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The Resource Southern women novelists and the Civil War : trauma and collective memory in the American literary tradition since 1861, Sharon Talley

Southern women novelists and the Civil War : trauma and collective memory in the American literary tradition since 1861, Sharon Talley

Label
Southern women novelists and the Civil War : trauma and collective memory in the American literary tradition since 1861
Title
Southern women novelists and the Civil War
Title remainder
trauma and collective memory in the American literary tradition since 1861
Statement of responsibility
Sharon Talley
Creator
Author
Subject
Genre
Language
eng
Summary
During and after the Civil War, southern women played a critical role in shaping the South{u2019}s evolving collective memory by penning journals and diaries, historical accounts, memoirs, and literary interpretations of the war. While a few of these writings{u2014}most notably Mary Chesnut{u2019}s diaries and Margaret Mitchell{u2019}s novel, Gone with the Wind{u2014}have been studied in depth by numerous scholars, until now there has been no comprehensive examination of Civil War novels by southern women. In this welcome study, Sharon Talley explores works by fifteen such writers, illuminating the role that southern women played in fashioning cultural identity in the region. Beginning with Augusta Jane Evans{u2019}s Macaria and Sallie Rochester Ford{u2019}s Raids and Romance of Morgan and His Men, which were published as the war still raged, Talley offers a chronological consideration of the novels with informative introductions for each time period. She examines Reconstruction works by Marion Harland, Mary Ann Cruse, and Rebecca Harding Davis, novels of the 2Redeemed3 South and the turn of the century by Mary Noailles Murfree, Ellen Glasgow, and Mary Johnston, and narratives by Evelyn Scott, Margaret Mitchell, and Caroline Gordon from the Modern period that spanned the two World Wars. Analysis of Margaret Walker{u2019}s Jubilee (1966), the first critically acclaimed Civil War novel by an African American woman of the South, as well as other post{u2013}World War II works by Kaye Gibbons, Josephine Humphreys, and Alice Randall, offers a fitting conclusion to Talley{u2019}s study by addressing the inaccuracies in the romantic myth of the Old South that Gone with the Wind most famously engraved on the nation{u2019}s consciousness. Informed by feminist, poststructural, and cultural studies theory, Talley{u2019}s close readings of these various novels ultimately refute the notion of a monolithic interpretation of the Civil War, presenting instead unique and diverse approaches to balancing 2fact3 and 2fiction3 in the long period of artistic production concerning this singular traumatic event in American history. --Provided by publisher
Cataloging source
DLC
http://library.link/vocab/creatorDate
1952-
http://library.link/vocab/creatorName
Talley, Sharon
Dewey number
813.009/358737
Index
index present
LC call number
PS374.C53
LC item number
T35 2014
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • American fiction
  • American fiction
  • American fiction
  • Historical fiction, American
  • War stories, American
  • War and literature
  • War in literature
  • United States
Label
Southern women novelists and the Civil War : trauma and collective memory in the American literary tradition since 1861, Sharon Talley
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier MARC source
rdacarrier.
Content category
text
Content type MARC source
rdacontent.
Contents
Augusta Jane Evans's Macaria; or, altars of sacrifice -- Sallie Rochester Ford's Raids and romance of Morgan and his men -- Marion Harland's Sunnybank -- Mary Ann Cruse's Cameron Hall: a story of the Civil War -- Rebecca Harding Davis's Waiting for the verdict -- Mary Noailles Murfree's Where the battle was fought and The storm centre -- Ellen Glasgow's The battle-ground -- Mary Johnston's The long roll and Cease firing -- Evelyn Scott's The wave -- Margaret Mitchell's Gone with the wind -- Caroline Gordon's None shall look back -- Margaret Walker's Jubilee -- Kaye Gibbons' On the occasion of my last afternoon -- Josephine Humphreys's Nowhere else on Earth -- Alice Randall's The wind done gone
Control code
864418198
Dimensions
24 cm
Edition
First edition.
Extent
xxii, 432 pages
Isbn
9781621900139
Lccn
2013039695
Media category
unmediated
Media MARC source
rdamedia.
System control number
(OCoLC)864418198
Label
Southern women novelists and the Civil War : trauma and collective memory in the American literary tradition since 1861, Sharon Talley
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier MARC source
rdacarrier.
Content category
text
Content type MARC source
rdacontent.
Contents
Augusta Jane Evans's Macaria; or, altars of sacrifice -- Sallie Rochester Ford's Raids and romance of Morgan and his men -- Marion Harland's Sunnybank -- Mary Ann Cruse's Cameron Hall: a story of the Civil War -- Rebecca Harding Davis's Waiting for the verdict -- Mary Noailles Murfree's Where the battle was fought and The storm centre -- Ellen Glasgow's The battle-ground -- Mary Johnston's The long roll and Cease firing -- Evelyn Scott's The wave -- Margaret Mitchell's Gone with the wind -- Caroline Gordon's None shall look back -- Margaret Walker's Jubilee -- Kaye Gibbons' On the occasion of my last afternoon -- Josephine Humphreys's Nowhere else on Earth -- Alice Randall's The wind done gone
Control code
864418198
Dimensions
24 cm
Edition
First edition.
Extent
xxii, 432 pages
Isbn
9781621900139
Lccn
2013039695
Media category
unmediated
Media MARC source
rdamedia.
System control number
(OCoLC)864418198

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      38.710138 -90.311107
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