The sound of tomorrow : how electronic music was smuggled into the mainstream
Resource Information
The work The sound of tomorrow : how electronic music was smuggled into the mainstream represents a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries. This resource is a combination of several types including: Work, Language Material, Books.
The Resource
The sound of tomorrow : how electronic music was smuggled into the mainstream
Resource Information
The work The sound of tomorrow : how electronic music was smuggled into the mainstream represents a distinct intellectual or artistic creation found in University of Missouri-St. Louis Libraries. This resource is a combination of several types including: Work, Language Material, Books.
- Label
- The sound of tomorrow : how electronic music was smuggled into the mainstream
- Title remainder
- how electronic music was smuggled into the mainstream
- Statement of responsibility
- Mark Brend
- Subject
-
- Electronic books
- Electronic music
- Electronic music -- History and criticism
- Elektroakustisk musik -- historia
- Elektronische Musik
- Elektronisk musik -- historia
- Elektronisk populärmusik -- historia
- Criticism, interpretation, etc
- MUSIC / Musical Instruments / Piano & Keyboard
- MUSIC / Printed Music / Percussion
- Popular music
- Popular music -- History and criticism
- Unterhaltungsmusik
- Filmmusik -- historia
- Language
- eng
- Summary
- Monterey pop festival, 1967. Bernie Krause and Paul Beaver demonstrated a Moog synthesizer to the assembled rock aristocracy, plugging into a surge of interest that would see synthesizers and electronic sound become commonplace in rock and pop early the following decade. And yet in 1967 electronic music had already seeped into mainstream culture. For years, composers and technicians had been making electronic music for film and TV. Hitchcock had commissioned a theremin soundtrack for Spellbound (1945); The Forbidden Planet (1956) featured an entirely electronic score; Delia Derbyshire had crea
- Cataloging source
- EBLCP
- Dewey number
- 786.709
- Illustrations
- illustrations
- Index
- index present
- LC call number
- ML1092
- Literary form
- non fiction
- Nature of contents
-
- dictionaries
- bibliography
- discographies
- filmographies
Context
Context of The sound of tomorrow : how electronic music was smuggled into the mainstreamWork of
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