MUSIC -- Genres & Styles | International
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The concept MUSIC -- Genres & Styles | International represents the subject, aboutness, idea or notion of resources found in University of Missouri-St. Louis Libraries.
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MUSIC -- Genres & Styles | International
Resource Information
The concept MUSIC -- Genres & Styles | International represents the subject, aboutness, idea or notion of resources found in University of Missouri-St. Louis Libraries.
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- MUSIC -- Genres & Styles | International
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57 Items that share the Concept MUSIC -- Genres & Styles | International
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- "Do you know--?" : the jazz repertoire in action
- A day for the hunter, a day for the prey : popular music and power in Haiti
- American popular music and its business : the first four hundred years, II, From 1790 to 1909
- Arrest the music! : Fela and his rebel art and politics
- Balkan popular culture and the Ottoman ecumene : music, image, and regional political discourse
- Beyond memory : recording the history, moments and memories of South African music
- Bossa Nova : the Story of the Brazilian Music That Seduced the World
- Composing dissent : avant-garde music in 1960s Amsterdam
- Cries of joy, songs of sorrow : Chinese pop music and its cultural connotations
- Disconnections : popular music audiences in Freetown, Sierra Leone
- Driven into paradise : the musical migration from Nazi Germany to the United States
- Five operas and a symphony : word and music in Russian culture
- Focus : music, nationalism, and the making of the new Europe
- French cultural politics & music : from the Dreyfus affair to the First World War
- From tejano to tango : Latin American popular music
- German modernism : music and the arts
- Hip hop Africa : new African music in a globalizing world
- Historical dictionary of English music, ca. 1400-1958
- Interpreting the musical past : early music in nineteenth-century France
- Listening in Paris : a cultural history
- Live from Dar es Salaam : popular music and Tanzania's music economy
- Metaphors of depth in German musical thought : from E.T.A. Hoffmann to Arnold Schoenberg
- Modern noise, fluid genres : popular music in Indonesia, 1997-2001
- Music & eros
- Music and Institutions in nineteenth-century Britain
- Music and performance culture in nineteenth-century Britain : essays in honour of Nicholas Temperley
- Music and power in the Soviet 1930s : a history of composers' bureaucracy
- Music and the elusive revolution : cultural politics and political culture in France, 1968-1981
- Music at the Gonzaga court in Mantua
- Music in Germany since 1968
- Music in the Balkans
- Music, masculinity and the claims of history : the Austro-German tradition from Hegel to Freud
- Music, national identity and the politics of location : between the global and the local
- Musical cultures in seventeenth-century Russia
- Musique & éros
- Nationalists, cosmopolitans, and popular music in Zimbabwe
- Nationalizing blackness : afrocubanismo and artistic revolution in Havana, 1920-1940
- New music at Darmstadt : Nono, Stockhausen, Cage, and Boulez
- Nordic art music : from the Middle Ages to the third millennium
- On Russian music
- Polish music since Szymanowski
- Refashioning pop music in Asia : cosmopolitan flows, political tempos, and aesthetic industries
- Russians on Russian music, 1880-1917 : an anthology
- Settling scores : German music, denazification, and the Americans, 1945-1953
- Sound tracks : popular music, identity, and place
- Soviet music and society under Lenin and Stalin : the baton and sickle
- The History of Modern Swedish Music : an Introduction to Nineteen Composers
- The Musical Sounds of Medieval French Cities : Players, Patrons, and Politics
- The civic muse : music and musicians in Siena during the Middle Ages and the Renaissance
- The composer as intellectual : music and ideology in France 1914-1940
- The modern composer and his world : a report from the International Conference of Composers, held at the Stratford Festival, Stratford, Ontario, Canada, August 1960
- The musical legacy of wartime France
- The republic of love : cultural intimacy in Turkish popular music
- The sounds of Milan, 1585-1650
- The story of Crass
- The struggle for control of Soviet music from 1932 to 1948 : socialist realism vs. western formalism
- What Makes Music European : Looking beyond Sound
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.umsl.edu/resource/EwYNFm_smOg/" typeof="CategoryCode http://bibfra.me/vocab/lite/Concept"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.umsl.edu/resource/EwYNFm_smOg/">MUSIC -- Genres & Styles | International</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.umsl.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.umsl.edu/">University of Missouri-St. Louis Libraries</a></span></span></span></span></div>
