The Resource Transnational Chinese cinemas : identity, nationhood, gender, edited by Sheldon Hsiao-peng Lu
Transnational Chinese cinemas : identity, nationhood, gender, edited by Sheldon Hsiao-peng Lu
Resource Information
The item Transnational Chinese cinemas : identity, nationhood, gender, edited by Sheldon Hsiao-peng Lu represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries.This item is available to borrow from 1 library branch.
Resource Information
The item Transnational Chinese cinemas : identity, nationhood, gender, edited by Sheldon Hsiao-peng Lu represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries.
This item is available to borrow from 1 library branch.
- Summary
- Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture
- Language
- eng
- Extent
- 1 online resource (xiii, 414 pages)
- Contents
-
- Sheldon Hsiao-peng Lu
- pt. II. The politics of cultural and national identity in the cinemas of Taiwan and Hong Kong.
- Constructing a nation : Taiwanese history and the films of Hou Hsiao-hsien
- June Yip
- The diaspora in postmodern Taiwan and Hong Kong film : framing Stan Lai's The peach blossom land with Allen Fong's Ah Ying
- Jon Kowallis
- Breaking the soy sauce jar : diaspora and displacement in the films of Ang Lee
- Wei Ming Darious, Eileen Fung
- Transnational action : John Woo, Hong Kong, Hollywood
- Anne T. Ciecko
- pt. I. Nation-building, national cinema, transnational cinema.
- Jackie Chan and the cultural dynamics of global entertainment
- Steve Fore
- pt. III. Engendering history and nationhood : cross-cultural and gendered perspectives.
- Reading formations and Chen Kaige's Farewell my concubine
- E. Ann Kaplan
- The new woman incident : cinema, scandal, and spectacle in 1935 Shanghai
- Kristine Harris
- Gendered perspective : the construction and representation of subjectivity and sexuality in Ju Dou
- Shuqin Cui
- The concubine and the figure of history : Chen Kaige's Farewell my concubine
- Anti-imperialism and film censorship during the Nanjing decade, 1927-1937
- Wendy Larson
- Narrative images of the historical passion : those other women on the alterity in the new wave of Chinese cinema
- Yi Zheng
- Zhiwei Xiao
- Two stage sisters : the blossoming of a revolutionary aesthetic
- Gina Marchetti
- From "minority film" to "minority discourse" : questions of nationhood and ethnicity in Chinese cinema
- Yingjin Zhang
- National cinema, cultural critique, transnational capital : the films of Zhang Yimou
- Isbn
- 9780585288451
- Label
- Transnational Chinese cinemas : identity, nationhood, gender
- Title
- Transnational Chinese cinemas
- Title remainder
- identity, nationhood, gender
- Statement of responsibility
- edited by Sheldon Hsiao-peng Lu
- Subject
-
- Theatre, Film and Television Studies
- China
- China
- China
- China -- Hong Kong
- Cinéma -- Chine
- Cinéma -- Chine -- Histoire et critique
- Cinéma -- Chine | Hong Kong (Chine) -- Histoire et critique
- Cinéma -- Chine | Hongkong
- Cinéma -- Taiwan
- Cinéma -- Taiwan -- Histoire et critique
- Film
- Film
- Hongkong
- Hongkong
- Motion pictures
- Motion pictures -- China
- Motion pictures -- China | Hong Kong
- Motion pictures -- Taiwan
- PERFORMING ARTS -- Film & Video | General
- PERFORMING ARTS -- Film & Video | Reference
- Taiwan
- Taiwan
- Language
- eng
- Summary
- Zhang Yimou's first film, Red Sorghum, took the Golden Bear Award in 1988 at the Berlin International Film Festival. Since then Chinese films have continued to arrest worldwide attention and capture major film awards, winning an international following that continues to grow. Transnational Chinese Cinemas spans nearly the entire length of twentieth-century Chinese film history. The volume traces the evolution of Chinese national cinema, and demonstrates that gender identity has been central to its formation. Femininity, masculinity and sexuality have been an integral part of the filmic discourses of modernity, nationhood, and history. This volume represents the most comprehensive, wide-ranging, and up-to-date study of China's major cinematic traditions. It is an indispensable source book for modern Chinese and Asian history, politics, literature, and culture
- Action
- digitized
- Cataloging source
- N$T
- Dewey number
- 791.43/0951
- Illustrations
- illustrations
- Index
- index present
- LC call number
- PN1993.5.C4
- LC item number
- T65 1997eb
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- http://library.link/vocab/relatedWorkOrContributorName
- Lu, Sheldon H.
- http://library.link/vocab/subjectName
-
- Motion pictures
- Motion pictures
- Motion pictures
- Cinéma
- Cinéma
- Cinéma
- PERFORMING ARTS
- PERFORMING ARTS
- Motion pictures
- China
- China
- Taiwan
- Taiwan
- Film
- China
- Hongkong
- Cinéma
- Cinéma
- Cinéma
- Film
- China
- Hongkong
- Label
- Transnational Chinese cinemas : identity, nationhood, gender, edited by Sheldon Hsiao-peng Lu
- Bibliography note
- Includes bibliographical references (pages 369-401) and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Sheldon Hsiao-peng Lu
- pt. II. The politics of cultural and national identity in the cinemas of Taiwan and Hong Kong.
- Constructing a nation : Taiwanese history and the films of Hou Hsiao-hsien
- June Yip
- The diaspora in postmodern Taiwan and Hong Kong film : framing Stan Lai's The peach blossom land with Allen Fong's Ah Ying
- Jon Kowallis
- Breaking the soy sauce jar : diaspora and displacement in the films of Ang Lee
- Wei Ming Darious, Eileen Fung
- Transnational action : John Woo, Hong Kong, Hollywood
- Anne T. Ciecko
- pt. I. Nation-building, national cinema, transnational cinema.
- Jackie Chan and the cultural dynamics of global entertainment
- Steve Fore
- pt. III. Engendering history and nationhood : cross-cultural and gendered perspectives.
- Reading formations and Chen Kaige's Farewell my concubine
- E. Ann Kaplan
- The new woman incident : cinema, scandal, and spectacle in 1935 Shanghai
- Kristine Harris
- Gendered perspective : the construction and representation of subjectivity and sexuality in Ju Dou
- Shuqin Cui
- The concubine and the figure of history : Chen Kaige's Farewell my concubine
- Anti-imperialism and film censorship during the Nanjing decade, 1927-1937
- Wendy Larson
- Narrative images of the historical passion : those other women on the alterity in the new wave of Chinese cinema
- Yi Zheng
- Zhiwei Xiao
- Two stage sisters : the blossoming of a revolutionary aesthetic
- Gina Marchetti
- From "minority film" to "minority discourse" : questions of nationhood and ethnicity in Chinese cinema
- Yingjin Zhang
- National cinema, cultural critique, transnational capital : the films of Zhang Yimou
- Control code
- 45728411
- Dimensions
- unknown
- Extent
- 1 online resource (xiii, 414 pages)
- Form of item
- online
- Isbn
- 9780585288451
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Other physical details
- illustrations
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt62tvbq
- Reproduction note
- Electronic reproduction.
- Specific material designation
- remote
- System control number
- (OCoLC)45728411
- System details
- Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
- Label
- Transnational Chinese cinemas : identity, nationhood, gender, edited by Sheldon Hsiao-peng Lu
- Bibliography note
- Includes bibliographical references (pages 369-401) and index
- Carrier category
- online resource
- Carrier category code
-
- cr
- Carrier MARC source
- rdacarrier
- Color
- multicolored
- Content category
- text
- Content type code
-
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Sheldon Hsiao-peng Lu
- pt. II. The politics of cultural and national identity in the cinemas of Taiwan and Hong Kong.
- Constructing a nation : Taiwanese history and the films of Hou Hsiao-hsien
- June Yip
- The diaspora in postmodern Taiwan and Hong Kong film : framing Stan Lai's The peach blossom land with Allen Fong's Ah Ying
- Jon Kowallis
- Breaking the soy sauce jar : diaspora and displacement in the films of Ang Lee
- Wei Ming Darious, Eileen Fung
- Transnational action : John Woo, Hong Kong, Hollywood
- Anne T. Ciecko
- pt. I. Nation-building, national cinema, transnational cinema.
- Jackie Chan and the cultural dynamics of global entertainment
- Steve Fore
- pt. III. Engendering history and nationhood : cross-cultural and gendered perspectives.
- Reading formations and Chen Kaige's Farewell my concubine
- E. Ann Kaplan
- The new woman incident : cinema, scandal, and spectacle in 1935 Shanghai
- Kristine Harris
- Gendered perspective : the construction and representation of subjectivity and sexuality in Ju Dou
- Shuqin Cui
- The concubine and the figure of history : Chen Kaige's Farewell my concubine
- Anti-imperialism and film censorship during the Nanjing decade, 1927-1937
- Wendy Larson
- Narrative images of the historical passion : those other women on the alterity in the new wave of Chinese cinema
- Yi Zheng
- Zhiwei Xiao
- Two stage sisters : the blossoming of a revolutionary aesthetic
- Gina Marchetti
- From "minority film" to "minority discourse" : questions of nationhood and ethnicity in Chinese cinema
- Yingjin Zhang
- National cinema, cultural critique, transnational capital : the films of Zhang Yimou
- Control code
- 45728411
- Dimensions
- unknown
- Extent
- 1 online resource (xiii, 414 pages)
- Form of item
- online
- Isbn
- 9780585288451
- Media category
- computer
- Media MARC source
- rdamedia
- Media type code
-
- c
- Other physical details
- illustrations
- http://library.link/vocab/ext/overdrive/overdriveId
- 22573/ctt62tvbq
- Reproduction note
- Electronic reproduction.
- Specific material designation
- remote
- System control number
- (OCoLC)45728411
- System details
- Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Subject
- Theatre, Film and Television Studies
- China
- China
- China
- China -- Hong Kong
- Cinéma -- Chine
- Cinéma -- Chine -- Histoire et critique
- Cinéma -- Chine | Hong Kong (Chine) -- Histoire et critique
- Cinéma -- Chine | Hongkong
- Cinéma -- Taiwan
- Cinéma -- Taiwan -- Histoire et critique
- Film
- Film
- Hongkong
- Hongkong
- Motion pictures
- Motion pictures -- China
- Motion pictures -- China | Hong Kong
- Motion pictures -- Taiwan
- PERFORMING ARTS -- Film & Video | General
- PERFORMING ARTS -- Film & Video | Reference
- Taiwan
- Taiwan
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.umsl.edu/portal/Transnational-Chinese-cinemas--identity/pWyu5W7wdhg/" typeof="Book http://bibfra.me/vocab/lite/Item"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.umsl.edu/portal/Transnational-Chinese-cinemas--identity/pWyu5W7wdhg/">Transnational Chinese cinemas : identity, nationhood, gender, edited by Sheldon Hsiao-peng Lu</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.umsl.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.umsl.edu/">University of Missouri-St. Louis Libraries</a></span></span></span></span></div>
