Motion pictures -- Political aspects
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The concept Motion pictures -- Political aspects represents the subject, aboutness, idea or notion of resources found in University of Missouri-St. Louis Libraries.
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Motion pictures -- Political aspects
Resource Information
The concept Motion pictures -- Political aspects represents the subject, aboutness, idea or notion of resources found in University of Missouri-St. Louis Libraries.
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- Motion pictures -- Political aspects
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- http://id.worldcat.org/fast/01027353
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- fast
95 Items that share the Concept Motion pictures -- Political aspects
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- "Un-American" Hollywood : politics and film in the blacklist era
- A New Kind of Public : community, solidarity, and political economy in New Deal cinema,1935-1948
- A divided world : Hollywood cinema and emigré directors in the era of Roosevelt and Hitler, 1933-1948
- American politics in Hollywood film
- An investigative cinema : politics and modernization in Italian, French, and American film
- Beyond Post-Zionism
- Brazil in twenty-first century popular media : culture, politics, and nationalism on the world stage
- Captive bodies : postcolonial subjectivity in cinema
- China on Film : a Century of Exploration, Confrontation, and Controversy
- China's encounter with global Hollywood : cultural policy and the film industry, 1994-2013
- Cinema and Zionism : the development of a nation through film
- Cinema and community : progressivism, exhibition, and film culture in Chicago, 1907-1917
- Cinema and politics : Turkish cinema and the new Europe
- Cinema and television in Singapore : resistance in one dimension
- Cinema and the Republic : Filming on the Margins in Contemporary France
- Cinema and the wealth of nations : media, capital, and the liberal world system
- Cinema at the crossroads : nation and the subject in East Asian cinema
- Cinema in an age of terror : North Africa, victimization, and colonial history
- Cinema in democratizing Germany : reconstructing national identity after Hitler
- Cinema/politics/philosophy
- Cinematic geopolitics
- Cinematic terror : a global history of terrorism on film
- Cinéma militant : political filmmaking and May 1968
- Colonialism and nationalism in Asian cinema
- Dirty Harry's America : Clint Eastwood, Harry Callahan, and the conservative backlash
- East European Cinemas
- Empire films and the crisis of colonialism, 1946-1959
- Equivocal subjects : between Italy and Africa-- constructions of racial and national identity in the Italian cinema
- European film and television co-production : policy and practice
- Film Criticism, the Cold War, and the Blacklist : Reading the Hollywood Reds
- Film, drama and the break-up of Britain
- Firestorm : American film in the age of terrorism
- Hauntings : popular film and American culture, 1990-1992
- Hedda Hopper's Hollywood : celebrity gossip and American conservatism
- Hollywood and Hitler, 1933-1939
- Hollywood and the End of the Cold War : Signs of Cinematic Change
- Hollywood melodrama and the New Deal : public daydreams
- Hollywood riots : violent crowds and progressive politics in American film
- Hollywood's Cold War
- Illusive utopia : theater, film, and everyday performance in North Korea
- Image operations : visual media and political conflict
- Imagining Kashmir : emplotment and colonialism
- Indigenous media and political imaginaries in contemporary Bolivia
- Inside the film factory : new approaches to Russian and Soviet cinema
- J. Edgar Hoover goes to the movies : the FBI and the origins of Hollywood's Cold War
- Jacques Rancière and the politics of art cinema
- Le cinéma québécois : à la recherche d'une identité?, Tom 1, L'imaginaire filique
- Le cinéma québécois : à la recherche d'une identité?, Tome 2, Les politiques cinématographiques
- Literature and Film in Cold War South Korea : Freedom's Frontier
- Literature, cinema and politics, 1930-1945 : reading between the frames
- Los Angeles documentary and the production of public history, 1958-1977
- Lost and Othered Children in Contemporary Cinema
- Memory's orbit : film and culture, 1999-2000
- Memory, subjectivity and independent Chinese cinema
- Michael Moore and the rhetoric of documentary
- Movie time
- Movies as politics
- Moving figures : class and feeling in the films of Jia Zhangke
- Mythopoetic cinema : on the ruins of European identity
- Narratives of gendered dissent in South Asian cinemas
- One world, big screen : Hollywood, the Allies, and World War II
- Passion of the Reel
- Police aesthetics : literature, film, and the secret police in Soviet times
- Political film : the dialectics of third cinema
- Post-9/11 cinema : through a lens darkly
- Postcolonial cinema studies
- Postcommunist film : Russia, Eastern Europe and world culture : moving images of postcommunism
- Postsocialist cinema in post-Mao China : the cultural revolution after the Cultural Revolution
- Promiscuous media : film and visual culture in imperial Japan, 1926-1945
- Reel power : Hollywood cinema and American supremacy
- Reelpolitik Ideologies in American Political Film
- Reform cinema in Iran : film and political change in the Islamic Republic
- Reframing 9/11 : film, popular culture and the "war on terror"
- Screening Cuba : film criticism as political performance during the Cold War
- Screening Soviet nationalities : kulturfilms from the Far North to Central Asia
- Seeing politics otherwise : vision in Latin American and Iberian fiction
- Speeding to the millennium : film & culture, 1993-1995
- Ten Arab filmmakers : political dissent and social critique
- The CIA in Hollywood : how the agency shapes film and television
- The Maciste films of Italian silent cinema
- The Red screen : politics, society, art in Soviet cinema
- The aesthetics of antifascist film : radical projection
- The collapse of the conventional : German film and its politics at the turn of the twenty-first century
- The curious humanist : Siegfried Kracauer in America
- The folklore of consensus : theatricality in the Italian cinema, 1930-1943
- The infernal return : the recurrence of the primordial in films of the reaction years, 1977-1983
- The leading man : Hollywood and the presidential image
- The politics and poetics of cinematic realism
- The politics of magic : DEFA fairy-tale films
- The power of film propaganda : myth or reality?
- This is a picture and not the world : movies and a post-9/11 America
- Transition cinema : political filmmaking and the Argentine left since 1968
- Understanding film : Marxist perspectives
- Upstaging the Cold War : American dissent and cultural diplomacy, 1940-1960
- What does a Jew want? : on binationalism and other specters
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.umsl.edu/resource/7hJLTxrImeg/" typeof="CategoryCode http://bibfra.me/vocab/lite/Concept"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.umsl.edu/resource/7hJLTxrImeg/">Motion pictures -- Political aspects</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.umsl.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.umsl.edu/">University of Missouri-St. Louis Libraries</a></span></span></span></span></div>
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.umsl.edu/resource/7hJLTxrImeg/" typeof="CategoryCode http://bibfra.me/vocab/lite/Concept"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.umsl.edu/resource/7hJLTxrImeg/">Motion pictures -- Political aspects</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.umsl.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.umsl.edu/">University of Missouri-St. Louis Libraries</a></span></span></span></span></div>
