Kunst
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The concept Kunst represents the subject, aboutness, idea or notion of resources found in University of Missouri-St. Louis Libraries.
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Kunst
Resource Information
The concept Kunst represents the subject, aboutness, idea or notion of resources found in University of Missouri-St. Louis Libraries.
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- Kunst
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- A seamless web : transatlantic art in the nineteenth century
- A weapon in the struggle : the cultural history of the communist party in Britain
- Adela Breton : a Victorian artist amid Mexico's ruins
- Aesthetics as phenomenology : the appearance of things
- African art, interviews, narratives : bodies of knowledge at work
- African-American art
- Ai Weiwei's blog : writings, interviews, and digital rants, 2006-2009
- Aisha's cushion : religious art, perception, and practice in Islam
- Almost nothing : observations on precarious practices in contemporary art
- Almost nothing : observations on precarious practices in contemporary art
- American silence
- An annotated bibliography of Inuit art
- An introduction to the philosophy of art
- Ancient Near Eastern art in context : studies in honor of Irene J. Winter
- Animals as disguised symbols in Renaissance art
- Armour and masculinity in the Italian Renaissance
- Art & place : essays on art from a Hong Kong perspective
- Art and Rhetoric in Roman Culture
- Art and animals
- Art and archaeology of Afghanistan : its fall and survival : a multi-disciplinary approach
- Art and homosexuality : a history of ideas
- Art and intimacy : how the arts began
- Art and outrage : provocation, controversy, and the visual arts
- Art and selfhood : a Kierkegaardian account
- Art and the German bourgeoisie : Alfred Lichtwark and modern painting in Hamburg, 1886-1914
- Art and theory after socialism
- Art and truth after Plato
- Art and upheaval : artists on the world's frontlines
- Art as abstract machine : ontology and aesthetics in Deleuze and Guattari
- Art as organism : biology and the evolution of the digital image
- Art in England : the Saxons to the Tudors, 600-1600
- Art in Spain and Portugal from the Romans to the Early Middle Ages : routes and myths
- Art in the cinematic imagination
- Art in turmoil : the Chinese Cultural Revolution, 1966-76
- Art incorporated : the story of contemporary art
- Art market and connoisseurship : a closer look at paintings by Rembrandt, Rubens and their contemporaries
- Art of suppression : confronting the Nazi past in histories of the visual and performing arts
- Art outside the lines : new perspectives on GDR art culture
- Art, space and the city : public art and urban futures
- Arts of Korea : histories, challenges, and perspectives
- Artwash : big oil and the arts
- At a distance : precursors to art and activism on the Internet
- Before, between, and beyond : three decades of dance writing
- Beyond the text : Franciscan art and the construction of religion
- Bioart and the vitality of media
- Bioart kitchen : art, feminism and technoscience
- Bodies in balance : the art of Tibetan medicine
- Bodily extremities : preoccupations with the human body in early modern European culture
- Border matters : remapping American cultural studies
- Bourdieu in question : new directions in French sociology of art
- Burden or legacy : from the Chinese Cultural Revolution to contemporary art
- Challenging racism in the arts : case studies of controversy and conflict
- Children of Marx and Coca-Cola : Chinese avant-garde art and independent cinema
- Chromaphilia : the story of color in art
- Citizen spectator : art, illusion, and visual perception in early national America
- Classical Greece and the birth of Western art
- Classical art : a life history from antiquity to the present
- Cleopatra and Rome
- Cold War modernists : art, literature, and American cultural diplomacy, 1946-1959
- Collage in Twentieth-Century Art, Literature and Culture : Joseph Cornell, William Burroughs, Frank O'Hara, and Bob Dylan
- Collectors' knowledge : what is kept, what is discarded = Aufbewahren oder wegwerfen : wie sammler entscheiden
- Color in the age of impressionism : commerce, technology, and art
- Comics versus art
- Committed to memory : the art of the slave ship icon
- Communicating creativity : the discursive facilitation of creative activity in arts
- Company curiosities : nature, culture and the East India Company, 1600-1874
- Conceptual revolutions in twentieth-century art
- Concerto for the left hand : disability and the defamiliar body
- Concise dictionary of women artists
- Confronting the machine : an enquiry into the subversive drives of computer-generated art
- Constructing the image of Muhammad in Europe
- Contemporary art from the Middle East : regional interactions with global art discourses
- Creating the "divine" artist from Dante to Michelangelo
- Creations of the mind : theories of artifacts and their representation
- Cultural contact and the making of European art since the age of exploration
- Culture and inflation in Weimar Germany
- Death-drive : Freudian hauntings in literature and art
- Decadent culture in the United States : art and literature against the American grain, 1890-1926
- Decadent subjects : the idea of decadence in art, literature, philosophy, and culture of the fin de siècle in Europe
- Deleuze and contemporary art
- Depicting Canada's children
- Details of consequence : ornament, music, and art in Paris
- Digital synesthesia : a model for the aesthetics of digital art
- Earth Sound, Earth Signal : Energies and Earth Magnitude in the Arts
- Econ-art : divorcing art from science in modern economics
- Electronics for artists : adding light, motion, and sound to your artwork
- Embodying Black experience : stillness, critical memory, and the Black body
- Empty Action : Labour and Free Time in the Art of Collective Actions
- Enchanted by Lohans : Osvald Sireþn's journey into Chinese art
- Eros visible : art, sexuality and antiquity in Renaissance Italy
- Everyday genius : self-taught art and the culture of authenticity
- Exiles traveling : exploring displacement, crossing boundaries in German exile arts and writings 1933-1945
- Fantasy and horror : a critical and historical guide to literature, illustration, film, TV, radio, and the Internet
- Fashion in European art : dress and identity, politics and the body, 1775-1925
- Fashionable art
- Flying too close to the sun : myths in art from classical to contemporary
- Flying under the radar with the Royal Chicano Air Force : mapping a Chicano/a art history
- Framing attention : windows on modern German culture
- From monuments to traces : artifacts of German memory, 1870-1990
- German modernism : music and the arts
- Glass
- Good & plenty : the creative successes of American arts funding
- Greek Gods in the East : Hellenistic iconographic schemes in Central Asia
- History of concepts : comparative perspectives
- Holocaust representation : art within the limits of history and ethics
- I sing the body politic : history as prophecy in contemporary American literature
- Icons, texts, iconotexts : essays on ekphrasis and intermediality
- Images of enchantment : visual and performing arts of the Middle East
- Imagining the Americas in Medici Florence
- Imago mortis : mediating images of death in late medieval culture
- Imitation and Creativity in Japanese Arts : from Kishida Ryūsei to Miyazaki Hayao
- Information arts : intersections of art, science, and technology
- Inspiration : Bacchus and the cultural history of a creation myth
- Interrogating secularism : race and religion in Arab transnational literature and art
- Jane Austen and the arts : elegance, propriety, and harmony
- Judaism and the visual image : a Jewish theology of art
- Key moments in art
- Labor's canvas : American working-class history and the WPA art of the 1930s
- Landscape theory
- Legitimizing the artist : manifesto writing and European modernism, 1885-1915
- Light volumes : art and landscape
- Literature in the light of the emblem : structural parallels between the emblem and literature in the sixteenth and seventeenth centuries
- Looking at men : anatomy, masculinity and the modern male body
- Lorenzo de' Medici and the art of magnificence
- Machine art in the Twentieth Century
- Making it like a man : Canadian masculinities in practice
- Malady and mortality : illness, disease and death in literary and visual culture
- Mapping mortality : the persistence of memory and melancholy in early modern England
- Marxism and the history of art : from William Morris to the New Left
- Mass effect : art and the internet in the twenty-first century
- Maurice Blanchot et l'art au XXème siècle : une esthétique du désoeuvrement
- Medieval Art and Architecture after the Middle Ages
- Metacreation : art and artificial life
- Michelangelo's Christian mysticism : spirituality, poetry, and art in sixteenth-century Italy
- Modern art and the idea of the Mediterranean
- Modern art in America 1908-68
- Modernist Cultural Studies
- Modernist avant-garde aesthetics and contemporary military technology : technicities of perception
- Monochrome : darkness and light in contemporary art
- Music and modernism, c. 1849-1950
- Myths of Venice : the figuration of a state
- Narrative interludes : musical tableaux in eighteenth-century French texts
- New tendencies : art at the threshold of the information revolution (1961-1978)
- Ninth Street women : Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler : five painters and the movement that changed modern art
- Northrop Frye on modern culture
- Of Jews and animals
- Old Puglia : a portrait of south eastern Italy
- Old age in the Middle Ages and the Renaissance : interdisciplinary approaches to a neglected topic
- On the cusp of an era : art in the pre-Kuṣāṇa world
- On the strange place of religion in contemporary art
- One place after another : site-specific art and locational identity
- Padua and Venice : transcultural exchange in the early modern age
- Pageants and processions : images and idiom as spectacle
- Painting modernism
- Patronen van patronage in het zeventiende-eeuwse Antwerpen : een elite als actor binnen een kunstwereld
- Performing "nation" : gender politics in literature, theater, and the visual arts of China and Japan, 1880-1940
- Perverse desire and the ambiguous icon
- Phenomenology of the visual arts (even the frame)
- Philosophers on art from Kant to the postmodernists : a critical reader
- Photography and the art of chance
- Picturing Cuba : art, culture, and identity on the island and in the diaspora
- Post-post-Soviet? : art, politics & society in Russia at the turn of the decade
- Promethean ambitions : alchemy and the quest to perfect nature
- Psychology, art, and antifascism : Ernst Kris, E.H. Gombrich, and the politics of caricature
- Public art in Canada : critical perspectives
- Push me, pull you : imaginative, emotional, physical, and spatial interaction in late medieval and Renaissance art
- Radical aesthetics and modern black nationalism
- Radical eroticism : women, art, and sex in the 1960s
- Readings in Latin American modern art
- Realisation : from seeing to understanding : the origins of art
- Representing the body of the slave
- Rethinking professionalism : women and art in Canada, 1850-1970
- Samuel Beckett and the visual arts
- Seeing things : from Shakespeare to Pixar
- Semblance and event : activist philosophy and the occurrent arts
- Sensational modernism : experimental fiction and photography in thirties America
- Severo Sarduy and the neo-baroque image of thought in the visual arts
- Sight unseen : whiteness and American visual culture
- Signs of life : bio art and beyond
- Since Meiji : perspectives on the Japanese visual arts, 1868-2000
- Sonic modernity : representing sound in literature, culture and the arts
- Southeastern ceremonial complex : chronology, content, context
- Spectacular blackness : the cultural politics of the Black power movement and the search for a Black aesthetic
- Stealing the show : seven women artists in Canadian public art
- Subversive strategies in contemporary Chinese art
- Surrealism and the exotic
- Tactical biopolitics : art, activism, and technoscience
- Tailored for freedom : the artistic dress around 1900 in fashion, art, and society
- The "I" and the "Eye" : the Verbal and the Visual in Post-Renaissance Western Aesthetics
- The AAM guide to provenance research
- The Arts in the 1970s : cultural closure?
- The Black Arts Movement : literary nationalism in the 1960s and 1970s
- The Edinburgh companion to gothic and the arts
- The Renaissance Hamlet : issues and responses in 1600
- The Routledge companion to medieval iconography
- The Tōkaidō road : traveling and representation in Edo and Meiji Japan
- The Victorian novel and the space of art : fictional form on display
- The Villanovan, Etruscan, and Hellenistic collections in the Detroit Institute of Arts
- The art of brutalism : rescuing hope from catastrophe in 1950s Britain
- The art of frenzy : public madness in the visual culture, 1500-1850
- The art of reform in eleventh-century Flanders : Gerard of Cambrai, Richard of Saint-Vanne and the Saint-Vaast Bible
- The artful species : aesthetics, art, and evolution
- The artificial body in fashion and art : marionettes, models, and mannequins
- The artist and the warrior : military history through the eyes of the masters
- The arts of kingship : Hawaiian art and national culture of the Kalākaua era
- The classical heritage in France
- The economics of creativity : art and achievement under uncertainty
- The enlightened eye : Goethe and visual culture
- The eyes of power : art and early Tokugawa authority
- The forge of vision : a visual history of modern Christianity
- The hidden sense : synesthesia in art and science
- The hills of Rome : signature of an eternal city
- The landscape of Stalinism : the art and ideology of Soviet space
- The life of a Balinese temple : artistry, imagination, and history in a peasant village
- The material and the ideal : essays in medieval art and archaeology in honour of Jean-Michel Spieser
- The measure of reality : quantification and Western society, 1250-1600
- The memory factory : the forgotten women artists of Vienna 1900
- The monstrous Middle Ages
- The paradoxes of art : a phenomenological investigation
- The politics of reclusion : painting and power in Momoyama Japan
- The return of the Baroque in modern culture
- The transformation of a religious landscape : medieval southern Italy, 850-1150
- The turn of the soul : representations of religious conversion in Early Modern art and literature
- The visual mind II
- The witch in history : early modern and twentieth-century representations
- The witch in the Western imagination
- Theorizing the avant-garde : modernism, expressionism, and the problem of postmodernity
- To life! : eco art in pursuit of a sustainable planet
- Transdiscourse, 2, Turbulence and reconstruction
- Twentieth-century American art
- Ugliness : the non-beautiful in art and theory
- Videogames and art
- Visible deeds of music : art and music from Wagner to Cage
- Vitamin C : clay + ceramic in contemporary art
- Voicetracks : attuning to voice in media and the arts
- Voyages of the self : pairs, parallels, and patterns in American art and literature
- Walter Benjamin and art
- Washed with sun : landscape and the making of white South Africa
- What art is
- What do artists know?
- Woman and art in early modern Latin America
- Women and the machine : representations from the spinning wheel to the electronic age
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<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.umsl.edu/resource/WD_TJq7myEg/" typeof="CategoryCode http://bibfra.me/vocab/lite/Concept"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.umsl.edu/resource/WD_TJq7myEg/">Kunst</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.umsl.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.umsl.edu/">University of Missouri-St. Louis Libraries</a></span></span></span></span></div>
