Music in America's Cold War diplomacy
Resource Information
The work Music in America's Cold War diplomacy represents a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
Music in America's Cold War diplomacy
Resource Information
The work Music in America's Cold War diplomacy represents a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- Music in America's Cold War diplomacy
- Statement of responsibility
- Danielle Fosler-Lussier
- Subject
-
- 1900-1999
- Arts and diplomacy
- Arts and diplomacy -- United States -- History -- 20th century
- Communist countries
- Communist countries -- Foreign relations -- United States -- History -- 20th century
- Cultural policy
- Electronic books
- History
- MUSIC -- Genres & Styles | Classical
- MUSIC -- History & Criticism
- MUSIC -- Reference
- Music and globalization
- Music and globalization -- United States -- History -- 20th century
- Music in intercultural communication
- Music in intercultural communication -- United States -- History -- 20th century
- United States
- United States -- Cultural policy | History -- 20th century
- United States -- Foreign relations -- Communist countries -- History -- 20th century
- United States, Department of State | Cultural Presentations Program
- United States, Department of State | Cultural Presentations Program -- History -- 20th century
- Language
- eng
- Summary
- "During the Cold War, thousands of musicians from the United States traveled the world under the sponsorship of the U.S. State Department's Cultural Presentations program. Using archival documents and newly collected oral histories, this study illuminates the reception of these musical events, for the practice of musical diplomacy on the ground sometimes differed substantially from what the department's planners envisioned. Performances of music in many styles--classical, rock 'n' roll, folk, blues, and jazz--were meant to compete with traveling Soviet and Chinese artists, enhancing the reputation of American culture. These concerts offered large audiences evidence of America's improving race relations, excellent musicianship, and generosity toward other peoples. Most important, these performances also built meaningful connections with people in other lands. Through personal contacts and the media, musical diplomacy created subtle musical, social, and political relationships on a global scale. Although these tours were sometimes conceived as propaganda ventures, their most important function was the building of imagined and real relationships, which constitute the essence of soft power"--Provided by publisher
- Cataloging source
- N$T
- Dewey number
- 780.78/73
- Illustrations
- illustrations
- Index
- index present
- LC call number
- ML3917.U6
- LC item number
- F67 2015eb
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- Series statement
- California studies in 20th-century music
- Series volume
- no. 18
Context
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