.1 Human Voice, Primal Echoes, and Language; 3.2 Natural Soundscape, Animal Voices, and Ecofiction; 3.3 Media Ecology and Voice in „The Echo Maker"; 4 Singing Time: Vocal Performance and Temporality in Richard Powers's „The Time of Our Singing"
  • 4.1 The Physics of Voice and Time4.2 Voice and Possible Worlds in „The Time of Our Singing"; 5 Listening for Voice; 5.1 Listening, Resonance, and Voice; 5.2 Listening Features; 5.3 Intention and Attention; 6 Polyphonic Soundscapes: Vocal Resonance and Place in Karen Tei Yamashita's „I Hotel"; 6.1 The Textualization of Polyphonic Soundscapes; 6.2 'Live' Bodies, Vocal Resonance, and Place in „I Hotel"; 6.3 Politics of Voice and Listening; 7 A Listening Self: Vocal Sound Event and Intersubjectivity in Jonathan Safran Foer's „Extremely Loud & Incredibly Close"
  • 7.1 Auditory Experience and the Listening Self7.2 War, Terrorism, and Sound Event; 7.3 Intersubjective Networks and Urban Soundscapes; 8 By Way of Conclusion: Silence in Jennifer Egan's „A Visit from the Goon Squad"; 8.1 Silences of Anticipation; 8.2 Vocal Absence and Intermedial Pause; 8.3 From Sound to Silence; Works Cited; Backcover
Control code
1086672361
Dimensions
unknown
Extent
1 online resource
Form of item
online
Isbn
9783825378226
Media category
computer
Media MARC source
rdamedia
Media type code
  • c
Specific material designation
remote
System control number
(OCoLC)1086672361

Library Locations

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      1 University Blvd, St. Louis, MO, 63121, US
      38.710138 -90.311107
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