The Resource Theater of the avant-garde, 1890-1950 : a critical anthology, edited by Robert Knopf ; with a new introduction by Robert Knopf and Julia Listengarten
Theater of the avant-garde, 1890-1950 : a critical anthology, edited by Robert Knopf ; with a new introduction by Robert Knopf and Julia Listengarten
Resource Information
The item Theater of the avant-garde, 1890-1950 : a critical anthology, edited by Robert Knopf ; with a new introduction by Robert Knopf and Julia Listengarten represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Theater of the avant-garde, 1890-1950 : a critical anthology, edited by Robert Knopf ; with a new introduction by Robert Knopf and Julia Listengarten represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries.
This item is available to borrow from 1 library branch.
- Summary
- An essential volume for theater artists and students alike, this anthology includes the full texts of sixteen important examples of avant-garde drama from the most daring and influential artistic movements of the first half of the twentieth century, including Symbolism, Futurism, Expressionism, Dada, and Surrealism. Each play is accompanied by a bio-critical introduction by the editor, and a critical essay, frequently written by the playwright, which elaborates on the play's dramatic and aesthetic concerns. A new introduction by Robert Knopf and Julia Listengarten contextualizes the plays in light of recent critical developments in avant-garde studies. By examining the groundbreaking theatrical experiments of Jarry, Maeterlinck, Strindberg, Artaud, and others, the book foregrounds the avant-garde's enduring influence on the development of modern theater
- Language
- eng
- Extent
- 1 online resource (499 pages)
- Contents
-
- Cover; Contents; Editor's Note; Introduction; 1. Franco-Russian Symbolism; Interior (1894); ''The Modern Drama'' (1904); The Wayfarer (1910); ''Against Naturalism in the Theater'' (1902); 2. Pataphysical Theater; King Ubu (1896); ''Theater Questions'' (1897); 3. Intimate Theater/Chamber Drama; The Ghost Sonata (1907); from Zones of the Spirit (1907); 4. Correspondences; The Yellow Sound (1909); ''On Stage Composition'' (1912); 5. Italian Futurism; Feet (1915); Genius and Culture (1915); Detonation (1915); Emilio Settimelli, and Bruno Corra, ''The Futurist Synthetic Theater, 1915'' (1915)
- 6. German ExpressionismThe Beggar (1912); ''Two Superdramas'' (1918); 7. Dada; The Gas Heart (1920); Dada Manifesto, 1918 (1918); 8. The Theater of Pure Form; The Cuttlefish (1922); ''On a New Type of Play'' (1920); 9. French Surrealism; The Mysteries of Love (1927); First Surrealist Manifesto (1924); 10. The Theater of Cruelty; The Spurt of Blood (1925); ''No More Masterpieces'' (1938); 11. Russian Oberiu; Christmas at the Ivanovs' (1938); Aleksandr Vvedensky, and others, ''The Oberiu Manifesto'' (1928); 12. American Dada and Surrealism; Doctor Faustus Lights the Lights (1938)
- ''Plays'' (1934)13. The Theater of the Absurd; The Invasion (1949); ''The Theater of the Absurd'' (1961); General Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z
- Isbn
- 9780300210545
- Label
- Theater of the avant-garde, 1890-1950 : a critical anthology
- Title
- Theater of the avant-garde, 1890-1950
- Title remainder
- a critical anthology
- Statement of responsibility
- edited by Robert Knopf ; with a new introduction by Robert Knopf and Julia Listengarten
- Language
- eng
- Summary
- An essential volume for theater artists and students alike, this anthology includes the full texts of sixteen important examples of avant-garde drama from the most daring and influential artistic movements of the first half of the twentieth century, including Symbolism, Futurism, Expressionism, Dada, and Surrealism. Each play is accompanied by a bio-critical introduction by the editor, and a critical essay, frequently written by the playwright, which elaborates on the play's dramatic and aesthetic concerns. A new introduction by Robert Knopf and Julia Listengarten contextualizes the plays in light of recent critical developments in avant-garde studies. By examining the groundbreaking theatrical experiments of Jarry, Maeterlinck, Strindberg, Artaud, and others, the book foregrounds the avant-garde's enduring influence on the development of modern theater
- Cataloging source
- E7B
- Dewey number
- 792.0904
- Index
- index present
- LC call number
- PN6112
- LC item number
- .T443 2015eb
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- http://library.link/vocab/relatedWorkOrContributorName
-
- Knopf, Robert
- Listengarten, Julia
- http://library.link/vocab/subjectName
-
- Drama
- Experimental drama
- PERFORMING ARTS
- Drama
- Experimental drama
- Label
- Theater of the avant-garde, 1890-1950 : a critical anthology, edited by Robert Knopf ; with a new introduction by Robert Knopf and Julia Listengarten
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Cover; Contents; Editor's Note; Introduction; 1. Franco-Russian Symbolism; Interior (1894); ''The Modern Drama'' (1904); The Wayfarer (1910); ''Against Naturalism in the Theater'' (1902); 2. Pataphysical Theater; King Ubu (1896); ''Theater Questions'' (1897); 3. Intimate Theater/Chamber Drama; The Ghost Sonata (1907); from Zones of the Spirit (1907); 4. Correspondences; The Yellow Sound (1909); ''On Stage Composition'' (1912); 5. Italian Futurism; Feet (1915); Genius and Culture (1915); Detonation (1915); Emilio Settimelli, and Bruno Corra, ''The Futurist Synthetic Theater, 1915'' (1915)
- 6. German ExpressionismThe Beggar (1912); ''Two Superdramas'' (1918); 7. Dada; The Gas Heart (1920); Dada Manifesto, 1918 (1918); 8. The Theater of Pure Form; The Cuttlefish (1922); ''On a New Type of Play'' (1920); 9. French Surrealism; The Mysteries of Love (1927); First Surrealist Manifesto (1924); 10. The Theater of Cruelty; The Spurt of Blood (1925); ''No More Masterpieces'' (1938); 11. Russian Oberiu; Christmas at the Ivanovs' (1938); Aleksandr Vvedensky, and others, ''The Oberiu Manifesto'' (1928); 12. American Dada and Surrealism; Doctor Faustus Lights the Lights (1938)
- ''Plays'' (1934)13. The Theater of the Absurd; The Invasion (1949); ''The Theater of the Absurd'' (1961); General Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z
- Control code
- 908063118
- Dimensions
- unknown
- Extent
- 1 online resource (499 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9780300210545
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)908063118
- Label
- Theater of the avant-garde, 1890-1950 : a critical anthology, edited by Robert Knopf ; with a new introduction by Robert Knopf and Julia Listengarten
- Antecedent source
- unknown
- Bibliography note
- Includes bibliographical references and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Cover; Contents; Editor's Note; Introduction; 1. Franco-Russian Symbolism; Interior (1894); ''The Modern Drama'' (1904); The Wayfarer (1910); ''Against Naturalism in the Theater'' (1902); 2. Pataphysical Theater; King Ubu (1896); ''Theater Questions'' (1897); 3. Intimate Theater/Chamber Drama; The Ghost Sonata (1907); from Zones of the Spirit (1907); 4. Correspondences; The Yellow Sound (1909); ''On Stage Composition'' (1912); 5. Italian Futurism; Feet (1915); Genius and Culture (1915); Detonation (1915); Emilio Settimelli, and Bruno Corra, ''The Futurist Synthetic Theater, 1915'' (1915)
- 6. German ExpressionismThe Beggar (1912); ''Two Superdramas'' (1918); 7. Dada; The Gas Heart (1920); Dada Manifesto, 1918 (1918); 8. The Theater of Pure Form; The Cuttlefish (1922); ''On a New Type of Play'' (1920); 9. French Surrealism; The Mysteries of Love (1927); First Surrealist Manifesto (1924); 10. The Theater of Cruelty; The Spurt of Blood (1925); ''No More Masterpieces'' (1938); 11. Russian Oberiu; Christmas at the Ivanovs' (1938); Aleksandr Vvedensky, and others, ''The Oberiu Manifesto'' (1928); 12. American Dada and Surrealism; Doctor Faustus Lights the Lights (1938)
- ''Plays'' (1934)13. The Theater of the Absurd; The Invasion (1949); ''The Theater of the Absurd'' (1961); General Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z
- Control code
- 908063118
- Dimensions
- unknown
- Extent
- 1 online resource (499 pages)
- File format
- unknown
- Form of item
- online
- Isbn
- 9780300210545
- Level of compression
- unknown
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Quality assurance targets
- not applicable
- Reformatting quality
- unknown
- Sound
- unknown sound
- Specific material designation
- remote
- System control number
- (OCoLC)908063118
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