The Resource The changing face of American theatre : colorblind and uni-racial casting at the New York Shakespeare Festival under the direction of Joseph Papp, by Charlene Widener, (electronic resource)
The changing face of American theatre : colorblind and uni-racial casting at the New York Shakespeare Festival under the direction of Joseph Papp, by Charlene Widener, (electronic resource)
Resource Information
The item The changing face of American theatre : colorblind and uni-racial casting at the New York Shakespeare Festival under the direction of Joseph Papp, by Charlene Widener, (electronic resource) represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries.This item is available to borrow from all library branches.
Resource Information
The item The changing face of American theatre : colorblind and uni-racial casting at the New York Shakespeare Festival under the direction of Joseph Papp, by Charlene Widener, (electronic resource) represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries.
This item is available to borrow from all library branches.
- Summary
- It is widely acknowledged that Joseph Papp started colorblind casting in the United States in a sustained and visible way. In addition, he utilized uni-racial casting at various times in the history of the New York Shakespeare Festival (NYSF). Based on the general agreement that Papp's casting had a significant impact on the American theatre, it is clear that his work functioned as a racial project from the perspective of racial formations. Despite the fact that Papp's work has had an impact as a racial project in the United States, there are significant elements to his casting which have yet to be explored. The purpose of this dissertation is to analyze the extent and nature of colorblind and uni-racial casting at the NYSF and explore how the two different methods of non-traditional casting were used at various times in the organization's history
- Language
- eng
- Note
-
- The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file
- Title from title screen of research.pdf file (viewed on August 9, 2007)
- Vita
- Label
- The changing face of American theatre : colorblind and uni-racial casting at the New York Shakespeare Festival under the direction of Joseph Papp
- Title
- The changing face of American theatre
- Title remainder
- colorblind and uni-racial casting at the New York Shakespeare Festival under the direction of Joseph Papp
- Statement of responsibility
- by Charlene Widener
- Language
- eng
- Summary
- It is widely acknowledged that Joseph Papp started colorblind casting in the United States in a sustained and visible way. In addition, he utilized uni-racial casting at various times in the history of the New York Shakespeare Festival (NYSF). Based on the general agreement that Papp's casting had a significant impact on the American theatre, it is clear that his work functioned as a racial project from the perspective of racial formations. Despite the fact that Papp's work has had an impact as a racial project in the United States, there are significant elements to his casting which have yet to be explored. The purpose of this dissertation is to analyze the extent and nature of colorblind and uni-racial casting at the NYSF and explore how the two different methods of non-traditional casting were used at various times in the organization's history
- Cataloging source
- MUU
- http://library.link/vocab/creatorName
- Widener, Charlene
- Dissertation year
- 2006.
- Granting institution
- Thesis (Ph. D.) University of Missouri-Columbia
- Index
- no index present
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- theses
- http://library.link/vocab/relatedWorkOrContributorName
- Crespy, David Allison
- http://library.link/vocab/subjectName
-
- Papp, Joseph
- New York Shakespeare Festival Productions
- Theater
- Racially mixed people
- Target audience
- specialized
- Label
- The changing face of American theatre : colorblind and uni-racial casting at the New York Shakespeare Festival under the direction of Joseph Papp, by Charlene Widener, (electronic resource)
- Note
-
- The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file
- Title from title screen of research.pdf file (viewed on August 9, 2007)
- Vita
- Bibliography note
- Includes bibliographical references
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- black and white
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Control code
- 163582488
- Dimensions
- unknown
- Form of item
- electronic
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Specific material designation
- remote
- System control number
- (OCoLC)163582488
- System details
- Mode of access: World Wide Web
- Label
- The changing face of American theatre : colorblind and uni-racial casting at the New York Shakespeare Festival under the direction of Joseph Papp, by Charlene Widener, (electronic resource)
- Note
-
- The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file
- Title from title screen of research.pdf file (viewed on August 9, 2007)
- Vita
- Bibliography note
- Includes bibliographical references
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- black and white
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Control code
- 163582488
- Dimensions
- unknown
- Form of item
- electronic
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Specific material designation
- remote
- System control number
- (OCoLC)163582488
- System details
- Mode of access: World Wide Web
Library Locations
-
St. Louis Mercantile LibraryBorrow it1 University Blvd, St. Louis, MO, 63121, US38.710138 -90.311107
-
-
University ArchivesBorrow it703 Lewis Hall, Columbia, MO, 65211, US
-
University of Missouri-St. Louis Libraries DepositoryBorrow it2908 Lemone Blvd, Columbia, MO, 65201, US38.919360 -92.291620
-
University of Missouri-St. Louis Libraries DepositoryBorrow it2908 Lemone Blvd, Columbia, MO, 65201, US38.919360 -92.291620
-
Ward E Barnes Education LibraryBorrow it8001 Natural Bridge Rd, St. Louis, MO, 63121, US38.707079 -90.311355
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.umsl.edu/portal/The-changing-face-of-American-theatre-/os36j_8MVbU/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.umsl.edu/portal/The-changing-face-of-American-theatre-/os36j_8MVbU/">The changing face of American theatre : colorblind and uni-racial casting at the New York Shakespeare Festival under the direction of Joseph Papp, by Charlene Widener, (electronic resource)</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.umsl.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.umsl.edu/">University of Missouri-St. Louis Libraries</a></span></span></span></span></div>
