Diana and beyond : white femininity, national identity, and contemporary media culture
Resource Information
The work Diana and beyond : white femininity, national identity, and contemporary media culture represents a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
Diana and beyond : white femininity, national identity, and contemporary media culture
Resource Information
The work Diana and beyond : white femininity, national identity, and contemporary media culture represents a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- Diana and beyond : white femininity, national identity, and contemporary media culture
- Title remainder
- white femininity, national identity, and contemporary media culture
- Statement of responsibility
- Raka Shome
- Subject
-
- Diana, Princess of Wales, 1961-1997
- Diana, Princess of Wales, 1961-1997 -- In mass media
- Diana, Princess of Wales, 1961-1997 -- Influence
- Electronic books
- Great Britain
- HISTORY -- Europe | Great Britain
- History
- Influence (Literary, artistic, etc.)
- Mass media
- National characteristics, British -- History -- 20th century
- Popular culture
- Popular culture -- Great Britain -- History
- SOCIAL SCIENCE -- Media Studies
- Verenigd Koninkrijk van Groot-Brittanniƫ en Noord-Ierland
- Women, White -- Great Britain -- Social conditions
- National characteristics, British
- 1900-1999
- Language
- eng
- Summary
- The death of Princess Diana unleashed an international outpouring of grief, love, and press attention virtually unprecedented in history. Yet the exhaustive effort to link an upper class white British woman with "the people" raises questions. What narrative of white femininity transformed Diana into a simultaneous signifier of a national and global popular? What ideologies did the narrative tap into to transform her into an idealized woman of the millennium? Why would a similar idealization not have appeared around a non-white, non-Western, or immigrant woman? Raka Shome investigates the factors that led to this defining cultural/political moment and unravels just what the Diana phenomenon represented for comprehending the relation between white femininity and the nation in postcolonial Britain and its connection to other white female celebrity figures in the millennium. Digging into the media and cultural artifacts that circulated in the wake of Diana's death, Shome investigates a range of theoretical issues surrounding motherhood and the production of national masculinities, global humanitarianism, transnational masculinities, the intersection of fashion and white femininity, and spirituality and national modernity. Her analysis explores how images of white femininity in popular culture intersect with issues of race, gender, class, sexuality, and transnationality in the performance of Anglo national modernities. Moving from ideas on the positioning of privileged white women in global neoliberalism to the emergence of new formations of white femininity in the millennium, Diana and Beyond fearlessly explains the late princess's never-ending renaissance and ongoing cultural relevance
- Cataloging source
- N$T
- Dewey number
- 941.085092
- Government publication
- government publication of a state province territory dependency etc
- Index
- index present
- LC call number
- DA591.A45
- LC item number
- D536276 2014eb
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
Context
Context of Diana and beyond : white femininity, national identity, and contemporary media cultureWork of
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