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The Resource The Rey Chow reader, edited by Paul Bowman, (electronic resource)

The Rey Chow reader, edited by Paul Bowman, (electronic resource)

Label
The Rey Chow reader
Title
The Rey Chow reader
Statement of responsibility
edited by Paul Bowman
Creator
Contributor
Subject
Language
eng
Cataloging source
DLC
http://library.link/vocab/creatorName
Chow, Rey
Dewey number
306.2
LC call number
CB430
LC item number
.C4975 2010
http://library.link/vocab/relatedWorkOrContributorDate
1971-
http://library.link/vocab/relatedWorkOrContributorName
Bowman, Paul
http://library.link/vocab/subjectName
  • Culture
  • Politics and culture
  • Social change
  • Poststructuralism
  • Motion pictures
  • Motion pictures and transnationalism
  • Motion pictures and globalization
  • Culture in motion pictures
Label
The Rey Chow reader, edited by Paul Bowman, (electronic resource)
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Contents
  • Modernity and postcolonial ethnicity. The age of the world target: atomic bombs, alterity, area studies -- The postcolonial difference: lessons in cultural legitimation -- From Writing diaspora: introduction: leading questions -- Brushes with the-other-as-face: stereotyping and cross-ethnic representation -- The politics of admittance: female sexual agency, miscegenation, and the formation of community in Frantz Fanon -- When whiteness feminizes : some consequences of a supplementary logic -- Filmic visuality and transcultural politics. Film and cultural identity -- Seeing modern China : toward a theory of ethnic spectatorship -- The dream of a butterfly -- Film as ethnography, or, Translation between cultures in the postcolonial world -- A filmic staging of postwar geotemporal politics: on Akira Kurosawa's No regrets for our youth, sixty years later -- From Sentimental fabulations, contemporary Chinese films: attachment in the age of global visibility -- The political economy of vision in Happy times and Not one less, or, a different type of migration
  • Modernity and postcolonial ethnicity. The age of the world target: atomic bombs, alterity, area studies -- The postcolonial difference: lessons in cultural legitimation -- From Writing diaspora: introduction: leading questions -- Brushes with the-other-as-face: stereotyping and cross-ethnic representation -- The politics of admittance: female sexual agency, miscegenation, and the formation of community in Frantz Fanon -- When whiteness feminizes : some consequences of a supplementary logic -- Filmic visuality and transcultural politics. Film and cultural identity -- Seeing modern China : toward a theory of ethnic spectatorship -- The dream of a butterfly -- Film as ethnography, or, Translation between cultures in the postcolonial world -- A filmic staging of postwar geotemporal politics: on Akira Kurosawa's No regrets for our youth, sixty years later -- From Sentimental fabulations, contemporary Chinese films: attachment in the age of global visibility -- The political economy of vision in Happy times and Not one less, or, a different type of migration
  • Modernity and postcolonial ethnicity. The age of the world target: atomic bombs, alterity, area studies -- The postcolonial difference: lessons in cultural legitimation -- From Writing diaspora: introduction: leading questions -- Brushes with the-other-as-face: stereotyping and cross-ethnic representation -- The politics of admittance: female sexual agency, miscegenation, and the formation of community in Frantz Fanon -- When whiteness feminizes : some consequences of a supplementary logic -- Filmic visuality and transcultural politics. Film and cultural identity -- Seeing modern China : toward a theory of ethnic spectatorship -- The dream of a butterfly -- Film as ethnography, or, Translation between cultures in the postcolonial world -- A filmic staging of postwar geotemporal politics: on Akira Kurosawa's No regrets for our youth, sixty years later -- From Sentimental fabulations, contemporary Chinese films: attachment in the age of global visibility -- The political economy of vision in Happy times and Not one less, or, a different type of migration
Control code
OCM1bookssj0000647465
Dimensions
unknown
Isbn
9780231520782
Isbn Type
(e-book)
Lccn
2009052179
Specific material designation
remote
System control number
(WaSeSS)bookssj0000647465
Label
The Rey Chow reader, edited by Paul Bowman, (electronic resource)
Publication
Bibliography note
Includes bibliographical references and index
Contents
  • Modernity and postcolonial ethnicity. The age of the world target: atomic bombs, alterity, area studies -- The postcolonial difference: lessons in cultural legitimation -- From Writing diaspora: introduction: leading questions -- Brushes with the-other-as-face: stereotyping and cross-ethnic representation -- The politics of admittance: female sexual agency, miscegenation, and the formation of community in Frantz Fanon -- When whiteness feminizes : some consequences of a supplementary logic -- Filmic visuality and transcultural politics. Film and cultural identity -- Seeing modern China : toward a theory of ethnic spectatorship -- The dream of a butterfly -- Film as ethnography, or, Translation between cultures in the postcolonial world -- A filmic staging of postwar geotemporal politics: on Akira Kurosawa's No regrets for our youth, sixty years later -- From Sentimental fabulations, contemporary Chinese films: attachment in the age of global visibility -- The political economy of vision in Happy times and Not one less, or, a different type of migration
  • Modernity and postcolonial ethnicity. The age of the world target: atomic bombs, alterity, area studies -- The postcolonial difference: lessons in cultural legitimation -- From Writing diaspora: introduction: leading questions -- Brushes with the-other-as-face: stereotyping and cross-ethnic representation -- The politics of admittance: female sexual agency, miscegenation, and the formation of community in Frantz Fanon -- When whiteness feminizes : some consequences of a supplementary logic -- Filmic visuality and transcultural politics. Film and cultural identity -- Seeing modern China : toward a theory of ethnic spectatorship -- The dream of a butterfly -- Film as ethnography, or, Translation between cultures in the postcolonial world -- A filmic staging of postwar geotemporal politics: on Akira Kurosawa's No regrets for our youth, sixty years later -- From Sentimental fabulations, contemporary Chinese films: attachment in the age of global visibility -- The political economy of vision in Happy times and Not one less, or, a different type of migration
  • Modernity and postcolonial ethnicity. The age of the world target: atomic bombs, alterity, area studies -- The postcolonial difference: lessons in cultural legitimation -- From Writing diaspora: introduction: leading questions -- Brushes with the-other-as-face: stereotyping and cross-ethnic representation -- The politics of admittance: female sexual agency, miscegenation, and the formation of community in Frantz Fanon -- When whiteness feminizes : some consequences of a supplementary logic -- Filmic visuality and transcultural politics. Film and cultural identity -- Seeing modern China : toward a theory of ethnic spectatorship -- The dream of a butterfly -- Film as ethnography, or, Translation between cultures in the postcolonial world -- A filmic staging of postwar geotemporal politics: on Akira Kurosawa's No regrets for our youth, sixty years later -- From Sentimental fabulations, contemporary Chinese films: attachment in the age of global visibility -- The political economy of vision in Happy times and Not one less, or, a different type of migration
Control code
OCM1bookssj0000647465
Dimensions
unknown
Isbn
9780231520782
Isbn Type
(e-book)
Lccn
2009052179
Specific material designation
remote
System control number
(WaSeSS)bookssj0000647465

Library Locations

    • Thomas Jefferson LibraryBorrow it
      1 University Blvd, St. Louis, MO, 63121, US
      38.710138 -90.311107
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