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The Resource The future of art : an aesthetics of the new and the sublime, Marcella Tarozzi Goldsmith

The future of art : an aesthetics of the new and the sublime, Marcella Tarozzi Goldsmith

Label
The future of art : an aesthetics of the new and the sublime
Title
The future of art
Title remainder
an aesthetics of the new and the sublime
Statement of responsibility
Marcella Tarozzi Goldsmith
Creator
Subject
Language
eng
Summary
"By analyzing the three loci of aesthetics - the subjective, the objective, and the absolute - the author concludes that only the sublime demonstrates that art is neither subjective nor objective. The one essential component of art is the new, the sole "instrument" that can guarantee art's vitality even when confronted by the nihilistic tendencies of modernity."--Jacket
Member of
Cataloging source
DLC
http://library.link/vocab/creatorDate
1943-
http://library.link/vocab/creatorName
Tarozzi Goldsmith, Marcella
Dewey number
111/.85
Government publication
government publication of a state province territory dependency etc
Illustrations
illustrations
Index
index present
LC call number
BH39
LC item number
.T3695 1999
Literary form
non fiction
Nature of contents
  • bibliography
  • indexes
Series statement
SUNY series in aesthetics and the philosophy of art
http://library.link/vocab/subjectName
  • Aesthetics
  • Art
Label
The future of art : an aesthetics of the new and the sublime, Marcella Tarozzi Goldsmith
Instantiates
Publication
Bibliography note
Includes bibliographical references (pages 209-216) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • The Despairing Will
  • Art as the Organon of Philosophy
  • Real/Ideal
  • Salvific Intuition
  • Myths versus Mysticism
  • After Schelling
  • Prosaic Myths
  • Art's Futurity
  • The Necessity of Art
  • Philosophy as the Organon of Art
  • The Historical side of Aesthetics
  • Sic Transit
  • Hegel's Triptychs
  • Beauty Surpassed
  • The Ultimate Rationality
  • Myths and the Symbol
  • The Symbolic Sublime
  • The Circle
  • Art's New Truth
  • Apprehending the New
  • The Subject Transformed
  • The Birth of Aesthetics
  • The Hidden Truth
  • Philosophic Art and Aesthetics
  • The Emerging Meaning
  • The Function of Art
  • Neutrality
  • Art as the Organon of Art
  • From Artifice to the Will
  • Art Uprooted from Truth
  • Nietzsche's Appearance
  • Expected Tragedies
  • Art on the Offensive
  • Rhetoric First
  • Being and Art: The Axis Nietzsche-Heidegger
  • Art: The Truth of the Nonexistent
  • The Sublimity of Nihilism
  • The Nothingness of Art
  • The Repercussions of Nihilism
  • Utopia and Nihilism: The Two Faces of the Aesthetic
  • Renouncing the Beautiful
  • Unprecedented Form
  • Metaphor
  • The Role of Imagination
  • Sublime Allegory
  • The Aesthetics of Negativity
  • Subjective Aesthetics
  • The Role of Subjectivity
  • Art: Imagining the True
  • New Sensations
  • Hermeneutics
  • The Unconscious Subject
  • The Ineffable
  • Tragedy and Comedy
  • Self-transcendence
  • Sublime Sublimity
  • Desire's Ignorance
  • Faust, Never Lost in Desire
  • Desiring the Will
Control code
40562282
Dimensions
24 cm
Extent
xvii, 220 pages
Isbn
9780791443156
Isbn Type
(alk. paper)
Lccn
98054723
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations
Label
The future of art : an aesthetics of the new and the sublime, Marcella Tarozzi Goldsmith
Publication
Bibliography note
Includes bibliographical references (pages 209-216) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • The Despairing Will
  • Art as the Organon of Philosophy
  • Real/Ideal
  • Salvific Intuition
  • Myths versus Mysticism
  • After Schelling
  • Prosaic Myths
  • Art's Futurity
  • The Necessity of Art
  • Philosophy as the Organon of Art
  • The Historical side of Aesthetics
  • Sic Transit
  • Hegel's Triptychs
  • Beauty Surpassed
  • The Ultimate Rationality
  • Myths and the Symbol
  • The Symbolic Sublime
  • The Circle
  • Art's New Truth
  • Apprehending the New
  • The Subject Transformed
  • The Birth of Aesthetics
  • The Hidden Truth
  • Philosophic Art and Aesthetics
  • The Emerging Meaning
  • The Function of Art
  • Neutrality
  • Art as the Organon of Art
  • From Artifice to the Will
  • Art Uprooted from Truth
  • Nietzsche's Appearance
  • Expected Tragedies
  • Art on the Offensive
  • Rhetoric First
  • Being and Art: The Axis Nietzsche-Heidegger
  • Art: The Truth of the Nonexistent
  • The Sublimity of Nihilism
  • The Nothingness of Art
  • The Repercussions of Nihilism
  • Utopia and Nihilism: The Two Faces of the Aesthetic
  • Renouncing the Beautiful
  • Unprecedented Form
  • Metaphor
  • The Role of Imagination
  • Sublime Allegory
  • The Aesthetics of Negativity
  • Subjective Aesthetics
  • The Role of Subjectivity
  • Art: Imagining the True
  • New Sensations
  • Hermeneutics
  • The Unconscious Subject
  • The Ineffable
  • Tragedy and Comedy
  • Self-transcendence
  • Sublime Sublimity
  • Desire's Ignorance
  • Faust, Never Lost in Desire
  • Desiring the Will
Control code
40562282
Dimensions
24 cm
Extent
xvii, 220 pages
Isbn
9780791443156
Isbn Type
(alk. paper)
Lccn
98054723
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations

Library Locations

    • Thomas Jefferson LibraryBorrow it
      1 University Blvd, St. Louis, MO, 63121, US
      38.710138 -90.311107
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