The changing face of American theatre : colorblind and uni-racial casting at the New York Shakespeare Festival under the direction of Joseph Papp
Resource Information
The work The changing face of American theatre : colorblind and uni-racial casting at the New York Shakespeare Festival under the direction of Joseph Papp represents a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
The changing face of American theatre : colorblind and uni-racial casting at the New York Shakespeare Festival under the direction of Joseph Papp
Resource Information
The work The changing face of American theatre : colorblind and uni-racial casting at the New York Shakespeare Festival under the direction of Joseph Papp represents a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- The changing face of American theatre : colorblind and uni-racial casting at the New York Shakespeare Festival under the direction of Joseph Papp
- Title remainder
- colorblind and uni-racial casting at the New York Shakespeare Festival under the direction of Joseph Papp
- Statement of responsibility
- by Charlene Widener
- Language
- eng
- Summary
- It is widely acknowledged that Joseph Papp started colorblind casting in the United States in a sustained and visible way. In addition, he utilized uni-racial casting at various times in the history of the New York Shakespeare Festival (NYSF). Based on the general agreement that Papp's casting had a significant impact on the American theatre, it is clear that his work functioned as a racial project from the perspective of racial formations. Despite the fact that Papp's work has had an impact as a racial project in the United States, there are significant elements to his casting which have yet to be explored. The purpose of this dissertation is to analyze the extent and nature of colorblind and uni-racial casting at the NYSF and explore how the two different methods of non-traditional casting were used at various times in the organization's history
- Cataloging source
- MUU
- Dissertation year
- 2006.
- Granting institution
- Thesis (Ph. D.) University of Missouri-Columbia
- Index
- no index present
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- theses
- Target audience
- specialized
Context
Context of The changing face of American theatre : colorblind and uni-racial casting at the New York Shakespeare Festival under the direction of Joseph PappWork of
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.umsl.edu/resource/Enxsx2XOzIg/" typeof="CreativeWork http://bibfra.me/vocab/lite/Work"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.umsl.edu/resource/Enxsx2XOzIg/">The changing face of American theatre : colorblind and uni-racial casting at the New York Shakespeare Festival under the direction of Joseph Papp</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.umsl.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.umsl.edu/">University of Missouri-St. Louis Libraries</a></span></span></span></span></div>
