Coverart for item
The Resource Tonality as drama : closure and interruption in four twentieth-century American operas, Edward D. Latham, (electronic resource)

Tonality as drama : closure and interruption in four twentieth-century American operas, Edward D. Latham, (electronic resource)

Label
Tonality as drama : closure and interruption in four twentieth-century American operas
Title
Tonality as drama
Title remainder
closure and interruption in four twentieth-century American operas
Statement of responsibility
Edward D. Latham
Creator
Subject
Language
eng
Cataloging source
DLC
http://library.link/vocab/creatorName
Latham, Edward David
Dewey number
782.10973
LC call number
MT95
LC item number
.L37 2008
http://library.link/vocab/subjectName
  • Joplin, Scott
  • Weill, Kurt
  • Gershwin, George
  • Copland, Aaron
  • Operas
  • Opera
Label
Tonality as drama : closure and interruption in four twentieth-century American operas, Edward D. Latham, (electronic resource)
Instantiates
Publication
Bibliography note
Includes bibliographical references (p. 193-210) and index
Contents
Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954)
Control code
OCM1bookssj0000429826
Dimensions
unknown
Isbn
9781574412499
Isbn Type
(cloth : alk. paper)
Lccn
2008013679
Specific material designation
remote
System control number
(WaSeSS)bookssj0000429826
Label
Tonality as drama : closure and interruption in four twentieth-century American operas, Edward D. Latham, (electronic resource)
Publication
Bibliography note
Includes bibliographical references (p. 193-210) and index
Contents
Tonality as drama: an introduction -- Dramatic closure: the Stanislavsky system and the attainment of character objectives -- Tonal closure: a Schenkerian approach to tonal drama -- The completed background line with open-ended coda: Scott Joplin's grand opera Treemonisha (1911) -- The multi-movement Anstieg or initial ascent: George Gershwin's folk opera Porgy and Bess (1935) -- The multi-movement initial arpeggiation: Kurt Weill's Broadway opera Street scene (1947) -- The prolonged permanent interruption: Aaron Copland's operatic tone poem The tender land (1954)
Control code
OCM1bookssj0000429826
Dimensions
unknown
Isbn
9781574412499
Isbn Type
(cloth : alk. paper)
Lccn
2008013679
Specific material designation
remote
System control number
(WaSeSS)bookssj0000429826

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