Gender, race, and the writing of empire : public discourse and the Boer War
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The work Gender, race, and the writing of empire : public discourse and the Boer War represents a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
Gender, race, and the writing of empire : public discourse and the Boer War
Resource Information
The work Gender, race, and the writing of empire : public discourse and the Boer War represents a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- Gender, race, and the writing of empire : public discourse and the Boer War
- Title remainder
- public discourse and the Boer War
- Statement of responsibility
- Paula M. Krebs
- Subject
-
- 1800-1999
- Boerenoorlog (Zuid-Afrika)
- Burenkrieg
- Criticism, interpretation, etc
- Diplomatic relations
- Englisch
- Englisch, ..
- English literature
- English literature -- 19th century -- History and criticism
- English literature -- 20th century -- History and criticism
- Great Britain
- Great Britain -- Foreign relations -- South Africa
- Imperialism in literature
- Imperialism in literature
- Imperialisme
- LITERARY CRITICISM -- European | English, Irish, Scottish, Welsh
- Letterkunde
- Literatur
- Literature
- Public opinion, British
- Publieke opinie
- Race in literature
- Race in literature
- Sex role in literature
- Sex role in literature
- South Africa
- South Africa -- Foreign public opinion, British
- South Africa -- Foreign relations -- Great Britain
- South Africa -- In literature
- South African War, 1899-1902 -- Foreign public opinion, British
- South African War, 1899-1902 -- Literature and the war
- War and literature
- Language
- eng
- Summary
- All of London exploded on the night of May 18, 1900, in the biggest West End party ever seen. The mix of media manipulation, patriotism, and class, race, and gender politics that produced the 'spontaneous' festivities of Mafeking Night begins this analysis of the cultural politics of late-Victorian imperialism. Paula M. Krebs examines 'the last of the gentlemen's wars' - the Boer War of 1899-1902 - and the struggles to maintain an imperialist hegemony in a twentieth-century world, through the war writings of Arthur Conan Doyle, Olive Schreiner, H. Rider Haggard, and Rudyard Kipling, as well as contemporary journalism, propaganda, and other forms of public discourse. Her feminist analysis of such matters as the sexual honor of the British soldier at war, the deaths of thousands of women and children in 'concentration camps', and new concepts of race in South Africa marks this book as a significant contribution to British imperial studies
- Cataloging source
- CaPaEBR
- Dewey number
- 820.9/358
- Index
- index present
- LC call number
- PR129.S6
- LC item number
- K74 1999eb
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- Series statement
- Cambridge studies in nineteenth-century literature and culture
- Series volume
- 23
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- Gender, race, and the writing of empire : public discourse and the Boer War, Paula M. Krebs
- Gender, race, and the writing of empire : public discourse and the Boer War, Paula M. Krebs
- Gender, race, and the writing of empire : public discourse and the Boer War, Paula M. Krebs
- Gender, race, and the writing of empire : public discourse and the Boer War, Paula M. Krebs
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