The Resource The sound of tomorrow : how electronic music was smuggled into the mainstream, Mark Brend
The sound of tomorrow : how electronic music was smuggled into the mainstream, Mark Brend
Resource Information
The item The sound of tomorrow : how electronic music was smuggled into the mainstream, Mark Brend represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item The sound of tomorrow : how electronic music was smuggled into the mainstream, Mark Brend represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries.
This item is available to borrow from 1 library branch.
- Summary
- Monterey pop festival, 1967. Bernie Krause and Paul Beaver demonstrated a Moog synthesizer to the assembled rock aristocracy, plugging into a surge of interest that would see synthesizers and electronic sound become commonplace in rock and pop early the following decade. And yet in 1967 electronic music had already seeped into mainstream culture. For years, composers and technicians had been making electronic music for film and TV. Hitchcock had commissioned a theremin soundtrack for Spellbound (1945); The Forbidden Planet (1956) featured an entirely electronic score; Delia Derbyshire had crea
- Language
- eng
- Extent
- 1 online resource
- Contents
-
- FC; Half title; Title; Copyright; Introduction; 1 More music than they ever had before; 2 I like music that explodes into space; 3 The privilege of ignoring conventions; 4 Out of the ordinary; 5 Manhattan researchers; 6 Because a fire was in my head; 7 Moog men; 8 White noise; 9 It rhymes with vogue; Epilogue; Notes; Watch and listen; Sources; Acknowledgements; Index
- Isbn
- 9781623565299
- Label
- The sound of tomorrow : how electronic music was smuggled into the mainstream
- Title
- The sound of tomorrow
- Title remainder
- how electronic music was smuggled into the mainstream
- Statement of responsibility
- Mark Brend
- Subject
-
- Electronic books
- Electronic music
- Electronic music -- History and criticism
- Elektroakustisk musik -- historia
- Elektronische Musik
- Elektronisk musik -- historia
- Elektronisk populärmusik -- historia
- Criticism, interpretation, etc
- MUSIC / Musical Instruments / Piano & Keyboard
- MUSIC / Printed Music / Percussion
- Popular music
- Popular music -- History and criticism
- Unterhaltungsmusik
- Filmmusik -- historia
- Language
- eng
- Summary
- Monterey pop festival, 1967. Bernie Krause and Paul Beaver demonstrated a Moog synthesizer to the assembled rock aristocracy, plugging into a surge of interest that would see synthesizers and electronic sound become commonplace in rock and pop early the following decade. And yet in 1967 electronic music had already seeped into mainstream culture. For years, composers and technicians had been making electronic music for film and TV. Hitchcock had commissioned a theremin soundtrack for Spellbound (1945); The Forbidden Planet (1956) featured an entirely electronic score; Delia Derbyshire had crea
- Cataloging source
- EBLCP
- http://library.link/vocab/creatorName
- Brend, Mark
- Dewey number
- 786.709
- Illustrations
- illustrations
- Index
- index present
- LC call number
- ML1092
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- discographies
- filmographies
- http://library.link/vocab/subjectName
-
- Electronic music
- Popular music
- MUSIC / Musical Instruments / Piano & Keyboard
- MUSIC / Printed Music / Percussion
- Electronic music
- Popular music
- Elektronische Musik
- Unterhaltungsmusik
- Elektronisk populärmusik
- Filmmusik
- Elektroakustisk musik
- Elektronisk musik
- Label
- The sound of tomorrow : how electronic music was smuggled into the mainstream, Mark Brend
- Bibliography note
- Includes bibliographical references, filmography, discography and lists of television shows, etc. and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- FC; Half title; Title; Copyright; Introduction; 1 More music than they ever had before; 2 I like music that explodes into space; 3 The privilege of ignoring conventions; 4 Out of the ordinary; 5 Manhattan researchers; 6 Because a fire was in my head; 7 Moog men; 8 White noise; 9 It rhymes with vogue; Epilogue; Notes; Watch and listen; Sources; Acknowledgements; Index
- Control code
- 823721340
- Dimensions
- unknown
- Extent
- 1 online resource
- Form of item
- online
- Isbn
- 9781623565299
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Other control number
- 99952801349
- Other physical details
- illustrations
- http://library.link/vocab/ext/overdrive/overdriveId
- 9781623561536
- Specific material designation
- remote
- System control number
- (OCoLC)823721340
- Label
- The sound of tomorrow : how electronic music was smuggled into the mainstream, Mark Brend
- Bibliography note
- Includes bibliographical references, filmography, discography and lists of television shows, etc. and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
- FC; Half title; Title; Copyright; Introduction; 1 More music than they ever had before; 2 I like music that explodes into space; 3 The privilege of ignoring conventions; 4 Out of the ordinary; 5 Manhattan researchers; 6 Because a fire was in my head; 7 Moog men; 8 White noise; 9 It rhymes with vogue; Epilogue; Notes; Watch and listen; Sources; Acknowledgements; Index
- Control code
- 823721340
- Dimensions
- unknown
- Extent
- 1 online resource
- Form of item
- online
- Isbn
- 9781623565299
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Other control number
- 99952801349
- Other physical details
- illustrations
- http://library.link/vocab/ext/overdrive/overdriveId
- 9781623561536
- Specific material designation
- remote
- System control number
- (OCoLC)823721340
Subject
- Electronic books
- Electronic music
- Electronic music -- History and criticism
- Elektroakustisk musik -- historia
- Elektronische Musik
- Elektronisk musik -- historia
- Elektronisk populärmusik -- historia
- Criticism, interpretation, etc
- MUSIC / Musical Instruments / Piano & Keyboard
- MUSIC / Printed Music / Percussion
- Popular music
- Popular music -- History and criticism
- Unterhaltungsmusik
- Filmmusik -- historia
Genre
Library Links
Embed
Settings
Select options that apply then copy and paste the RDF/HTML data fragment to include in your application
Embed this data in a secure (HTTPS) page:
Layout options:
Include data citation:
<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.umsl.edu/portal/The-sound-of-tomorrow--how-electronic-music-was/YHdhl63KXKg/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.umsl.edu/portal/The-sound-of-tomorrow--how-electronic-music-was/YHdhl63KXKg/">The sound of tomorrow : how electronic music was smuggled into the mainstream, Mark Brend</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.umsl.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.umsl.edu/">University of Missouri-St. Louis Libraries</a></span></span></span></span></div>
Note: Adjust the width and height settings defined in the RDF/HTML code fragment to best match your requirements
Preview
Cite Data - Experimental
Data Citation of the Item The sound of tomorrow : how electronic music was smuggled into the mainstream, Mark Brend
Copy and paste the following RDF/HTML data fragment to cite this resource
<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.umsl.edu/portal/The-sound-of-tomorrow--how-electronic-music-was/YHdhl63KXKg/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.umsl.edu/portal/The-sound-of-tomorrow--how-electronic-music-was/YHdhl63KXKg/">The sound of tomorrow : how electronic music was smuggled into the mainstream, Mark Brend</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.umsl.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.umsl.edu/">University of Missouri-St. Louis Libraries</a></span></span></span></span></div>