MUSIC -- Genres & Styles | Opera
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MUSIC -- Genres & Styles | Opera
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The concept MUSIC -- Genres & Styles | Opera represents the subject, aboutness, idea or notion of resources found in University of Missouri-St. Louis Libraries.
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- "Music's obedient daughter" : the opera libretto from source to score
- A history of opera : milestones and metamorphoses
- A masked ball : Un ballo in maschera
- A season of opera : from Orpheus to Ariadne
- A vision of the Orient : texts, intertexts, and contexts of Madame Butterfly
- Adriana Lecouvrer : opera in Italian in four acts
- Aesthetic technologies of modernity, subjectivity, and nature : opera · orchestra · phonograph · film
- Ancient Drama in Music for the Modern Stage
- Andrea Chénier
- Ariadne auf Naxos : Ariadne on Naxos : opera in German, with a prologue and one act
- Armida : opera seria in Italian in three acts
- Athena sings : Wagner and the Greeks
- Attila : opera in Italian, with a prologue and three acts
- Aïda
- Beijing opera costumes : the visual communication of character and culture
- Believing in opera
- Between opera and cinema
- Beyond reason : Wagner contra Nietzsche
- Bizet's Carmen
- Bizet's Carmen
- Bizet's Carmen
- Blackness in opera
- Boris Godunov
- Camille Saint-Saëns's Samson and Delilah (Samson et Dalila)
- Camille Saint-Saëns's Samson and Delilah : Samson et Dalila : opera in French in three acts : translated from French including music highlight transcriptions
- Candide : comic operetta in two acts
- Capriccio : Konversationstück für Musik in German in two acts ...
- Carl Maria von Weber and the search for a German opera
- Carmen
- Cavalleria Rusticana : Rustic Chivalry
- Center stage : operatic culture and nation building in nineteenth-century Central Europe
- Chinese opera : images and stories
- Così fan tutte : Thus do all women behave
- Der Freischütz : The free-shooter
- Der Rosenkavalier : The rose-bearer, or The knight of the rose
- Die Fledermaus : The bat
- Die Rezeption des Orpheus-Mythos in deutschen Musikdramen des 17. Jahrhunderts
- Divas and scholars : performing Italian opera
- Don Carlo
- Don Carlo : opera in Italian in five acts
- Don Giovanni
- Don Giovanni : il dissoluto punito = Don Juan : the rake punished
- Don Pasquale
- Donizetti's Lucia di Lammermoor
- Donizetti's Lucia di Lammermoor
- Donizetti's Lucia di Lammermoor
- Drama Kings : Players and Publics in the Re-creation of Peking Opera, 1870-1937
- Elektra : Electra
- Emblems of eloquence : opera and women's voices in seventeenth-century Venice
- Engaging haydn: culture, context, and criticism
- Essays on Richard Wagner and Parsifal, including Robert Calverley Treveleyan's The new parsifal
- Eugene Onegin
- Exploring Wagner's The Ring of the Nibelung : Der Ring des Nibelungen
- Ezra Pound's radio operas : the BBC experiments, 1931-1933
- Falstaff
- Faust
- Fidelio : Leonore, oder Der Triumph der ehelichen Liebe = Leonore, or The triumph of married love
- Finding my voice : playing the fool, and other triumphs
- Five operas and a symphony : word and music in Russian culture
- Francesca da Rimini : tragic opera in Italian in four acts
- Giachino Rossini's Armida
- Giacomo Meyerbeer : reputation without cause? : a composer and his critics
- Giacomo Puccini's The girl of the golden West (La fanciulla del West)
- Gianni Schicchi : opera in Italian in one act
- Gilbert and Sullivan : gender, genre, parody
- Giuseppe Verdi's A masked ball : Un ballo in maschera
- Giuseppe Verdi's A masked ball : Un ballo in maschera : opera in Italian in three acts : translated from Italian and including music highlight transcriptions
- Grand opera : the story of the Met
- Grosses Sängerlexikon
- Hamlet : opera in French in five acts
- Hansel and Gretel : Hänsel und Gretel
- Harrison Birtwistle's operas and music theatre
- Heggie and Scheer's Moby-Dick : a grand opera for the twenty-first century
- Henry VIII : opera in two acts = Henri VIII
- I Pagliacci : The Clowns
- I puritani : 'melodramma serio' in three acts = The puritans : opera seria in three acts
- Il Crociato in Egitto : Melodramma eroico in due atti
- Il Trovatore : The Troubadour
- Il tabarro : The cloak : opera in Italian in one act
- Il trittico, Turandot, and Puccini's late style
- Il trovatore, "The troubadour" : opera in Italian in four acts
- In search of opera
- Inside Bluebeard's castle : music and drama in Bartók's opera
- Iphigénie en Tauride : Iphigenia in Tauris : tragédie in French in four acts
- Janáček's operas : a documentary account
- John Adams's Nixon in China : musical analysis, historical and political perspectives
- Julius Caesar in Egypt : Giulio Cesare in Egitto
- L'Africaine : The African maiden : grand opera in French in five acts
- L'Italiana in Algeri : The Italian girl in Algiers
- L'opéra du samedi : le Metropolitan à la radio du Québec
- La Bohème
- La Cenerentola, ossia, La bontà in trionfo : Cinderella, or, Goodness triumphant : dramma giocosso in two acts
- La damnation de Faust : The damnation of Faust : concert opera in four parts
- La fanciulla del West : The girl of the golden West : opera in Italian in three acts
- La fille du régiment : The daughter of the regiment : comic opera in French in two acts
- La gioconda : "dramma lirico" in Italian in four acts
- La rondine : The swallow : opera in Italian in three acts
- La sonnambula : The sleepwalker : opera in Italian in two acts
- La traviata : The fallen woman
- Lakmé : lyric drama in French in three acts
- Le Prophète : the Manuscript Facsimiles
- Le comte Ory : Count Ory : opéra comique in French in two acts
- Leonora's last act : essays in Verdian discourse
- Les Huguenots : the Manuscript Facsimiles
- Les Troyens : The Trojans : opera in French in five acts
- Les huguenots : The huguenots : opera in French in five acts
- Libretti vom "Mittelalter" : Entdeckungen von Historie in der (nord)deutschen und europaischen Oper um 1700
- Living opera
- Lohengrin
- Lorenzo Da Ponte : the life and times of Mozart's librettist
- Lotfi Mansouri : an Operatic Journey
- Lucia di Lammermoor : Lucy of Lammermoor
- Macbeth : Macbetto
- Macbeth multiplied : negotiating historical and medial difference between Shakespeare and Verdi
- Mad loves : women and music in Offenbach's Les contes d'Hoffmann
- Madama Butterfly
- Magic flutes & enchanted forests : the supernatural in eighteenth-century musical theater
- Mamontov's Private Opera : the search for modernism in Russian theater
- Manon
- Manon Lescaut
- Mascagni's Cavalleria Rusticana
- Mascagni's Cavalleria rusticana : Rustic chivalry. Leoncavallo's I pagliacci = The clowns
- Mascagni's Cavalleria rusticana ; : Leoncavallo's I Pagliacci
- Masculinity in opera : gender, history, & new musicology
- Metaphysical song : an essay on opera
- Meyerbeer's Robert le Diable : the Premier Opéra Romantique
- Mimomania : music and gesture in nineteenth-century opera
- Monstrous opera : Rameau and the tragic tradition
- Mozart's Così fan tutte
- Mozart's Così fan tutte : translated from Italian and including music highlight transcriptions
- Mozart's Da Ponte operas : the marriage of Figaro, Don Giovanni, Così fan tutte
- Mozart's Don Giovanni
- Mozart's Don Giovanni
- Mozart's Marriage of Figaro
- Mozart's The magic flute
- Mozart's The magic flute
- Mozart's The marriage of Figaro
- Mozart's The marriage of Figaro
- Music drama at the Paris Odéon, 1824-1828
- Music in the theater : essays on Verdi and other composers
- Music, sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Così fan tutte
- Music, theater, and cultural transfer : Paris, 1830-1914
- Nabucco : Nabuccodonosor = Nebuchadnezzar
- Nero in opera : librettos as transformations of ancient sources
- Niki Goldschmidt : a life in Canadian music
- Norma
- Ombra : Supernatural Music in the Eighteenth Century
- Opera
- Opera : the art of dying
- Opera Indigene : Re/presenting First Nations and Indigenous Cultures
- Opera and drama in eighteenth-century London : the King's Theatre, Garrick and the business of performance
- Opera and modern culture : Wagner and Strauss
- Opera and society in Italy and France from Monteverdi to Bourdieu
- Opera in America : a cultural history
- Opera in seventeenth-century Venice : the creation of a genre
- Opera in the age of Rousseau : music, confrontation, realism
- Opera in the development of German critical thought
- Opera scenes for class and stage
- Opera, theatrical culture and society in late eighteenth-century Naples
- Operetta : a theatrical history
- Opéra-Comique : a Sourcebook
- Orfeo ed Euridice : Orpheus and Eurydice : tragic opera in three acts
- Otello : Othello
- Parsifal : Bühnenweihfestspiel in German in three acts
- Pelléas et Mélisande : lyric drama in French in five acts
- Performing operas for Mozart : impresarios, singers and troupes
- Porgy and Bess
- Puccini's Edgar
- Puccini's Gianni Schicchi
- Puccini's Il Tabarro
- Puccini's Il trittico
- Puccini's Il trittico : Il tabarro, Suor Angelica, Gianni Schicchi
- Puccini's La Bohème
- Puccini's La Bohème
- Puccini's La Bohème
- Puccini's La Fanciulla del West
- Puccini's La Rondine : The Swallow
- Puccini's Le Villi
- Puccini's Madama Butterfly
- Puccini's Madama Butterfly
- Puccini's Manon Lescaut
- Puccini's Manon Lescaut
- Puccini's Suor Angelica
- Puccini's Suor Angelica
- Puccini's Tosca
- Puccini's Tosca
- Puccini's Turandot
- Puccini's Turandot
- Puccini's operas : libretti in Italian/English
- Puccini's operas : the glorious dozen
- Reading opera
- Remaking the song : operatic visions and revisions from Handel to Berio
- Revealing masks : exotic influences and ritualized performance in modernist music theater
- Richard Strauss's Salome
- Richard Strauss's Salome
- Richard Wagner : a short biography
- Richard Wagner : self-promotion and the making of a brand
- Richard Wagner, Fritz Lang, and the Nibelungen : the dramaturgy of disavowal
- Rigoletto
- Roméo et Juliette : (Romeo and Juliet) : opera in French in five acts
- Rossini's La cenerentola : translated from the Italian and including music highlight transcriptions
- Rossini's The Barber of Seville
- Rossini's The barber of Seville
- Ruggerio Leoncavallo's I Pagliacci
- Russian opera and the symbolist movement
- Salome
- Samson and Delilah
- Sarah Caldwell : the first woman of opera
- Selected essays on opera
- Siegfried
- Sigmund Romberg
- Simon Boccanegra : opera in Italian with a prologue and three acts
- Singing, acting, and movement in opera : a guide to singer-getics
- Siren songs : representations of gender and sexuality in opera
- Situating opera : period, genre, reception
- St. Louis woman
- Staging the French Revolution : cultural politics and the Paris Opéra, 1789-1794
- Strange Career of Porgy and Bess : Race, Culture, and America's Most Famous Opera
- Strauss's Salome
- Susannah : musical drama in two acts, ten scenes
- Tannhäuser
- Thaïs : opera (comédie lyrique) in French in three acts and seven scenes
- The Barber of Seville : Il Barbiere di Siviglia
- The Castrato and his wife
- The Choruses in Mozart's Opere Serie and the Genre and Historical Role of the Opera Chorus
- The Don Giovanni moment : essays on the legacy of an opera
- The Elixir of love : "L'Elisir d'Amore"
- The Flying Dutchman : Der fliegende Holländer
- The Italian traditions & Puccini : compositional theory and practice in nineteenth-century opera
- The Legacy of Opera : Reading Music Theatre as Experience and Performance
- The Life and Work of Pauline Viardot Garcia
- The Marriage of Figaro : Le Nozze di Figaro
- The New Grove guide to Wagner and his operas
- The Oxford illustrated history of opera
- The Puccini problem : opera, nationalism and modernity
- The Rhinegold : Das Rheingold
- The abduction from the Seraglio : ("Die Entführung aus dem Serail") : Singspiel in German in three acts
- The ballad of Baby Doe : "I shall walk beside my love"
- The ballad of Baby Doe : opera in two acts
- The barber of Seville
- The beggar's 'children' : how John Gay changed the course of England's musical theatre
- The culture of opera buffa in Mozart's Vienna : a poetics of entertainment
- The early Stuart masque : dance, costume, and music
- The magic flute : Die Zauberflöte
- The mastersingers of Nuremberg : music drama in German in 3 acts = Die Meistersinger von Nürnberg
- The mikado, or, The town of Titipu
- The opera lover's companion
- The origins and roles of instrumental music in the operas of Richard Strauss
- The politics of opera in Handel's Britain
- The queen of spades : tragic opera in Russian in three acts = Pique dame
- The rake's progress : an opera in English in three acts (nine scenes and an epilogue)
- The rise of Cantonese opera
- The rival sirens : performance and identity on Handel's operatic stage
- The sounds of Paris in Verdi's La Traviata
- The tales of Hoffmann : Les contes d'Hoffmann
- The tonadilla in performance : lyric comedy in enlightenment Spain
- The tragic and the ecstatic : the musical revolution of Wagner's Tristan und Isolde
- The valkyrie : Die Walküre
- Three modes of perception in Mozart : the philosophical, pastoral, and comic in Così fan tutte
- Tonality as drama : closure and interruption in four twentieth-century American operas
- Tosca
- Tristan and Isolde : Tristan und Isolde
- Tsar Feodor : Chaliapin in America
- Turandot
- Twilight of the Gods : Gotterdammerung
- Understanding the women of Mozart's operas
- Unsung voices : opera and musical narrative in the nineteenth century
- Verdi
- Verdi and the French aesthetic : verse, stanza, and melody in nineteenth-century opera
- Verdi at the Golden Gate : opera and San Francisco in the Gold Rush years
- Verdi's Aida
- Verdi's Aida
- Verdi's La Traviata
- Verdi's La Traviata
- Verdi's La Traviata
- Verdi's Otello
- Verdi's Otello
- Verdi's Otello
- Verdi's Rigoletto
- Verdi's Rigoletto
- Verdi's Rigoletto : libretto
- Verdi'ss [sic] Aida
- Vincenzo Bellini, Norma
- Wagner Androgyne
- Wagner and the Novel : Wagner's Operas and the European Realist Novel: An exploration of genre
- Wagner and the Romantic hero
- Wagner and the erotic impulse
- Wagner beyond good and evil
- Wagner's Ring cycle and the Greeks
- Wagner's The ring of the Nibelung
- Wagner's The ring of the Nibelung ("Der Ring des Nibelungen")
- Wagner's melodies : aesthetics and materialism in German musical identity
- Waiting for Verdi : Italian opera and political opinion, 1815-1848
- Weill's Musical Theater : Stages of Reform
- Werther
- West side story : musical in two acts
- Wozzeck
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