Performing arts
Resource Information
The concept Performing arts represents the subject, aboutness, idea or notion of resources found in University of Missouri-St. Louis Libraries.
The Resource
Performing arts
Resource Information
The concept Performing arts represents the subject, aboutness, idea or notion of resources found in University of Missouri-St. Louis Libraries.
- Label
- Performing arts
- Authority link
- http://id.worldcat.org/fast/01057887
- Source
- fast
123 Items that share the Concept Performing arts
Context
Context of Performing artsSubject of
No resources found
No enriched resources found
- 'Because we are poor ' : Irish theatre in the 1990s
- A History of theatre in Africa
- A World of Popular Entertainments : an Edited Volume of Critical Essays
- A biographical dictionary of actors, actresses, musicians, dancers, managers & other stage personnel in London, 1660-1800, Volume 1, Abaco to Belfille
- A biographical dictionary of actors, actresses, musicians, dancers, managers & other stage personnel in London, 1660-1800, Volume 10, M'Intosh to Nash
- A biographical dictionary of actors, actresses, musicians, dancers, managers & other stage personnel in London, 1660-1800, Volume 12, Pinner to Rizzo
- A biographical dictionary of actors, actresses, musicians, dancers, managers & other stage personnel in London, 1660-1800, Volume 13, Roach to Siddons
- A biographical dictionary of actors, actresses, musicians, dancers, managers & other stage personnel in London, 1660-1800, Volume 14, Siddons to Thynne
- A biographical dictionary of actors, actresses, musicians, dancers, managers & other stage personnel in London, 1660-1800, Volume 15, Tibbett to M. West
- A biographical dictionary of actors, actresses, musicians, dancers, managers & other stage personnel in London, 1660-1800, Volume 16, W. West to Zwingman
- A biographical dictionary of actors, actresses, musicians, dancers, managers & other stage personnel in London, 1660-1800, Volume 2, Belfort to Byzand
- A biographical dictionary of actors, actresses, musicians, dancers, managers & other stage personnel in London, 1660-1800, Volume 3, Cabanel to Cory
- A biographical dictionary of actors, actresses, musicians, dancers, managers & other stage personnel in London, 1660-1800, Volume 4, Corye to Dynion
- A biographical dictionary of actors, actresses, musicians, dancers, managers & other stage personnel in London, 1660-1800, Volume 5, Eagen to Garrett
- A biographical dictionary of actors, actresses, musicians, dancers, managers & other stage personnel in London, 1660-1800, Volume 6, Garrick to Gyngell
- A biographical dictionary of actors, actresses, musicians, dancers, managers & other stage personnel in London, 1660-1800, Volume 7, Habgood to Haubert
- A biographical dictionary of actors, actresses, musicians, dancers, managers & other stage personnel in London, 1660-1800, Volume 8, Hough to Keyse
- Actors and Performers Yearbook 2017 : Essential Contacts for Stage, Screen and Radio
- Actors and the art of performance : under exposure
- African drama and performance
- After Dickens : reading, adaptation, and performance
- After dark
- Against the current and into the light : performing history and land in Coast Salish territories and Vancouver's Stanley Park
- All the world's a stage : dramatic sensibility in Mary Shelley's novels
- Anatomy of performance training
- Applied theatre : understanding change
- Art and the performance of memory : sounds and gestures of recollection
- Artaud and his doubles
- Austronesian soundscapes : performing arts in Oceania and Southeast Asia
- Author's pen and actor's voice : playing and writing in Shakespeare's theatre
- Black movements : performance and cultural politics
- Brand Bollywood : a new global entertainment order
- Brandon's guide to theater in Asia
- British theatre in the Great War : a revaluation
- Broadway and beyond : commercial theatre considered
- Carnival and power : play and politics in a crown colony
- Catching Australian theatre in the 2000s
- Charles Dickens and his performing selves : Dickens and the public readings
- Chaucerian Theatricality
- Chinese Shakespeares : two centuries of cultural exchange
- Circle of fire : Dickens' vision & style & the popular Victorian theater
- Contemporary African cultural productions : production culturelles africains contemporaines
- Contemporary Southeast Asian performance : transnational perspectives
- Cultural work : understanding the cultural industries
- Cultures of representation : disability in world cinema contexts
- Dance : a creative art experience
- Dancing across the page : narrative and embodied ways of knowing
- Diasporas and interculturalism in Asian performing arts : translating traditions
- Dickens and popular entertainment
- Don't act, just dance : the metapolitics of cold war culture
- Doomed by hope : essays on Arab theatre
- Early modern encounters with the Islamic East : performing cultures
- Embodied Performance as Applied Research, Art and Pedagogy
- Exploring, experiencing, and envisioning integration in US arts education
- Fantasies of Empire : the Empire Theatre of Varieties and the licensing controversy of 1894
- Getting heard : (re)claiming performance space in Kenya
- Ghana's concert party theatre
- Gigs : jazz and the cabaret laws in New York City
- Great directors at work : Stanislavsky, Brecht, Kazan, Brook
- Hawaiian Hula Òlapa : stylized embodiment, percussion, and chanted oral poetry
- Hong Kong new wave cinema (1978-2000)
- Intermedial performance and politics in the public sphere
- Let's go to the Grand! : 100 years of entertainment at London's Grand Theatre
- Mad men carousel : the complete critical companion
- Managing innovation in the arts : making art work
- Music hall & modernity : the late-Victorian discovery of popular culture
- New visions in performance : the impact of digital technologies
- Non-Representational Theory and the Creative Arts
- Performance and Ethnography : Dance, Drama, Music
- Performance and culture : narrative, image and enactment in India
- Performance and identity in the classical world
- Performance studies : an introduction
- Performance studies in Canada
- Performative inter-actions in African theatre 3 : making space, rethinking drama and theatre in Africa
- Performing Brazil : essays on culture, identity, and the performing arts
- Performing Japan : contemporary expressions of cultural identity
- Performing citizenship : bodies, agencies, limitations
- Performing knowledge, 1750-1850
- Performing processes
- Personnage virtuel et corps performatif : effets de présence
- Player and Avatar
- Playing culture : conventions and extensions of performance
- Plunkett's entertainment, movie, publishing & media industry almanac, 2019 : the only comprehensive guide to the entertainment & media industry
- Poetry and Pedagogy across the Lifespan : Disciplines, Classrooms, Contexts
- Posthuman Blackness and the Black female imagination
- Posthuman Spiritualities in Contemporary Performance : Politics, Ecologies and Perceptions
- Prague soundscapes
- Professing performance : theatre in the academy from philololgy to performativity
- Rape on the contemporary stage
- Readings in numanities
- Rethinking Japanese modernism
- Ritual imports : performing medieval drama in America
- Russian performances : word, object, action
- Self-esteem, recovery and the performing arts : a textbook and guide for mental health practitioners, educators and students
- Spectacular performances;essays on theatre, imagery, books, and selves in e
- Staging trauma : bodies in shadow
- Starring Carmen!
- Teaching performance studies
- The Cinema Makers : Public Life and the Exhibition of Difference in South-Eastern and Central Europe Since the 1960s
- The Continuum companion to twentieth century theatre
- The Edinburgh Fringe survival guide : how to make your show a success
- The Palgrave handbook of contemporary Irish theatre and performance
- The Routledge companion to theatre and performance
- The early modern theatre of cruelty and its doubles : Artaud and influence
- The evil dead
- The fighting art of pencak silat and its music : from Southeast Asian village to global movement
- The hurt(ful) body : performing and beholding pain, 1600-1800
- The performance arts in Africa : a reader
- The performing arts in a new era
- The performing arts in medieval Islam : shadow play and popular poetry in Ibn Dāniyāl's Mamluk Cairo
- The soul of pleasure : sentiment and sensation in nineteenth-century American mass entertainment
- The theatre of imagining : a cultural history of imagination in the mind and on the stage
- Theatre, performance and change
- Theatricality and performativity : writings on texture from Plato's cave to urban activism
- Translocal Performance in Asian Theatre and Film
- Viral dramaturgies : HIV and AIDS in performance in the twenty-first century
- Weather bird : jazz at the dawn of its second century
- Who's buying entertainment
- Who's buying entertainment
- Who's buying entertainment
- Who's buying entertainment
- Worlds in words : storytelling in contemporary theatre and playwriting
- Writing performance : poeticizing the researcher's body
Embed
Settings
Select options that apply then copy and paste the RDF/HTML data fragment to include in your application
Embed this data in a secure (HTTPS) page:
Layout options:
Include data citation:
<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.umsl.edu/resource/f3cObAFgczY/" typeof="CategoryCode http://bibfra.me/vocab/lite/Concept"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.umsl.edu/resource/f3cObAFgczY/">Performing arts</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.umsl.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.umsl.edu/">University of Missouri-St. Louis Libraries</a></span></span></span></span></div>
Note: Adjust the width and height settings defined in the RDF/HTML code fragment to best match your requirements
Preview
Cite Data - Experimental
Data Citation of the Concept Performing arts
Copy and paste the following RDF/HTML data fragment to cite this resource
<div class="citation" vocab="http://schema.org/"><i class="fa fa-external-link-square fa-fw"></i> Data from <span resource="http://link.umsl.edu/resource/f3cObAFgczY/" typeof="CategoryCode http://bibfra.me/vocab/lite/Concept"><span property="name http://bibfra.me/vocab/lite/label"><a href="http://link.umsl.edu/resource/f3cObAFgczY/">Performing arts</a></span> - <span property="potentialAction" typeOf="OrganizeAction"><span property="agent" typeof="LibrarySystem http://library.link/vocab/LibrarySystem" resource="http://link.umsl.edu/"><span property="name http://bibfra.me/vocab/lite/label"><a property="url" href="http://link.umsl.edu/">University of Missouri-St. Louis Libraries</a></span></span></span></span></div>
