Coverart for item
The Resource The cinema of me : the self and subjectivity in first person documentary, edited by Alisa Lebow, (electronic resource)

The cinema of me : the self and subjectivity in first person documentary, edited by Alisa Lebow, (electronic resource)

Label
The cinema of me : the self and subjectivity in first person documentary
Title
The cinema of me
Title remainder
the self and subjectivity in first person documentary
Statement of responsibility
edited by Alisa Lebow
Contributor
Subject
Language
eng
Cataloging source
BTCTA
Dewey number
070.1/8
LC call number
PN1995.9.D62
LC item number
C56 2012
http://library.link/vocab/relatedWorkOrContributorName
Lebow, Alisa
http://library.link/vocab/subjectName
  • Documentary films
  • Documentary films
  • Subjectivity in motion pictures
Label
The cinema of me : the self and subjectivity in first person documentary, edited by Alisa Lebow, (electronic resource)
Instantiates
Publication
Bibliography note
  • Includes bibliographical references and index
  • Includes filmography (p. 268-270)
Contents
  • Laura Rascaroli
  • Cycles of life: El cielo gira and Spanish autobiographical documentary
  • Efrén Cuevas
  • From the interior: space, time and queer discursivity in Kamal Aljafari's The roof
  • Peter Limbrick
  • First person plural.
  • Jennifer Fox's transcultural talking cure: Flying: confessions of a free woman
  • Angelica Fenner
  • Secrets and inner voices: the self and subjectivity in contemporary Indian documentary
  • Sabeena Gadihoke
  • First person singular.
  • In the eye of the storm: the political stake of Israeli i-movies
  • Linda Dittmar
  • Diasporic subjectivity.
  • Looking for home in home movies: the home mode in Caribbean diaspora first person film and video practice
  • Elspeth kydd
  • "If I am (not) for myself": Michelle Citron's diasporic first person(s)
  • Sophie Mayer
  • The camera as peripatetic migration machine
  • Alisa Lebow
  • Virtual subjectivity.
  • The role of history in the individual: working notes for a film
  • Blogging identity.com
  • Peter Hughes
  • The me and the we: a first person meditation on media translation in three acts
  • Alexandra Juhasz
  • Michael Chanan
  • The curious incident of the dog in the nighttime
  • André Di Tella
  • Impersonations of Glauber Rocha by Glauber Rocha
  • José Gatti
  • The self-portrait film: Michelangelo's last gaze
  • Laura Rascaroli
  • Cycles of life: El cielo gira and Spanish autobiographical documentary
  • Efrén Cuevas
  • From the interior: space, time and queer discursivity in Kamal Aljafari's The roof
  • Peter Limbrick
  • First person plural.
  • Jennifer Fox's transcultural talking cure: Flying: confessions of a free woman
  • Angelica Fenner
  • Secrets and inner voices: the self and subjectivity in contemporary Indian documentary
  • Sabeena Gadihoke
  • First person singular.
  • In the eye of the storm: the political stake of Israeli i-movies
  • Linda Dittmar
  • Diasporic subjectivity.
  • Looking for home in home movies: the home mode in Caribbean diaspora first person film and video practice
  • Elspeth kydd
  • "If I am (not) for myself": Michelle Citron's diasporic first person(s)
  • Sophie Mayer
  • The camera as peripatetic migration machine
  • Alisa Lebow
  • Virtual subjectivity.
  • The role of history in the individual: working notes for a film
  • Blogging identity.com
  • Peter Hughes
  • The me and the we: a first person meditation on media translation in three acts
  • Alexandra Juhasz
  • Michael Chanan
  • The curious incident of the dog in the nighttime
  • André Di Tella
  • Impersonations of Glauber Rocha by Glauber Rocha
  • José Gatti
  • The self-portrait film: Michelangelo's last gaze
  • Laura Rascaroli
  • Cycles of life: El cielo gira and Spanish autobiographical documentary
  • Efrén Cuevas
  • From the interior: space, time and queer discursivity in Kamal Aljafari's The roof
  • Peter Limbrick
  • First person plural.
  • Jennifer Fox's transcultural talking cure: Flying: confessions of a free woman
  • Angelica Fenner
  • Secrets and inner voices: the self and subjectivity in contemporary Indian documentary
  • Sabeena Gadihoke
  • First person singular.
  • In the eye of the storm: the political stake of Israeli i-movies
  • Linda Dittmar
  • Diasporic subjectivity.
  • Looking for home in home movies: the home mode in Caribbean diaspora first person film and video practice
  • Elspeth kydd
  • "If I am (not) for myself": Michelle Citron's diasporic first person(s)
  • Sophie Mayer
  • The camera as peripatetic migration machine
  • Alisa Lebow
  • Virtual subjectivity.
  • The role of history in the individual: working notes for a film
  • Blogging identity.com
  • Peter Hughes
  • The me and the we: a first person meditation on media translation in three acts
  • Alexandra Juhasz
  • Michael Chanan
  • The curious incident of the dog in the nighttime
  • André Di Tella
  • Impersonations of Glauber Rocha by Glauber Rocha
  • José Gatti
  • The self-portrait film: Michelangelo's last gaze
Control code
OCM1bookssj0001001261
Dimensions
unknown
Isbn
9780231162142
Isbn Type
(cloth : alk. paper)
Lccn
2011279718
Specific material designation
remote
System control number
(WaSeSS)bookssj0001001261
Label
The cinema of me : the self and subjectivity in first person documentary, edited by Alisa Lebow, (electronic resource)
Publication
Bibliography note
  • Includes bibliographical references and index
  • Includes filmography (p. 268-270)
Contents
  • Laura Rascaroli
  • Cycles of life: El cielo gira and Spanish autobiographical documentary
  • Efrén Cuevas
  • From the interior: space, time and queer discursivity in Kamal Aljafari's The roof
  • Peter Limbrick
  • First person plural.
  • Jennifer Fox's transcultural talking cure: Flying: confessions of a free woman
  • Angelica Fenner
  • Secrets and inner voices: the self and subjectivity in contemporary Indian documentary
  • Sabeena Gadihoke
  • First person singular.
  • In the eye of the storm: the political stake of Israeli i-movies
  • Linda Dittmar
  • Diasporic subjectivity.
  • Looking for home in home movies: the home mode in Caribbean diaspora first person film and video practice
  • Elspeth kydd
  • "If I am (not) for myself": Michelle Citron's diasporic first person(s)
  • Sophie Mayer
  • The camera as peripatetic migration machine
  • Alisa Lebow
  • Virtual subjectivity.
  • The role of history in the individual: working notes for a film
  • Blogging identity.com
  • Peter Hughes
  • The me and the we: a first person meditation on media translation in three acts
  • Alexandra Juhasz
  • Michael Chanan
  • The curious incident of the dog in the nighttime
  • André Di Tella
  • Impersonations of Glauber Rocha by Glauber Rocha
  • José Gatti
  • The self-portrait film: Michelangelo's last gaze
  • Laura Rascaroli
  • Cycles of life: El cielo gira and Spanish autobiographical documentary
  • Efrén Cuevas
  • From the interior: space, time and queer discursivity in Kamal Aljafari's The roof
  • Peter Limbrick
  • First person plural.
  • Jennifer Fox's transcultural talking cure: Flying: confessions of a free woman
  • Angelica Fenner
  • Secrets and inner voices: the self and subjectivity in contemporary Indian documentary
  • Sabeena Gadihoke
  • First person singular.
  • In the eye of the storm: the political stake of Israeli i-movies
  • Linda Dittmar
  • Diasporic subjectivity.
  • Looking for home in home movies: the home mode in Caribbean diaspora first person film and video practice
  • Elspeth kydd
  • "If I am (not) for myself": Michelle Citron's diasporic first person(s)
  • Sophie Mayer
  • The camera as peripatetic migration machine
  • Alisa Lebow
  • Virtual subjectivity.
  • The role of history in the individual: working notes for a film
  • Blogging identity.com
  • Peter Hughes
  • The me and the we: a first person meditation on media translation in three acts
  • Alexandra Juhasz
  • Michael Chanan
  • The curious incident of the dog in the nighttime
  • André Di Tella
  • Impersonations of Glauber Rocha by Glauber Rocha
  • José Gatti
  • The self-portrait film: Michelangelo's last gaze
  • Laura Rascaroli
  • Cycles of life: El cielo gira and Spanish autobiographical documentary
  • Efrén Cuevas
  • From the interior: space, time and queer discursivity in Kamal Aljafari's The roof
  • Peter Limbrick
  • First person plural.
  • Jennifer Fox's transcultural talking cure: Flying: confessions of a free woman
  • Angelica Fenner
  • Secrets and inner voices: the self and subjectivity in contemporary Indian documentary
  • Sabeena Gadihoke
  • First person singular.
  • In the eye of the storm: the political stake of Israeli i-movies
  • Linda Dittmar
  • Diasporic subjectivity.
  • Looking for home in home movies: the home mode in Caribbean diaspora first person film and video practice
  • Elspeth kydd
  • "If I am (not) for myself": Michelle Citron's diasporic first person(s)
  • Sophie Mayer
  • The camera as peripatetic migration machine
  • Alisa Lebow
  • Virtual subjectivity.
  • The role of history in the individual: working notes for a film
  • Blogging identity.com
  • Peter Hughes
  • The me and the we: a first person meditation on media translation in three acts
  • Alexandra Juhasz
  • Michael Chanan
  • The curious incident of the dog in the nighttime
  • André Di Tella
  • Impersonations of Glauber Rocha by Glauber Rocha
  • José Gatti
  • The self-portrait film: Michelangelo's last gaze
Control code
OCM1bookssj0001001261
Dimensions
unknown
Isbn
9780231162142
Isbn Type
(cloth : alk. paper)
Lccn
2011279718
Specific material designation
remote
System control number
(WaSeSS)bookssj0001001261

Library Locations

    • Thomas Jefferson LibraryBorrow it
      1 University Blvd, St. Louis, MO, 63121, US
      38.710138 -90.311107
Processing Feedback ...