Tainted Souls and Painted Faces : The Rhetoric of Fallenness in Victorian Culture

Resource Information

The work Tainted Souls and Painted Faces : The Rhetoric of Fallenness in Victorian Culture represents a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries.

Label

Tainted Souls and Painted Faces : The Rhetoric of Fallenness in Victorian Culture

Title remainder

The Rhetoric of Fallenness in Victorian Culture

Creator

• Anderson, Amanda

Subject

• English Literature -- History And Criticism | 19Th Century
• Prostitutes In Literature
• Prostitution -- Great Britain
• Sex Role In Literature
• Women And Literature

Language

eng

Summary

• Annotation
• Annotation

Cataloging source

BIP US

Dewey number

820.9/353

Series statement

Reading Women Writing

Summary expansion

• Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction--the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility
• Prostitute, adulteress, unmarried woman who engages in sexual relations, victim of seduction--the Victorian "fallen woman" represents a complex array of stigmatized conditions. Amanda Anderson here reconsiders the familiar figure of the fallen woman within the context of mid-Victorian debates over the nature of selfhood, gender, and agency. In richly textured readings of works by Charles Dickens, Elizabeth Gaskell, Dante Gabriel Rossetti, and Elizabeth Barrett Browning, among others, she argues that depictions of fallen women express profound cultural anxieties about the very possibility of self-control and traditional moral responsibility