Coverart for item
The Resource The new red Negro : the literary left and African American poetry, 1930-1946, James Edward Smethurst

The new red Negro : the literary left and African American poetry, 1930-1946, James Edward Smethurst

Label
The new red Negro : the literary left and African American poetry, 1930-1946
Title
The new red Negro
Title remainder
the literary left and African American poetry, 1930-1946
Statement of responsibility
James Edward Smethurst
Creator
Subject
Genre
Language
eng
Member of
Cataloging source
DLC
http://library.link/vocab/creatorName
Smethurst, James Edward
Dewey number
811/.5209896073
Index
index present
LC call number
PS310.N4
LC item number
S64 1999
Literary form
non fiction
Nature of contents
bibliography
Series statement
Race and American culture
http://library.link/vocab/subjectName
  • American poetry
  • Communism and literature
  • American poetry
  • African Americans
  • Political poetry, American
  • Right and left (Political science) in literature
  • African Americans
  • African Americans in literature
  • Race relations in literature
  • United States
Label
The new red Negro : the literary left and African American poetry, 1930-1946, James Edward Smethurst
Instantiates
Publication
Bibliography note
Includes bibliographical references (pages 255-275) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Introduction: Of the coming of the new red negro -- African-American poetry, ideology, and the left during the 1930s and 1940s from the third period to the popular front and beyond -- "The strong men gittin' stronger": Sterling Brown and the respresentation and re-creation of the southern folk voice -- "Adventures of a social poet": Langston Highes in the 1930s -- "I am black and I have seen black hands": The narratorial consciousness and constructions of the folk in 1930s African-American poetry -- Hughes's Shakespeare in Harlem and the rise of popular neomodernism --Hysterical ties: Gwendolyn Brooks and the rise of a "high" neomodernism -- The popular front , World War II, and the rise of neomoderism in African-American poetry of the 1940s -- Conclusion: Sullen bakeries of total recall"
Control code
38898072
Dimensions
24 cm
Extent
xii, 288 pages
Isbn
9780195120547
Isbn Type
(acid-free paper)
Lccn
98017128
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Label
The new red Negro : the literary left and African American poetry, 1930-1946, James Edward Smethurst
Publication
Bibliography note
Includes bibliographical references (pages 255-275) and index
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Introduction: Of the coming of the new red negro -- African-American poetry, ideology, and the left during the 1930s and 1940s from the third period to the popular front and beyond -- "The strong men gittin' stronger": Sterling Brown and the respresentation and re-creation of the southern folk voice -- "Adventures of a social poet": Langston Highes in the 1930s -- "I am black and I have seen black hands": The narratorial consciousness and constructions of the folk in 1930s African-American poetry -- Hughes's Shakespeare in Harlem and the rise of popular neomodernism --Hysterical ties: Gwendolyn Brooks and the rise of a "high" neomodernism -- The popular front , World War II, and the rise of neomoderism in African-American poetry of the 1940s -- Conclusion: Sullen bakeries of total recall"
Control code
38898072
Dimensions
24 cm
Extent
xii, 288 pages
Isbn
9780195120547
Isbn Type
(acid-free paper)
Lccn
98017128
Media category
unmediated
Media MARC source
rdamedia
Media type code
n

Library Locations

    • Thomas Jefferson LibraryBorrow it
      1 University Blvd, St. Louis, MO, 63121, US
      38.710138 -90.311107
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