Coverart for item
The Resource Women and film : both sides of the camera, E. Ann Kaplan

Women and film : both sides of the camera, E. Ann Kaplan

Label
Women and film : both sides of the camera
Title
Women and film
Title remainder
both sides of the camera
Statement of responsibility
E. Ann Kaplan
Creator
Subject
Language
eng
Cataloging source
DLC
http://library.link/vocab/creatorName
Kaplan, E. Ann
Illustrations
illustrations
Index
index present
Literary form
non fiction
Nature of contents
bibliography
http://library.link/vocab/subjectName
  • Women in motion pictures
  • Women in the motion picture industry
  • Feminist films
  • Feminist films
Label
Women and film : both sides of the camera, E. Ann Kaplan
Instantiates
Publication
Note
Includes index
Bibliography note
Bibliography: pages [242]-252
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • The independent feminist film:
  • The avant-gardes in Europe and the USA
  • Silence as female resistance in Marguerite Duras's Nathalie Granger (1972)
  • Female politics in the symbolic realm: Von Trotta's Marianne and Juliane (The German sisters) (1981)
  • The American experimental woman's film: Yvonne Rainer's Lives of performers and Film about a woman who ... (1972-4)
  • The realist debate in the feminist film: a historical overview of theories and strategies in realism and the avant-garde theory film (1971-81)
  • The avant-garde theory film: three case studies from Britain and the USA: Sigmund Freud's Dora (1979), Thriller (1979), Mulvey/Wollen's Amy! (1980)
  • Mothers and daughters in two recent women's films: Mulvey/Wollen's Riddles of the Sphinx (1976) and Michelle Citron's Daughter-rite (1978)
  • The woman director in the Third World: Sara Gomez's One way or another (1974)
  • The future of the independent feminist film: strategies, production, exhibition, and distribution in the USA
  • pt. 1.
  • Conclusion:
  • Motherhood and patriarchal discourse
  • The classical and contemporary Hollywood cinema:
  • Is the gaze male?
  • Patriarchy and the male gaze in Cukor's Camille (1936)
  • Fetishism and the repression of motherhood in Von Sternberg's Blonde Venus (1932)
  • The struggle for control over the female discourse and female sexuality in Welles's Lady from Shanghai (1946)
  • Forms of phallic domination in the contemporary Hollywood film: Brooks's Looking for Mr. Goodbar (1977)
  • pt. 2.
Control code
9489023
Dimensions
24 cm
Extent
xii, 259 pages
Isbn
9780416317503
Isbn Type
(pbk.)
Lccn
83008198
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations
System control number
(WaOLN)585766
Label
Women and film : both sides of the camera, E. Ann Kaplan
Publication
Note
Includes index
Bibliography note
Bibliography: pages [242]-252
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • The independent feminist film:
  • The avant-gardes in Europe and the USA
  • Silence as female resistance in Marguerite Duras's Nathalie Granger (1972)
  • Female politics in the symbolic realm: Von Trotta's Marianne and Juliane (The German sisters) (1981)
  • The American experimental woman's film: Yvonne Rainer's Lives of performers and Film about a woman who ... (1972-4)
  • The realist debate in the feminist film: a historical overview of theories and strategies in realism and the avant-garde theory film (1971-81)
  • The avant-garde theory film: three case studies from Britain and the USA: Sigmund Freud's Dora (1979), Thriller (1979), Mulvey/Wollen's Amy! (1980)
  • Mothers and daughters in two recent women's films: Mulvey/Wollen's Riddles of the Sphinx (1976) and Michelle Citron's Daughter-rite (1978)
  • The woman director in the Third World: Sara Gomez's One way or another (1974)
  • The future of the independent feminist film: strategies, production, exhibition, and distribution in the USA
  • pt. 1.
  • Conclusion:
  • Motherhood and patriarchal discourse
  • The classical and contemporary Hollywood cinema:
  • Is the gaze male?
  • Patriarchy and the male gaze in Cukor's Camille (1936)
  • Fetishism and the repression of motherhood in Von Sternberg's Blonde Venus (1932)
  • The struggle for control over the female discourse and female sexuality in Welles's Lady from Shanghai (1946)
  • Forms of phallic domination in the contemporary Hollywood film: Brooks's Looking for Mr. Goodbar (1977)
  • pt. 2.
Control code
9489023
Dimensions
24 cm
Extent
xii, 259 pages
Isbn
9780416317503
Isbn Type
(pbk.)
Lccn
83008198
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations
System control number
(WaOLN)585766

Library Locations

    • Thomas Jefferson LibraryBorrow it
      1 University Blvd, St. Louis, MO, 63121, US
      38.710138 -90.311107
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